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Citings & Sightings of Dante's Works in Contemporary Culture

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Search Results for: tom phillips

Tom Phillips’ Illustrated Inferno (1983)

November 15, 2020 By Jasmine George, FSU '24

In 1983, English artist Tom Phillips translated and illustrated his own version of Dante’s Inferno.

“Phillips intended that his illustrations should give a visual commentary to Dante’s texts. As he writes in his notebook, ‘The range of imagery matches Dante in breath encompassing everything from Greek mythology to the Berlin Wall, from scriptural reference to a scene in an abattoir, and from alchemical signs to lavatory graffiti.’ And the range of modes of expression is similarly wide, including as it does, early calligraphy, collage, golden section drawings, maps, dragons, doctored photographs, references to other past artworks and specially programmed computer generated graphics.

“‘I have tried in this present version of Dante’s Inferno which I have translated and illustrated to make the book a container for the energy usually expended on large scale paintings… The artist thus tries to reveal the artist in the poet and the poet helps to uncover/release the poet in the artist.’”   —Notes on Dante’s Inferno, Tom Phillips’ website

Phillips also co-directed A TV Dante with Peter Greenaway in 1986.

Read more about Tom Phillips here.

 

Categories: Visual Art & Architecture, Written Word
Tagged with: 1983, Art, Artists, Collage, Commentary, Illustrations, Inferno, Photography, Translations

Peter Greenaway & Tom Phillips, “A TV Dante” (1989)

July 7, 2009 By

peter-greenaway-tom-phillips-a-tv-dante-1989“Based on Dante Alighieri’s poem, The Inferno, Peter Greenaway’s A TV Dante is a daring, unique, and genuinely brilliant work of art.
“Rather than dispensing with the actual text of The Inferno and depicting the actions its central characters, Dante (Bob Peck) and Virgil (John Gielgud), are described as performing, Greenaway instead provides the viewer with a recitation by his actors of an English translation of the first eight cantos of the poem.
Even the visual elements that accompany their words do not portray the characters’ activities. Instead, the director unfolds to the viewer a variety of evocative images, including visions of hell, the faces of his protagonists speaking their lines, superimposed designs, intertitles, and inset screens. The last of these are often windows which each contain the head of some academic or critic who is thus able to make comments on particular aspects of Dante’s poem, his religion, or the world in which he lived. With his presentation of this complex universe of elegant words and gorgeous but horrific images, the director has fashioned a potent masterpiece that is not only remarkably beautiful but also profoundly disturbing.”    —Movierapture

Categories: Performing Arts
Tagged with: 1989, Films

Dante Traveling Exhibition, Athens (2021)

November 21, 2021 By Sephora Affa, FSU '24

emiliano-ponzi-illustration-vi-cerchio

“Athens is the second European city after Belgrade to host the show, titled ‘Dante Ipermoderno– Dante illustrated in the world, 1983-2021.’ After the Greek capital, the exhibition will travel to Prague, Moscow, London, and Madrid.

“Five internationally known illustrators took it upon themselves to depict the shocking images described by Dante in his monumental work The Divine Comedy: Paolo Barbieri, Monica Baisner, Domenico Palantino, Tom Phillips, and Emiliano Ponzi.” [. . .]    —Ekathimerini, January 6, 2021

See more information about the art exhibit here.

Relatedly, see our posts about Paolo Barbieri here and Tom Phillips here.

Categories: Visual Art & Architecture
Tagged with: 2021, 700th anniversary, Art, Athens, Belgrade, Exhibitions, Greece, Hell, Illustrations, London, Madrid, Moscow, Prague, Purgatory, Visual Arts

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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