In May 2006, Indiana-based indie-rock/rockabilly group Murder By Death released In Bocca al Lupo, a concept album influenced by Dante’s Comedy. Asked about the connection to Dante’s poem, band front man Adam Turla explained, “In Bocca is a collection of short stories and each song deals with the idea of sin in a different way.” Each track narrates the story of a different character, woven through a pastiche of musical styles and exploring various aspects of sin, death, and transgression.
First in a series of historical thrillers featuring Dante Alighieri as investigator of crimes in 14th century Florence, the other novels are I delitti del mosaico; I delitti della luce; and La crociata delle tenebre.
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Contributed by Piergiorio Niccolazzini, PNLA Literary Agency
During a 2011 residency at Recology SF, San Francisco puppeteer Niki Ulehla began a multiple-phase project to dramatize Dante’s Inferno with her handmade puppets. The first performance, featuring puppets crafted out of discarded materials from the Recology Public Disposal Area, staged the first seven cantos of the poem.
This performance was followed by a second, at the Sanchez Art Center (Pacifica) in February-March 2013, in which a new set of puppets embark on the second part of the journey, Cantos 8-17. Sanchez Art Center describes the second performance as follows: “[Ulehla] combines traditional carved wooden marionettes with found object based ‘toys’ to create the characters inhabiting the hell described by Dante. [. . .] The performance will begin with the two travelers, Dante and Virgil, crossing the river Styx. They will pass through the fifth circle of Anger, the sixth of the Heretics and the seventh of Violence. This portion of their journey will end riding away on Geryon, the beast of Fraud.” —Sanchez Art Center, Pacifica, CA
Video of both performances can be seen here.
Students in the Italian program at the University of Notre Dame stage public readings of the Divine Comedy across campus (fall 2012).
“Organizers said the event was meant to bring the ‘vibrant immediacy’ of The Divine Comedy to life for a modern audience. ‘Students of Dante will know that reading his works alone and silently can be a life-changing experience, the fruits of which will endure and ripen,’ said Anne Leone, postdoctoral research fellow in Italian studies. ‘But reading his works aloud—and together—promises to be another experience entirely.'” —Notre Dame News
For video coverage of the event, click here.
“Somebody has got to keep the Gates of Hell safe from the elements. Meet the students on Stanford’s outdoor sculpture preservation crew. They conduct preventative maintenance on Rodin’s Gates of Hell and 100 other outdoor sculptures across campus. In other words, they get lots of hands-on-the-art experience because they have permission to touch.
“Given the nature of their work, which combines art and science, it’s no surprise that the crew, led by Elizabeth Saetta, is an extension of the Cantor Arts Center’s Art+Science Learning Lab, run by Susan Roberts-Manganelli.” […]
” ‘Regular care protects the sculpture from exposure to the elements, pests and public, and also prevents the need for invasive conservation treatment or repairs in the future,’ Saetta said. She is currently seeking a hands-on student to join the crew – one who’s not afraid of waxing hell.” —Stanford Report