Nine Circles of Hella-Peño

“Long, long ago, we promised ourselves that if Jack in the Box ever launched a new Munchie Meal featuring a Hella-Peño Burger, we’d make Ms. Morrow proud (she was, after all, Taft Union High School’s finest 11th-grade English teacher). Have we lost our minds? Probably, but the result is one of the greatest things in the history of things.

With no further delay, feast your eyes on (reverb voice) The 9 Circles of Hella-Peño!” –Robyn Reynolds for Struck on Behance, August 28, 2015.

To get a larger view of the artwork, click here.

You can check out more of Robyn Reynold’s work on Behance and her online portfolio.

You can check out more of Struck’s projects on Behance and the Struck website.

Go Nagai’s Dante Shinkyoku

dante-shinkyoku-cerbero-nagai-go-infernoDante Shinkyoku is a manga adaptation of Dante’s Inferno by Go Nagai. Nagai is faithful to the text, as he includes snippets of the original poem (in the vernacular). Though he chooses not to include the entire poem word for word, he shortens main ideas for the sake of comic style dialogue and transitions. He also includes an intro introducing the Guelphs and their struggle.” — Contributor Savannah Mikus

The full Dante Shinkyoku series (originally released in 1994-1995) is available to read online here.

Click here for a discussion of Go Nagai’s work in relation to three other Dante-inspired graphic novelists (article in Italian).

Contributed by Savannah Mikus (Florida State University, 2020)

Passione Playing Cards: Avernum, Dite, Cocito

Stefano Protino led the team at Passione Playing Cards in their three-part Inferno-based playing card series. The series began with Avernum in 2015, and was followed up by two more decks, called “Inferno Dite” and “Inferno Cocito,” which were funded by a successful Kickstarter campaign in 2017. Both images below are from the Avernum deck.

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Avernum-Passione-Playing-Cards-Dante-Inferno

Carlos Alonso en el infierno (1968)

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“Seguramente pasará a la historia como uno de los grandes genios de la ilustración argentina. Dibujante de un refinamiento enorme, Carlos Alonso elevó el género a alturas que sirvieron de plataforma para muchos. Su arte alcanzó una difusión tal que en 1963 integró junto a Doré, Daumier y Picasso un cuarteto elegido para difundir una serie de postales con ilustraciones de El Quijote en la entonces Unión Soviética.

“Es que seis años antes Alonso había ilustrado El Quijote tras haber ganado un concurso que lanzó la editorial Emecé. Con todo, dentro de su vasta producción que incluye ilustraciones para el Martín Fierro, Mademoiselle Fifi de Guy de Maupassant, series del poemario de Neruda y El Matadero de Echeverría, para muchos su obra cumbre fue y sigue siendo la serie de la Divina Comedia que realizó en 1968 parte de la cual se exhibe ahora en el Museo Franklin Rawson de San Juan junto a una serie de relieves sobre el Dante que muestran visiones y perspectivas diferentes de un mismo autor.” […] — Clarín.com (May 16, 2014)

Illustrations of the Comedy by Matteo Berton (2015)

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“I had the great pleasure of working on the Divine Comedy for a children’s adaptation written by Paolo di Paolo and published by La Nuova Frontiera Junior in 2015.

“The project was selected by the Society of Illustrator of New York annual competition Illustrator 58 in 2016 and won a Silver Medal in the book and editorial category.” — Matteo Berton

Campo di Marte, Florence (Italy), March 2018

Dante Illustrations by Robert Brinkerhoff

Robert Brinkerhoff, Professor of Illustration and Dean of Fine Arts at the Rhode Island School of Design (RISD), has embarked on what he calls “an ambitious undertaking, to say the least“: he proposes to illustrate the Comedy in 100 canto-by-canto drawings. The Inferno illustrations will be completed in December 2017, with Purgatorio and Paradiso projected for a future date. In January 2017, he began blogging the Inferno illustrations on his personal blog Brinkerhoff Brimmeth Over.

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Of the project, he writes, “Most of us read L’Inferno in high school or freshman lit classes in college, and its pulpy, phantasmal imagery appeals universally to youthful sensibilities. I last encountered L’Inferno (sans the rest of the poem) at age 19, my mind mired in newfound pleasures of freely available sex and beer and (finally, after 12 years of public school in which art class was shoved to the periphery) full-time dedication to art making. But in middle age I suspect the poem resonates more profoundly as it mirrors the preoccupations of people (like myself) whose paths in life are pondered with affection, regret, lost love, resentment and a desire to clarify, once and for all, the rest of the journey. Pick up Dante at age 50 and it will be a different literary experience. Spend many hours translating and drawing its tercets of terza rima and you’ll realize how much you have in common with a 14th century poet, despite the hundreds of years and linguistic traditions that separate you.” — Robert Brinkerhoff, “Introduction to Inferno: Una Selva Oscura,” Brinkerhoff Brimmeth Over, January 18, 2017

See his Divine Comedy images and follow the updates on his blog.

Fiona Hall’s Divine Comedy Polaroids (1988)

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Artist : Fiona Hall (Australia, b.1953)
Title : Inferno, canto V: The circle of the lustful (1988)
Medium Description: Polaroid photograph

“This photograph from the late 1980s is from a series of twelve Polaroid photographs relating directly to Dante’s Divine Comedy. Each work is a carefully constructed scene illustrating a particular canto. Technically the artist has made the most of the cumbersome 20 x 40 inch Polaroid camera, using it to render exquisite detail and to capture subtle colour. She cuts and moulds aluminium soft-drink cans to form menacing vegetation, human figures, creatures from beyond the grave, on the journey through Hell and Purgatory to Paradise. Hall photographs them amongst found objects set against backgrounds which she has painted.” —Art Gallery of New South Wales website

View the whole collection of photographs at the Art Galley of New South Wales site.

Dante’s Inferno Bicycle Playing Card Deck

Bicycle Dante's Inferno“The Inferno is a customized 56 card black and metallic ink playing card deck printed by USPCC and inspired by Dante Alighieri’s literary classic The Divine Comedy.

“Three months in the making, each of the Jacks, Queens, and Kings represents a major figure from The Inferno.

“Each completely original character was designed as a modern interpretation that is true to the text and framed after the most famous ‘Inferno’ Illustrations created by renowned artist Gustave Dore in the 19th Century.  Staying true to that vision, we have created images utilizing he original Dore plates for our backgrounds.”    —Bicycle Inferno Kickstarter

View images of some of the cards here.

Contributed by Iris McComb (Bowdoin College ’14)

Dante Inferno Piekło (1997)

Dante PiekloIn 1997, Polish and Italian artists staged an adaptation of the Inferno at the Franciscan Church in Kraków. Pictured is the poster for the show, created by Rafal Olbinski.