Contributed by Alexander Bertland
posted on April 17, 2021 by
Into the Dark Woods
“This year I was drawn to Mark’s ‘certain young man’—the one who flees naked from the violence in the Garden of Gethsemane on the Mount of Olives (14:51-52), leaving behind his linen cloth. Scholars vehemently disagree about who this young man was. Many deduce that it’s the writer of Mark’s gospel inserting himself into the story. Others say he is reminiscent of King David fleeing from Absalom on the the Mount of Olives. Or that he foreshadows the ‘young man’ in a white robe who will meet the women at Jesus’ tomb. Whoever he was, in the midst of an encounter with violence, this “certain young man” lost what thin protection he had and fled into the night, into the selva oscura, as Dante calls it, those ‘dark woods.’ Toward what, we do not know. As the human soul matures, we are confronted with moments that force us to let go of yet another thin veil of self-delusion. The “right road,” the moral high ground, sinks into a thicket of gray.” [. . .] –Rose Marie Berger, SOJOURNERS, May, 2012.
posted on April 17, 2021 by
Louis Armstrong
“Jazz critic Gary Giddins chortles as he recounts the tale, pointing out that if these American Brahmins had simply deigned to take a train south from Boston to New York City, and stepped into the Roseland Ballroom on a Thursday night, they would have experienced the American Bach, Dante, and Shakespeare all rolled into one: Louis Armstrong.
“Born to a 15-year-old who sometimes worked as a prostitute, raised in a New Orleans neighborhood so violent it was known as ‘the Battlefield,’ sent to a juvenile detention facility at 11 for firing a gun into the street—his early years would surely put him on the pipeline to prison today.
“Had that occurred, the distinctly American music that Louis Armstrong created might never have happened. The American songbook, as we know it today, simply would not exist.” [. . .] –Eboo Patel, SOJOURNERS, July, 2016.
posted on April 17, 2021 by
Dante Misquote
“I am very mindful of Dante’s words: ‘The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.’
“Coming together from all streams of American Christianity to speak in opposition to cuts on the safety-net programs is no minor achievement. We have a widespread consensus on the priority of providing essential life saving support to poor people in our country. We also agree in that the ultimate goal is to create a just society in which everyone live an abundant life that includes meaningful work with fair salaries, affordable health care and education, and time for leisure and recreation.
“In order to achieve this, our political leaders must renounce rigid political ideologies. These ideologies are destroying the fabric of our nation and the hopes of our people. As disciples of Jesus, we will continually call our elected leaders to reject all allegiances to groups or corporations that do not advocate and serve the majority of Americans.” [. . .] –Carlos Malavé, SOJOURNERS, June 28, 2017.
posted on April 17, 2021 by
The Five Quintets (poetry)
“In The Five Quintets, a poetic tour de force by Micheal O’Siadhail, Kavanagh’s quip is flavorfully borne out. Quintets offers a sustained reflection on Western modernity (and its yet unnamed aftermath) in the vein of The Divine Comedy, Dante’s sustained reflection on medieval Europe (and its aftermath, the Renaissance).
“O’Siadhail (pronounced O’Sheel) inspects 400 years of Anglo-Atlantic culture—artistic creativity, economics, politics, science, and ‘the search for meaning’—with the skillful hand of a citizen-poet, refracted through an Irish Catholic soul. Dublin born and educated, now poet in residence at Union Theological Seminary in New York, O’Siadhail embodies the vatic tradition of the Hibernian Gael—poet, prophet, priest, and, at times, jester.” [. . .] –Rose Marie Berger, SOJOURNERS, April, 2019.
posted on April 17, 2021 by
Divine Comedy of Our Time
“This summer, in Mississippi, I sat by my father’s bed for three weeks and watched him die. After that, I drove one of my kids from Kentucky to New England for a college visit. Along the way, we climbed a mountain and spent the night in a rest area when we couldn’t find a motel room. Then, with five-sixths of my family and three weeks’ worth of camping gear packed into (and onto) an aging minivan, we drove to Banff National Park in Alberta, Canada. Along the way, in British Columbia, we went through an active wildfire and saw a tree explode into flames about 50 feet from our van. At Banff we saw a moose, two grizzly bears, and the vast acres of gravel left behind by the rapidly receding Columbia Icefield.
“On every step of this long, strange trip, I carried with me a big, fat, well-worn paperback book, its margins filled with my youngest son’s class notes. So, what did I do this summer? I read The Divine Comedy by Dante Alighieri. Every night—well, most nights—I spent 15 or 20 minutes accompanying the poet of the early 1300s down into the depths of Hell, up the winding mountain trails of Purgatory, and on to the beatific vision of Paradise.” [. . .] –Danny Duncan Collum, SOJOURNERS, December, 2017.
posted on April 15, 2021 by
Dante for Children and for Curious Parents (2021)
Pia de’ Tolomei speaking with Dante and Virgil in Purg. 5
“This is a tweet from Federico Corradini, illustrator, on his new children’s adaptation of Purgatorio in the series Dante per bambini e per genitori curiosi, illustrated for Silvia Baroncelli, author. The first book in the series, Inferno, was published earlier this year. The series is for sale on Amazon (I imagine Paradiso is forthcoming!).” –Kate McKee (Bowdoin, ’22)
posted on April 11, 2021 by
“Naples Celebrates Dante With Giant Easter Egg”
“Naples continues to celebrate the 700th anniversary of Dante Alighieri, the Father of the Italian language, in its own unique way. After creating Dante figurines for Christmas cribs, the southern Italian city is now devoting an out-sized Easter tradition to the Supreme Poet, reports Italian newspaper La Repubblica. Master chocolatiers at the historic Gay-Odin factory in Naples have created a two-metre high Easter egg decorated with a portrait of Dante along with some verses from The Divine Comedy. The mediaeval poet and philosopher is portrayed on the enormous egg – which boasts 300 kilos of chocolate – in his traditional red robes and laurel wreath, based on the fresco in the Duomo in Florence.” [. . .] —WantedInRome, March 21, 2021.
posted on April 11, 2021 by
“Baby Owl Stole That From Dante” Meme
“Through me you go into a city of weeping; through me you go into eternal pain; through me you go amongst the lost people.” —QuickMeme.
posted on April 11, 2021 by
University of Toronto’s multilingual Dante reading (2021)
Commemorating the 700th anniversary of the death of Dante Alighieri, Toronto Salutes Dante features more than thirty Canada-based guests who read Dante’s Inferno in various languages, several for the first time. In addition to ten different Italian dialects, there are represented American Sign Language, Anishinaabemowin, Arabic, Bulgarian, English, Farsi, French, German, Latin, Mandarin, Portuguese, Québécois, Russian, Sanskrit, Slovak, Spanish, Stoney Nakoda, Swedish, Thai, and Ukrainian. In 15-minute clips, well-known personalities of Canadian public and cultural life, professors, and students at the University of Toronto, and members of the Italo-Canadian community share their voices and fresh memories of the most important Italian author in world literature. Listen to Dante’s Inferno as you have never heard it before on the Department of Italian Studies’ YouTube channel from March 25th to June 2021.
From an original idea of Elisa Brilli, George Ferzoco, and Nicholas Terpstra, and thanks to the invaluable work of Alice Martignoni and Nattapol Ruangsri (Research Assistants). Sponsored by the Department of Italian Studies, the Emilio Goggio Chair in Italian Studies at the University of Toronto, the Istituto Italiano di Cultura di Toronto, and Villa Charities. —University of Toronto
