Reviewed: Thomas Adès’ “Inferno” (2019)

mark-swed-review-wayne-mcgregor-inferno-touch-2019“Thomas Adès’ ‘Inferno,’ the first half of what will eventually be a full-length Dante ballet, makes an uproarious heaven of hell. An equal-opportunity score, it offers wry reasons for celebrating our vices — be we among the selfish, gluttonous, suicidal, deviant, papally pretentious; be we illicit lovers, pollsters (the fortune-tellers), hypocrites, thieves, lost souls of one sort or another, satanic majesties or, yes (thanks for thinking of us, Tom), critics.

“It proved the most ambitious and electrifying of more than five-dozen commissions celebrating the Los Angeles Philharmonic’s just-completed centennial season and a bonanza for choreographer Wayne McGregor. In an exceptional collaboration among the Royal Ballet, the L.A. Phil and the Music Center, the staged “Inferno” had its premiere at the Dorothy Chandler Pavilion over the weekend in a production for which celebrated British artist and filmmaker Tacita Dean created the design. The composer conducted with the L.A. Phil in the pit.” [. . .]    –Mark Swed, Los Angeles Times, July 14, 2019.