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The Spirit of Peace by Jasper Frances Cropsey (1851)

December 3, 2018 By Professor Elizabeth Coggeshall

The Spirit of Peace. Jasper Francis Cropsey (1851)
Oil on canvas
Woodmere Art Museum, Philadelphia, PA

“This romantic and imaginary landscape is filled with palm trees, temples, tombs, ruins of previous civilizations, and an array of active figures. The benefits of peace are evident in the tranquil integration of philosophy, the exchange of knowledge, the visible signs of trade and commerce, and the arts of dance, music, and representation. Cropsey emphasized that this invented view of the ancient world expressed his belief that Christianity was historically inevitable. The shepherd with his goats in the lower left is a direct reference to Christ guarding his flock while the lion, boy, and lamb carved on the monument on the round temple allude to the Old Testament prophecy that the kingdom of peace, brought into being by the Messiah, would be a place of ‘no violence or destruction in God’s creation, even in the animal kingdom. Natural enemies will no longer be enemies. The food chain will be unchained.’ (Isaiah 11:6)” [. . .]    —Woodmere Art Museum on The Spirit of Peace, 2018.

The second picture is The Spirit of Peace on display at the Woodmere Art Museum, taken by an anonymous contributor.

Categories: Visual Art & Architecture
Tagged with: 1851, 2018, Art, Paintings, Pennsylvania, Philadelphia

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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