“American post-hardcore band Alesana’s fourth album, A Place Where the Sun Is Silent, is primarily based on the Inferno.” —Wikipedia
“The literary appropriation of Dante over the last century has been enormous. His influence has been front and center in all major modern literary traditions—from T.S. Eliot to William Butler Yeats, from Albert Camus to Jean-Paul Sartre, from Jorge Luis Borges to Derek Walcott, from Giorgio Bassani to Giuseppe Ungaretti. Why such fascination? What are the textual characteristics of Dante’s Commedia that make it an ideal vehicle for literary appropriation, thereby allowing it to enjoy a sustained cultural afterlife? What, moreover, are the more accidental factors (e.g., taste, world view, political agenda, religious, and mystical convictions) which account for the popularity of Dante—after 300 years of neglect during which the Florentine poet was relegated to the shadows of Petrarch and his works—among artists, novelists, poets, playwrights, and cinematographers? This symposium, co-organized by Professor Massimo Ciavolella (Italian, UCLA), Professor Efraín Kristal (Comparative Literature, UCLA), and Heather Sottong (Italian, UCLA), considers these questions, concentrating on Dante’s influence in North America and especially in Latin America.” —UCLA Center for Medieval & Renaissance Studies, 2011
“Spend enough time in the tech industry, and you’ll eventually find yourself in IT hell — one not unlike the underworld described by Dante in his Divine Comedy.
“But here, in the data centers, conference rooms, and cubicles, the IT version of this inferno is no allegory. It is a very real test of every IT pro’s sanity and soul.” –Dan Tynan, Info World, 2011
Read the full article here.
“With screams emanating from the Q&A House and a long line waiting for their turn, 99 students traveled through the nine circles of hell on Saturday night.
Groups of up to three students traveled through the transformed living room, kitchen and basement, being scared by 12 student actors playing roles or helping behind the scenes in the Dante’s Inferno themed house.
‘The interesting thing from this year is usually you have a guide, a very creepy guide, that takes you through the haunted house. And this time you have the narrator telling you which circle you’re in, and it’s usually through a wall, and you have to follow a laid out path,’ senior Melissa Sher said.
Despite the cold weather, students waited for over an hour at times on Saturday, and in total almost 140 students traveled through the 10-15 minute haunted house on Saturday and Sunday, beating the previous year’s total.
‘[This year was] just as creepy,’ senior Katie Haynes said, ‘They hold themselves to a pretty high standard and doing this is just wonderful.’
While some students found parts scary, others enjoyed the house and even spurted out some laughs.” –John Williams, The Knox Student, November 2, 2011
“Day-to-Day Dante: Exploring Personal Myth Through The Divine Comedy (2011) is a series of meditations, one for each day of the year, using between 6-9 lines of the poem for each entry. The book is comprised of approximately 121 entries for each of the canticas Dante created: Inferno, Purgatorio and Paradiso. Following each quote from the poem is a short summary of what is taking place at this moment in the pilgrimage. Then follows a reflection on what this might have to do with our lives today. At the bottom of each page is a Writing Meditation in which the reader is invited to journal how this passage might apply to them now or in his/her past. Through these writing meditations, the reader will uncover parts of his/her personal myth.” –Dennis P. Slattery, dennispslattery.com, January 28, 2011