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posted on March 9, 2021 by

UCLA’s Dante in the Americas

“The literary appropriation of Dante over the last century has been enormous. His influence has been front and center in all major modern literary traditions—from T.S. Eliot to William Butler Yeats, from Albert Camus to Jean-Paul Sartre, from Jorge Luis Borges to Derek Walcott, from Giorgio Bassani to Giuseppe Ungaretti. Why such fascination? What are the textual characteristics of Dante’s Commedia that make it an ideal vehicle for literary appropriation, thereby allowing it to enjoy a sustained cultural afterlife? What, moreover, are the more accidental factors (e.g., taste, world view, political agenda, religious, and mystical convictions) which account for the popularity of Dante—after 300 years of neglect during which the Florentine poet was relegated to the shadows of Petrarch and his works—among artists, novelists, poets, playwrights, and cinematographers? This symposium, co-organized by Professor Massimo Ciavolella (Italian, UCLA), Professor Efraín Kristal (Comparative Literature, UCLA), and Heather Sottong (Italian, UCLA), considers these questions, concentrating on Dante’s influence in North America and especially in Latin America.”   —UCLA Center for Medieval & Renaissance Studies, 2011

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posted on February 7, 2021 by

“IT Inferno: The nine circles of IT hell”

“Spend enough time in the tech industry, and you’ll eventually find yourself in IT hell — one not unlike the underworld described by Dante in his Divine Comedy.

“But here, in the data centers, conference rooms, and cubicles, the IT version of this inferno is no allegory. It is a very real test of every IT pro’s sanity and soul.”   –Dan Tynan, Info World, 2011

Read the full article here.

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posted on September 16, 2020 by

“Students Enjoy the Nine Circles of Hell” at Knox College

“With screams emanating from the Q&A House and a long line waiting for their turn, 99 students traveled through the nine circles of hell on Saturday night.

Groups of up to three students traveled through the transformed living room, kitchen and basement, being scared by 12 student actors playing roles or helping behind the scenes in the Dante’s Inferno themed house.

‘The interesting thing from this year is usually you have a guide, a very creepy guide, that takes you through the haunted house. And this time you have the narrator telling you which circle you’re in, and it’s usually through a wall, and you have to follow a laid out path,’ senior Melissa Sher said.

Despite the cold weather, students waited for over an hour at times on Saturday, and in total almost 140 students traveled through the 10-15 minute haunted house on Saturday and Sunday, beating the previous year’s total.

‘[This year was] just as creepy,’ senior Katie Haynes said, ‘They hold themselves to a pretty high standard and doing this is just wonderful.’

While some students found parts scary, others enjoyed the house and even spurted out some laughs.”    –John Williams, The Knox Student, November 2, 2011

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posted on August 20, 2020 by

Day-to-Day Dante: Exploring Personal Myth Through the Divine Comedy

“Day-to-Day Dante: Exploring Personal Myth Through The Divine Comedy (2011) is a series of meditations, one for each day of the year, using between 6-9 lines of the poem for each entry. The book is comprised of approximately 121 entries for each of the canticas Dante created: Inferno, Purgatorio and Paradiso. Following each quote from the poem is a short summary of what is taking place at this moment in the pilgrimage. Then follows a reflection on what this might have to do with our lives today. At the bottom of each page is a Writing Meditation in which the reader is invited to journal how this passage might apply to them now or in his/her past. Through these writing meditations, the reader will uncover parts of his/her personal myth.”    –Dennis P. Slattery, dennispslattery.com, January 28, 2011

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posted on August 10, 2020 by

Hogwarts and Dante – Empyrean Heaven

“In our little excursion through centuries spanning medieval classic to contemporary literature we come now to an end that is really the beginning. Piccarda explained as early as Canto 4 of Paradiso that everywhere in Paradise is Paradise. Yet as a concession to the limited human understanding Dante is introduced to a split up version where the blessed are categorized like in a lexicon.

One could also say the blessed were planted like lovely flowers into different beds of the same garden. The original Hebrew version of the Bible speaks of the Paradise as ‘gan’ what means garden. Only when translated into Greek gan became paradeisos. And as already stated in the very beginning the Greek word paradeisos deceives from a Persian word meaning ‘walled-around place’.

So, the question remains: Is Hogwarts just another ‘walled around place’? Or is Hogwarts Paradise?

[. . .]

Hogwarts is the solid ground that gives the students a home in the outside world as well as in their mind. Only if the students lower their protection and that of the school, Voldemort and the ideas he stand for have a chance to cling to the minds. Otherwise, Hogwarts and his inhabitants are a patch of outer and inner eternity, a temenos, a gan, a paradeisos, the same place Dante saw on Good Friday 1300. Was Dante perhaps truly magical?”    –Aviva Brueckner, Stranger Between Worlds, July 10, 2011

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posted on February 2, 2020 by

The R Inferno

“Abstract: If you are using R and you think you’re in hell, this is a map for you.

[. . .]

We arrive at the third Circle, filled with cold, unending rain. Here stands Cerberus barking out of his three throats. Within the Circle were the blasphemous wearing golden, dazzling cloaks that inside were all of lead – weighing them down for all of eternity. This is where Virgil said to me, ‘Remember your science – the more perfect a thing, the more its pain or pleasure.'”    –Patrick Burns, Burns Statistics, April 30, 2011

Learn more about R, the programming language, here.

Learn more about The R Inferno here.

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posted on January 6, 2020 by

Smokin’ Guns Hell

“4th Circle – Motiveless Kickers: Condemned to obsessively kick each other.

[. . .]

9th Circle – Wallhackers: Condemned to play against invisible opponents, and completely surrounded by fog.”    –Biondo, Lame Clan, June 19, 2011

Learn more about the first-person shooter video game, Smokin’ Guns, here.

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posted on August 1, 2019 by

“Circles of Hell… A Dysfunctional Family Tree of British Cinematic Misery”

Film Comment 47.6 (November/December 2011), pp. 40-41

Film Society of Lincoln Center

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posted on July 9, 2019 by

The 9 Layers of Thanksgiving Hell

–Rae, Peas and Cougars, November 22, 2011

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posted on February 10, 2019 by

Guy Denning’s Oil Painting Series on the Commedia

Guy Denning is an artist based out of Finistere, France since 2007. Beginning in 2011, he created a three part series of oil paintings based on Dante’s Divine Comedy. The image above is a painting called “ch’io ‘l vidi uomo di sangue e di crucci” from his first series, ‘Inferno‘ (2011).

“In 2011 he presented ‘Inferno’, the first part of his three-part series of oil paintings on Dante’s Commedia in Bologna; this was his first exhibition in Italy and the complete exhibition sold out.
In 2011, he presented the second part of the series in New York City for the exhibition ‘Purgatorio’. Originally drawing inspiration from Dante’s writings, his intention was not to recreate the poem in a visual or literal sense, but instead let the ‘Purgatorio’ series act as a framework for his own personal interpretation of the world following 9/11. As with the writing of Shakespeare, Denning finds a perpetual relevance in Dante’s work where the specifics of name, situation and place are easily adapted to the modern world; as if time moves on but the problems of humanity remain essentially the same. The events of September 11th and the emotional toll it took on the US identity was a critical element to this body of work. Poignantly enough, this exhibition was held in a ‘pop-up’ location just blocks from Ground Zero and on the 10th Anniversary of the 9/11 attacks.” [. . .]    —Widewalls Magazine, 2017

On exhibition set- “Inferno”

“This was the first part of my paintings based on Dante’s Divine Comedy. Inferno was exhibited at my first solo exhibition in Italy at MAGI’900 Museo, Bologna.”     –Guy Denning, on his site, January 19, 2017

On exhibition set- “Purgatorio”

“This was the second part of my paintings based on Dante’s Divine Comedy. Purgatorio was exhibited in Manhattan at a pop-up gallery space by Brooklynite Gallery on the tenth anniversary of the 9/11 attacks.”    –Guy Denning, on his site, January 30, 2017.

The image above to the right is a painting called “the cardinal virtue of media temperance” from the ‘Purgatorio‘ exhibition.

On exhibition set- “Paradiso”

“This was the third part of my paintings based on Dante’s Divine Comedy. Paradiso was exhibited at Signal Gallery in London.”    –Guy Denning, on his site, January 27, 2017.

The image below is a painting called “Looking for Beatrice” from the ‘Paradiso‘ exhibiton.

To view Denning’s full list of exhibitions, check out his website here

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