“In the Law & Order: Special Victims Unit season 13 episode ‘Theatre Tricks,’ Dante’s Inferno was the chosen play of an interactive theatre group where an actress ended up raped on stage during the Second Circle (Lust).” —Wikipedia
Sylvain Reynard, Gabriel’s Inferno (2012)
“Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption.
“When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide.
“An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love.” —Penguin Random House
The 2012 novel, set in Toronto, was adapted into a three-part series of films starring Giulio Berruti and Melanie Zanetti and directed by Tosca Musk. It was produced and released by Musk’s company Passionflix in 2020. The image above comes from the Amazon Prime Video page for the film. Gabriel’s Rapture (Part Two) and Gabriel’s Redemption (Part Three) are scheduled for release in 2021 and 2022, respectively.
Contributed by Margaret Goodspeed
“The Ninth Circle of Hell – Dante and the DMV”
“Dante once wrote that Hell had nine circles within its depths. Dante’s Inferno is an amazing literary work that describes in great detail the horror of a place where no person wishes to go. Dante must have been inspired by a trip to the local DMV.
“You see, I recently journeyed into an inferno of abandoned hope, discomfort, and pain when I was forced to visit the Queens DMV. Like Dante, I encountered the nine circles of Hell, though not necessarily in the same order. But first, some backstory . . .” –Jason Greene, The Good Men Project, 2012
Read the full article here.
“Into the Dark Woods”
“This year I was drawn to Mark’s ‘certain young man’—the one who flees naked from the violence in the Garden of Gethsemane on the Mount of Olives (14:51-52), leaving behind his linen cloth. Scholars vehemently disagree about who this young man was. Many deduce that it’s the writer of Mark’s gospel inserting himself into the story. Others say he is reminiscent of King David fleeing from Absalom on the the Mount of Olives. Or that he foreshadows the ‘young man’ in a white robe who will meet the women at Jesus’ tomb. Whoever he was, in the midst of an encounter with violence, this “certain young man” lost what thin protection he had and fled into the night, into the selva oscura, as Dante calls it, those ‘dark woods.’ Toward what, we do not know. As the human soul matures, we are confronted with moments that force us to let go of yet another thin veil of self-delusion. The “right road,” the moral high ground, sinks into a thicket of gray.” [. . .] –Rose Marie Berger, SOJOURNERS, May, 2012.
Dante Alighieri: A Suite Of Thirty-Four Lithographs
“The enduring power of Dante’s imagination in his masterpiece The Divine Comedy has inspired artists from the Middle Ages to the present. On reading this literary epic, the artist Liam Ó Broin began three years ago the daunting challenge to create 34 coloured lithographs in response to each canto of Inferno. Although faithful to Dante’s text, Ó Broin through his powerful imagery brings his personal perspective to bear on the central themes and contemporises Dante’s voyeuristic passage through the realms of Hell by portraying the Inferno of our time. As Ó Broin states ‘the one which can be created by ourselves and for others, in the here and now.’ These lithographs not only deepen our appreciation of the richness of the epic’s poetic language, but also seek to examine the multi-layered meanings of the text – universal themes of life after death, divine justice and punishment, man’s immoral actions and crimes to mankind.” [. . .] —Liam Ó Broin
The Inferno lithographs were exhibited at Graphic Studio (Dublin) in 2012.
Selected prints from Liam Ó Broin’s Inferno series, including a limited edition box set (now sold out), were available for purchase here.
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