The Inferno Project by Eric Armusik

“I’ve chosen to paint 40 panels at 4ft x 5ft with the intent of displaying them together in the most comprehensive and realistic depiction of the poem to date. The reason for the size is simple, I want these images to take on an almost life-sized presence to draw us in body and soul to the world Dante Alighieri created almost 700 years ago. Because this tremendous undertaking requires vast knowledge on the subject of the Divine Comedy to render accurately, I began immediately searching for the most well-known expert. I was thrilled when Professor Christopher Kleinhenz, a world-renowned Dante scholar agreed to assist me in the creation of this series. For the next few years, we will be working together in the pursuit to create the most accurate visual depiction of the poem. You can see the progress on my blog at this link.  The completion of these paintings will then culminate in a traveling museum exhibition and a large, full-color painting book on the subject narrated by Professor Kleinhenz.  The goal for the projects is set for 2021 – the 700th Anniversary of Dante’s death.”    –Eric Armusik, erikarmusik.com, January 24, 2018

Check out the the project’s completed paintings on Eric Armusik’s website here.

Christopher R. Miller, “Purgatory Is for Real” (Review of G. Saunders’s Lincoln in the Bardo)

“The afterlife has also been having a cultural moment in recent fiction, but typically in the form of something other than heaven—call it, for lack of a better word, purgatory. In the popular television series The Good Place, the vaguely named realm of the title turns out to be something else entirely, and its characters find they have their ethical work cut out for them. Two recent novels have also set their action in a postmortem limbo, with similar narrative implications: George Saunders’s Lincoln in the Bardo (2017) and the Finnish author Laura Lindstedt’s Oneiron (just published in an English translation by Owen F. Witesman) imagine versions of the bardo, the Tibetan Buddhist transitional state between death and rebirth.

[. . .]

“From the perspective of the petal-scented heaven that Saunders intimates, the ghosts are the myopic schlemiels, but their fear of ‘leaving behind forever the beautiful things of this world’ takes on a touchingly quixotic grandeur. Writ large, their sense of peril, uncertainty, and loss has obvious allegorical resonance, suggesting both the president’s interminable state of mourning and the nation’s passage through war and precarious rebirth. In this, Saunders’s bardo is not unlike Dante’s purgatory—a place of unfinished business, nostalgic longing, imaginative engagement with the living, and above all, therapeutic forms of work.”   — Christopher R. Miller, “Purgatory Is for Real,” Public Books, May 23, 2018

Monica LT, “Dante e Beatrice” (2018)

“Dante e Beatrice” is a pop song by Monica LT released in 2018.

Listen to “Dante e Beatrice” on Amazon, Apple Music, and Spotify.

Monster Hunter: World x Devil May Cry Collaboration Event

“The Monster Hunter: World x Devil May Cry collaboration event has begun! The event will continue until May 10th, and you can obtain Dante α, the Dante costume from the DMC series along with his weapon, Dante’s Devil Sword, based on Alastor and Force Edge.”    –Soobin “Pratt” Choi and Ji-Eun “Meii” Paek, Inven Global, April 27, 2018

See the original Devil May Cry entry on Dante Today here.

In the Footsteps of Dante 2018

“Dr. Alvis has led us with the right blend of overview patterns and delicious historical tidbits as he weaves the narrative of Dante’s Renaissance world through its fragmented political entities, community structures, waves of republican and tyrannical governments, along with the artists and architects that illuminate the countless points of light on this complex palate. At the center of all is the narrative of Dante himself, and both the secular and religious references and implications of his works.”    –Montrose School, In the Footsteps of Dante 2018, June 22, 2018

Giovani Artisti per Dante 2018

“Dante: everybody’s or nobody’s, untouchable heritage or living culture? The Festival answers with Young Artists for Dante, the daily events in the Ancient Franciscan Cloisters by the poet’s Tomb, from June the 1st to July the 5th at 11 in the morning. There are students, actors, musicians, dancers; they are local artists and groups, or they answered to the international call for proposals, and stood out among the dozens applications. Week after week, they will reveal five points of view on Dante’s universe, at the crossroads between history and imagination, poetry and music, body and soul. In collaboration with the Municipality of Ravenna, Società Dante Alighieri, and Società Dantesca Italiana, and with the support of the Fondazione Cassa di Risparmio di Ravenna, hosting the events in the Cloisters it owns, the Festival offers Young Artists for Dante to the audience of citizens and visitors at the symbolic admission fee of 1 euro.

Dante: so superior to be out of reach, father of the Italian language, a pillar of literature of all times, all places; the author of a work that mirrors and contains the whole world, human and divine. But also Dante: in the language the Italians speak everyday, in the ideas, in the opinions; his profile is unmistakable, symbol of a culture that still conquers the heart and the imagination of people from any tradition, any country. The Festival that has made of the city’s history the keystone of its own identity – looks forward to the year 2021, the 7th centenary of Dante’s death, while it thinks and rethinks Dante – not far, but very close – with the third edition of Young Artists for Dante.”    —Ravenna Festival, May 25, 2018

Kinder spot, Epifania 2018

During the 2018 holiday season, Kinder Italia ran this advertisement, featuring the Befana dressed as Dante, lamenting the “selva di calze infinita” at the supermarkets. Click the image below to view the full ad, available on YouTube.


Contributed by Ludovica Valentini (Florida State University, MA ’18)

James Becker, The Dante Conspiracy (2018)

The Dante Conspiracy was written by James Becker and published by Canelo Adventure (May 28th, 2018).

“When the body of a poetry professor is found tortured in a deserted barn outside Florence, Inspector Perini is assigned to the case.

“No murder of passion, it is clearly a professional job. When, hours later, thieves break into Dante’s cenotaph, it seems the two crimes may be connected by some missing verses from the Divine Comedy.

“They could contain a code so valuable someone is willing to murder for it. But who? And why? As the bodies pile up, Perini is in a deadly race to find the secret before the killers. The truth will prove more shocking than he could have possibly imagined…” [. . .]    —Amazon

“Every Major Piece of Art Featured in Beyoncé and Jay Z’s Apesh*t Video”

Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil (1835)

“This work by Ary Scheffer depicts a scene from Dante’s Inferno, but not just any scene. In it, Dante and Virgil can be seen watching Francesca da Rimini and Paolo Malatesta in hell. The reason they’re in hell? Infidelity. The pair fell in love and carried on affair, despite both being married. Upon finding out, Francesca’s husband, who also happened to be Paolo’s brother, murdered them.”    —Jesse Kinos-Goodin, CBC Radio Canada, June 18, 2018

“L’Aquila, il ‘Girone dei golosi’ torna nel centro storico”

“Un’altra attività torna nel centro storico dell’Aquila. Sabato 25 agosto, alle 19, in via dell’Arcivescovado 25, riaprirà al pubblico, in una veste inedita e accattivante, la caffetteria ristorante il “Girone dei golosi”. Il locale e i relativi arredi sono stati progettati e realizzati interamente da artisti abruzzesi.

[. . .]

Il Girone dei golosi si presenta come un caffè artistico, con la presenza di quattro quadri appositamente realizzati dall’artista Srek (Stefano Cencioni), ispirati al Girone dei Golosi, nel Sesto canto dell’Inferno di Dante dove i dannati, sommersi dalla fanghiglia, vengono graffiati da Cerbero, mostro a tre teste.”    — L’Aquila, Abruzzo News, August 23, 2018