Cheryl Sorg’s Nine Circles of Hell

Dante’s Inferno, cut apart line by line and assembled in readable order with clear tape onto a series of nine plexi circles approximately 20 inches in diameter and mounted onto a floor-to-ceiling height clear plexi road going through the centers of the discs.”    –Cheryl Sorg, from her website, 2019.

Cheryl Sorg is an artist from Cincinnati, Ohio, and currently based in Boston. She specializes in street art, collages, tape drawings, and photography, among other mediums.

To view more of Sorg’s artwork, you can visit her website.

Nathan W. Pyle’s Comic

Nathan W. Pyle is an author and illustrator based in New York City. He is best known for his book NYC Basic Tips and Etiquette (2014), and his comic series Strange Planet.

You can check out more of Pyle’s work by following him on Instagram, Facebook, and by visiting his website. Additionally, Pyle is releasing a book of Strange Planet comics later this year, which you can check out on Amazon.

Contributed by Dariella Fonseca (Florida State University ’20).

Staging Dante Today by Teatro delle Albe (2019)

“The Center for Italian Studies and the Italian Studies Section of the Department of Romance Languages are happy to announce a three-day residency (2/27 – 3/1) of distinguished actress and author Ermanna Montanari with dramaturg and director Marco Martinelli, founders of the experimental theatre company Teatro delle Albe in Ravenna! They will participate in classes and hold meetings with students and faculty.

“On Thu., 2/28, at 5:30, at the Annenberg Center Live (Montgomery Theatre), Montanari and Martinelli will present the show Staging Dante Today including ‘Cantiere Dante,’ sharing with the audience the experience of Inferno performed in 2017 in Ravenna with the participatory support of its citizens, first part of the project “Divine Comedy 2017-2021,” also featured at Matera 2019 (European Capital of Culture). This will be followed by ‘Il cielo sopra Kibera,’ a photographic report from a piece directed by Martinelli recently performed by 140 children and teenagers in one of Africa’s largest slums in Nairobi. In addition, Ermanna Montanari will read canto XXXIII from Dante’s Inferno as well as the poem ‘Ahi serva Italia,’ drawn from the Albe’s latest show fedeli d’Amore, for which she recently won the prestigious Award for Best Actress/Performer ‘Premio Ubu 2018’ of the Associazione Franco Quadri!” [. . .]    –Penn Arts & Sciences, University of Pennsylvania, 2019.

See more about Teatro della Albe’s show here.

Classic Serial: Dante Alighieri – The Divine Comedy

BBC Radio 4’s Classic Serial program offers a reading of the Divine Comedy by professional actors, as well as a few behind-the-scenes clips on the making of the radio program.

“Blake Ritson, David Warner and John Hurt star in Stephen Wyatt’s dramatization of Dante’s epic poem – the story of one man’s incredible journey through Hell, Purgatory and Paradise.”     –BBC Radio 4, Classic Serial, 2019.

You can see more of the Classic Serial episodes and behind-the-scenes extras on the BBC Radio 4 site.

Parc Dante, QC, Canada

Parc Dante, or Dante Park in English, is a natural park in Montreal, QC, Canada. The park has an open air cinema that shows a selection of Italian films, with free admission for attendees.

You can learn more about Parc Dante’s film screenings here.

Dante in poster for HBO’s series, “Succession” (2019)

Image on wall is a painting entitled “Dante and Virgil” (1850) by William-Adolphe Bouguereau.  It appears to be the falsifiers of Inf. 30, Capocchio and Gianni Schicchi, in combat.

Contributed by Kristina Olson 

The original painting, currently held in the Musée d’Orsay in Paris, France, below.

Stephen Colbert on Trump and heresy

Anderson Cooper: And the punishment for heretics is…?
Stephen Colbert: I think it’s red hot iron coffins in Dante’s Inferno.
(0:25 on)    –CNN, Politics of the Day Video, August 15, 2019

Contributed by Nicolino Applauso

“Pedro’s Inferno,” San Pedro, Belize

pedros-inferno-san-pedro-belize

Flyer advertising “Pedro’s Inferno” in San Pedro, Belize (July 2019). Note that the flyer borrows the “Inferno” logo from the Electronic Arts video game.

“Where is Haven of Dante today?”

“Some years ago, I entered a contest put on my Platinum Studios which would award it’s winner a contract with their publishing arm. The property was what became the graphic novel, Haven. If you’re not familiar with the property, you can find out more by clicking here.

“I’ve told the story before about how it started out as a prose novel when Markosia Enterprises took notice of it and wanted to produce it as a graphic novel. But between the time I had written the treatment and the time Markosia took interest, I had entered it into the aforementioned contest. Unfortunately, it didn’t win but that’s OK. What I did win in the process was an awesome friendship that has lasted years with who was one of the top dogs of Platinum Studios at the time, Dan Forcey. If you don’t know Dan, he’s a Co-Producer of Cowboys & Aliens. Dan’s been an awesome source of encouragement for me over the years and loves the property.

“So do I.

“I’m not trying to sound like an egomaniac but like most writers I do pour out my heart and soul into a project so that it is relatable and has depth, purpose and in this case, history. The Dante’s history span centuries so this is a story that could go on forever. And there is still lots of story to tell. As with all new properties, it’s a tough sale….especially with a female protagonist. Don’t ask me why, you’d be preaching to the choir about that one.” […]    –Leonardo Ramirez, “Where is Haven of Dante today?,” Leonardoverse, August 2019

The SEC vs. Cryptocurrency: From Dante to Facebook

“The Securities and Exchange Commission, the multibillion dollar agency that safeguards investors, presently stands on the precipice of the layer Dante reserved for the indecisive. For, nearly a decade after Bitcoin burst onto the scene in 2010, there has been no concrete attempt at delineating purchaser from investor in the cryptocurrency market—indeed, it appears the agency is content to provide guidance regarding fraud and custody rather than defining products and attendant responsibilities for those soliciting funds for digital conversion.

“In the 14th century, Dante Alighieri forever shaped our vision of a retributive afterlife with his Divine Comedy. Tellingly, the first “level of hell” introduced therein was populated by those who could not decide (‘those who lived without occasion for infamy or praise’); to the celebrated Renaissance poet, those habiting the sidelines of history could hope for limbo, at best, in the final judgment.” […]    –J. Scott Colesanti, New York Law Journal, July 31, 2019