Trump and his Enablers belong in Dante’s 9th Circle of Hell

each-betrayal-begins-with-trust-martin-luther“If Dante’s deepest circle of Hell did exist, it would be reserved for Trump and his enablers. It would be reserved for those who betrayed our country and this beautiful blue world for profit. It would be reserved for those who allowed a pandemic to take tens of thousands of lives and affect millions. It would be reserved for those who are silent about the bounties placed on our active duty troops’ heads, who disparage our military, intelligence agencies, our scientists, and health care professionals. It would be reserved for those who place all that we love in danger.

“It would be reserved for those who supposedly care for us, but expect silence about their support of Trump or of those who support him.

“The list of betrayals in my life is long and old.” []    –Onomastic, Daily Kos, September 15, 2020

Dante Alighieri’s COVID-19

person-wearing-mask“‘Lasciate ogni Speranza, voi ch’entrate.’ Abandon all hope, ye who enter.

“The words inscribed on the gates of hell, according to Dante Alighieri in the Divina Commedia, could be the best way to describe the tumultuous year we have experienced so far…

“The COVID-19 world crisis has shed light into how broken some systems are, how a social net would have helped the ‘most developed country in the world’ be the hero it is in the Hollywood movies.

“Instead, residents of the United States find themselves trapped in a hell only known to them and a select group of countries, like Brazil and Mexico. We currently have no Virgil that will guide us through the complex planes of hell. At this rate, Dante would have never gotten out of the Inferno to ever meet the concentric circles of the Paradiso.” []    –Jorge Luis Galvez Vallejo, Iowa State Daily, July 30, 2020

France Štiglic’s The Ninth Circle (1960)

“After the qualification of the digitally restored Štiglic’s film The Valley of Peace (1956) for the 2016 Cannes Classics competition, the celebration of the 60th anniversary of its making, and its Cannes premiere, the same director’s film The Ninth Circle (1960) was the third work of his that was screened in Cannes (the first one had been the 1949 film On Our Own Land).” [. . .]    —The Film New Europe Association, July 28, 2020

Beatrice’s Eyes and Beauty in The Divine Comedy

“A scholarly essay published in VoegelinView describing the symbolism of Beatrice’s eyes in The Divine Comedy. The essay also has a few references to how such symbolism, and the role of Beatrice in general, are relevant to us today.”    –Darrell Falconburg, VoegelinView, December 22, 2020

Jewelry Inspired by the Opening Lines of the Divine Comedy Contest Results

“The competition challenged BAJ students to design jewellery inspired by the opening lines of Dante Alighieri’s epic poem, the Divine Comedy.

‘Ultimately,’ wrote the BAJ in a statement, ‘the quality of submissions was so high that it was impossible to choose just one design, Alighieri said. Four students have therefore been selected as the competition’s winners.’

The winners of the BAJ X Alghieri competition are Dorottya Feher, Petra Otenšlégrová, Linnea Thuning and Emma Withington.”    –Sam Lewis, Professional Jeweller, August 4, 2020

“Dante’s Inferno: Can Pettis Reignite His 49ers Career?”

“For some, failure fuels the fire. 49ers WR Dante Pettis has been accustomed to failure as of late. Dennis Waitley once said, ‘Failure should be our teacher, not our undertaker. Failure is delay, not defeat. It is a temporary detour, not a dead end.’

“49ers WR Dante Pettis has become accustomed to failure as of late. Though Pettis’ team was incredibly successful in 2019, Pettis’ contributions towards that success were mostly unnoticeable. Once a highly touted 2nd-round draft pick, Pettis found himself slotted to be a starting WR for the 49ers heading into the 2019 season.”   –Gilbert Brink, 49ers Webzone, 2020

Read the full article here.

“Dante is remembered most for his depiction of hell. This sculptor wants us to remember heaven, too.”

“VATICAN CITY (RNS) — In preparation for the 700 anniversary of the death of medieval poet Dante Alighieri, a Canadian artist is creating a sculptural tribute to his ‘Divine Comedy’ that would be the first sculptural rendition of the entire poem.

“‘In our culture Dante is becoming lost,’ said sculptor Timothy Schmalz in an interview with Religion News Service on Monday (July 20).

“Not only is Dante less and less required reading, Schmalz said, but his ‘Divine Comedy’ is often misrepresented by putting the focus only on the first part — the descriptions of hell and its fiery punishments.

“The Italian poet captivated generations by telling his imaginary journey through hell, purgatory and heaven. His use of popular Italian dialect in his writing, instead of the more high-brow Latin, earned him a title as the ‘Father of the Italian Language.’

“’Because I am a Christian sculptor I will right this wrong,’ Schmalz said. ‘I will do what has never been done before in the history of sculpture, which is to create a sculpture for each canto of the ”Divine Comedy.””  –Claire Giangravé, America, 2020

Read the full article here.

“Trump 2020: The Divine Comedy” 3d interactive videogame

Trump 2020 is an online 3D video game built by Together We Can Defeat Capitalism (TWCDC), a project of Andi Cox.  Players descend through the 9 Circles of Hell, to learn of the nature of wrong-doing and its consequences.

Rodger Kamenetz, “Dante at the Gates of Hell”

“From time to time I will be offering examples of encounters with images from poetry.  The point is to show what we might learn from the poets about how to better engage with images in our dreams.

“In the opening of Canto III of Inferno, ‘Dante’ and ‘Virgil’ stand before the gates of hell. The first nine lines are in capital letters.

PER ME SI VA NELLA CITTÀ DOLENTE
THROUGH ME ONE ENTERS THE CITY OF WOE..

“The gate itself is speaking to the poets (and to us the readers).

“This gate has spoken to me for 47 years, since I took the Italian to heart–memorized the lines in a language I do not really know. But I loved Dante and loved the sound, and I think part of the beauty of reading in a foreign language is you slow down, you don’t read it like you read the newspaper or the internet, you take time to translate the words and feel them.

“There is another language that has become foreign for too many of us, the language of images. We have forgotten how to read images, how to respond to them. To gain benefit from our dreams, we must learn how to stand before the images.

“I believe reading poetry written at a high level can teach us how to do this.  That is what I hope to show in this series.” […]    –Rodger Kamenetz, Encountering Images, Series 1: Dante at the Gates of Hell, December 23, 2020

“America in the Eighth Circle”

crisis-magazine-america-in-the-eighth-circle-2020“Such a world, naturally, produced every manner of sin imaginable, and all these sins are carefully chronicled in Dante’s descent into the Inferno. The nine circles of the infernal city are, as Dorothy Sayers reminds us, Dante’s picture of human society in decay; the further Dante and Virgil descend, the more radically corrupt and degraded the society becomes. The pilgrims pass relatively quickly through first seven circles of hell. All the sins of appetite and violence are contained in the first half of the cantica. Then the travelers reach the Great Barrier, and here the poem slows down. Dante and Virgil plunge into the abyss of the eighth circle, which houses the fraudulent. Alas, the various sins punished here read like a cross-section of our ruling classes in Washington, New York, and Hollywood: we meet pimps and seducers, flatterers, hypocrites, and thieves, bribe-taking officials, false counsellors, and sowers of discord. They come at long last to the tenth and final ditch of the eighth circle. Here we find the liars—those who perpetrate the purest form of fraud, the one that unites all the others. Their stench is overwhelming.” [. . .]    –Ben Reinhard, Crisis Magazine, September 21, 2020.