See the whole “Dante’s Inferno Food Truck” Facebook page here.
“They are destined to be forgotten. ‘The world will let no fame of theirs endure,’ Virgil explains. ‘Let us not talk of them, but look and pass.’ Dante describes the vast horde who chase after the elusive banner that “raced on so quick that any respite seemed unsuited to it.” Behind the banner, he writes, ‘trailed so long a file/ of people—I should never have believed/ that death could have unmade so many souls.’
“This, of course, got me thinking about the anti-anti-Trumpers and their season of agita.
“A cry went up this week from the precinct of the anti-anti-Trumpers suggesting that the selection of Kamala Harris was the moment for their decisive break into formal indecisiveness. As much as they loathed Donald Trump, they insisted, there was no way that they could support a Biden-Harris ticket.
“But the choice of Harris wasn’t really a tipping point, because the anti-antis were never going to support a viable opponent to Trump. The essence of anti-anti-Trumpism is the full recognition of the awfulness of Trump and all of his works, but a firm resolve not to actually do anything to confront them.” [. . .] —Charles Sykes, The Bulwark, August 14, 2020
“I have always been fascinated by the crude and vulgar spectacle of Inferno. Perhaps some of what follows is more personal than validated by scholarship, but despite his clear devotion to Christianity and deep and abiding belief in dogma, Dante seems to relish in his bizarre portrayal of the torments of Hell. I think I remember the poem was originally written in low, or street, Italian rather than formal language, because Dante wanted the tone to match the content and for the work to be something everyone could read. My experience growing up with comic books in particular was that they too were a kind of low, vulgar entertainment. Designed to titillate and provoke, but in no way were they deemed serious or valid art. There was a sort of dirty appeal to the comics I saw on the shelf in the grocery store, especially the pulpy black and white horror comic magazines like Creepy, Eerie, and Vampirella. For my approach to Inferno, I wanted to borrow heavily from this lurid, brightly colored, sickly appealing visual style as well as the connotations of what comics seemed to be to my young mind. So this is mirrored in my painting style, which is very bright and graphic and employs linework over tone and value (essentially, I paint like one should draw, I don’t paint like one should paint) as well as in my collaging bits of text and image from comics into the illustrations.” —Matt Kish (personal email communication, September 28, 2020)
You can check out the full series and Kish’s other works on his website.
“My name, sir, is Dante Alighieri. Among the innumerable dead that inhabit these shores, I have been chosen to speak to you because an expert on the afterlife was needed to describe what awaits your soul when it passes, as all souls must, into this land of shadows. I was chosen, whether as an honor or not, to imagine your fate once you wind your way toward us.
“Having accepted this task, I was tempted, sir, as I watched your every act in that life before death, to make this easier for myself and simply conjure up the circles of Hell I had already described in my terza rima. I would then have guided you down my cascade of verses, step by step, into the depths of darkness I had designed for others.
“Were you not the selfish embodiment of so many sins I dealt with in my Commedia? Lust and adultery, yes! Gluttony, yes; greed and avarice, oh yes; wrath and fury, certainly; violence, fraud, and usury, yes again! Divisiveness and treachery, even heresy — you who did not believe in God and yet used the Bible as a prop — yes, one more time!” –Ariel Dorfman, “Sending Trump to Hell,” Nation of Change (October 22, 2020)
Contributed by Justin Meckes
“Inferno is a novella, a portion of Dante Alighieri’s Divine Comedy, in prose rather than the original verse. Inferno finds our protagonist enduring the very same tormenting journey through the rings of hell but in an expanded format.
“The work is retold in its original period, but it has been infused with somewhat less overt references to today’s politics. Thus, this Inferno will maintain a universal appeal and be made available in a Russian Flag edition.
“[. . .] Within this version, multiple Trump associates (e.g., Paul Manafort, Stephen Miller, Jared Kushner, etc.) make appearances in the place of their Florentine counterparts.”
Read a short excerpt here.