Par. 28, Arielle Saiber and Guy Raffa for “Canto per Canto: Conversations with Dante in Our Time”

“Angels are like technology. Dante has to create a new language to describe the indescribable. What is extraordinary in the natural world is a tool to represent what is itself beyond representation. These are only some of the themes that [Dante Today founder] Arielle Saiber and Guy Raffa discuss in their conversation on Paradiso 28, a canto that is, in many respects, a canto of transitions – from material to immaterial, from looking down to looking up and forward.” -Leonardo Chiarantini

Canto per Canto: Conversations with Dante in Our Time is a collaborative initiative between New York University’s Department of Italian Studies and Casa Italiana Zerilli-Marimò, and the Dante Society of America. The aim is to produce podcast conversations about all 100 cantos of the Divine Comedy, to be completed within the seventh centenary of Dante’s death in 2021.

Inferno.Etude – Vartan

“… Vartan, a queer former Orthodox Jew from Chechnya whose sculptures and paintings mostly explore demonic and sexual themes. ‘My work always shows a state of human spirit,’ he tells The Creators Project. ‘Demons and angels, pain and uncontrollable desire, fear and loneliness. The naked body in sculpture represents a spiritual condition. I am not interested in ‘politically correct’ art because it’s boring. Shock, controversy, and honesty. These are the three principles of my art.'”    –Anya Tchoupakov, Vice, November 19, 2015

Shown at left is Vartan’s sculpture Inferno.Etude.

Lily Pfaff, Divine Comedy Illustrations (2014)

“the cherubim and seraphim within the Empyrean in Dante’s Paradiso.” © Lily Pfaff,

See more of Lily Pfaff’s Divine Comedy illustrations here (posted to Tumblr May 25, 2014).