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Jorge Luis Borges, “Inferno, V, 129” (1981)

December 14, 2021 By Harrison Betz, FSU '25

jorge-luis-borges-inferno-author-photograph

Argentinian author Jorge Luis Borges makes reference to the characters of Paolo and Francesca. The full text of the poem appears as follows:

Dejan caer el libro, porque ya saben
que son las personas del libro.
(Lo serán de otro, el máximo,
pero eso qué puede importarles.)
Ahora son Paolo y Francesca,
no dos amigos que comparten
el sabor de una fábula.
Se miran con incrédula maravilla.
Las manos no se tocan.
Han descubierto el único tesoro;
han encontrado al otro.
No traicionan a Malatesta,
porque la traición requiere un tercero
y sólo existen ellos dos en el mundo.
Son Paolo y Francesca
y también la reina y su amante
y todos los amantes que han sido
desde aquel Adán y su Eva
en el pasto del Paraíso.
Un libro, un sueño les revela
que son formas de un sueño que fue soñado
en tierras de Bretaña.
Otro libro hará que los hombres,
sueños también, los sueñen.
A translated version of this same poem may be found here.
Borges made plenty of references to Dante in his writings, some of which have been posted on our site before. See other Borges citings here and here.

Categories: Written Word
Tagged with: 1981, Argentina, Buenos Aires, Inferno, Paolo and Francesca, Poetry, Spanish

Victoria Ocampo, Autobiografía II: La rama de Salzburgo (1980)

March 4, 2021 By Professor Elizabeth Coggeshall

“Victoria utilizará también una serie de referentes literarios, teniendo siempre como principal a la pareja Francesca y Paolo, dos amantes que aparecen en la Divina Comedia en el Canto V del Infierno. Dante habla con ellos y siente gran compasión por su amor, de modo que entabla un diálogo con ellos – algo que el autor no hace con casi nadie de los personajes en los tres libros. Asimismo, habla de Marcel Proust, Virginia Woolf, Jane Austen, Emily Brönte, entre otros.”   –Review on El buen librero (August 8, 2014)

Ocampo also published De Francesca à Beatrice, a commentary on Dante’s Divine Comedy, in 1923.

Categories: Written Word
Tagged with: 1980, Argentina, Autobiographies, Beatrice, Canto 5, Inferno, Literary Criticism, Literature, Paolo and Francesca, Reviews, Women's Studies

Tomás Eloy Martínez, Purgatorio (2008)

February 16, 2021 By Jasmine George, FSU '24

“It should be noted from the outset that unlike Dante’s Purgatorio, which explores the painful processes of self‐examination of those who sinned, repented before they died, and are preparing themselves to enter Paradise’s realm of bliss, Martínez’s Purgatorio is a meditation on a state of suffering by the innocent victims of Argentina’s dictatorial regimes of the 1970s. The notion of a ‘purgatory’ for repentant sinners in Dante, therefore, is creatively transformed in Martinez’s Purgatorio to suggest a shameful period of Argentina’s history plagued by repression and violence, but most importantly, by the pain it generated for decades to come in those who were affected by it.”   –Efrain Kristal, “What Is, Is Not: Dante in Tomás Eloy Martínez’s Purgatorio,” Bulletin of Latin American Research, 2012 (abstract publicly available; full text behind paywall)

The novel, originally published in Spanish in 2008, was translated into English by Frank Wynne (Bloomsbury, 2011).

Categories: Written Word
Tagged with: 2008, Argentina, Book Review, Exile, Latin America, Novels, Political Leaders, Politics, Purgatorio, Purgatory, Violence

Jorge Luis Borges, “Paradiso, XXXI, 108” in Dreamtigers

November 23, 2020 By Laura Chatellier, FSU '23

jorge-luis-borges-paradiso-xxxi“Beside a road there is a stone face and an inscription that says, ‘The True Portrait of the Holy Face of the God of Jaen.’ If we truly knew what it was like, the key to the parables would be ours and we would know whether the son of the carpenter was also the Son of God.

“Paul saw it as a light that struck him to the ground; John, as the sun when it shines in all its strength; Teresa de Jesus saw it many times, bathed in tranquil light, yet she was never sure of the color of His eyes.

“We lost those features, as one may lose a magic number made up of the usual ciphers, as one loses an image in a kaleidoscope, forever. We may see them and know them not. The profile of a Jew in the subway is perhaps the profile of Christ; perhaps the hands that give us our change at a ticket window duplicate the ones some soldier nailed one day to the cross.

Perhaps a feature of the crucified face lurks in every mirror; perhaps the face died, was erased, so that God may be all of us.” [. . .]    –Jorge Luis Borges, The Floating Library, September 15, 2008.

Categories: Written Word
Tagged with: 1960, Argentina, Books, Literature, Poets, Short Stories

Jorge Luis Borges, “Inferno, I, 32” in Dreamtigers

November 23, 2020 By Laura Chatellier, FSU '23

jorge-luis-borges-inferno-i-32-2020“From the twilight of day till the twilight of evening, a leopard, in the last years of the thirteenth century, would see some wooden planks, some vertical iron bars, men and women who changed, a wall and perhaps a stone gutter filled with dry leaves. He did not know, could not know, that he longed for love and cruelty and the hot pleasure of tearing things to pieces and the wind carrying the scent of a deer, but something suffocated and rebelled within him and God spoke to him in a dream: ‘You live and will die in this prison so that a man I know of may see you a certain number of times and not forget you and place your figure and symbol in a poem which has its precise place in the scheme of the universe. You suffer captivity, but you will have given a word to the poem.’ God, in the dream, illumined the animal’s brutishness and the animal understood these reasons and accepted his destiny, but, when he awoke, there was in him only an obscure resignation, a valorous ignorance, for the machinery of the world is much too complex for the simplicity of a beast.

“Years later, Dante was dying in Ravenna, as unjustified and as lonely as any other man. In a dream, God declared to him the secret purpose of his life and work; Dante, in wonderment, knew at last who and what he was and blessed the bitterness of his life. Tradition relates that, upon waking, he felt that he had received and lost an infinite thing, something that he would not be able to recuperate or even glimpse, for the machinery of the world is much too complex for the simplicity of men.” [. . .]    — Jorge Luis Borges, The Floating Library, July 28, 2008.

Categories: Written Word
Tagged with: 1960, Argentina, Books, Literature, Poets, Short Stories

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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