“The ideas behind the Divine Comedy have brought the artist to reflect upon a millenary question: what is the soul? This question entails an inquiry about uncertainty and wandering. The artist uses the medium of installation to create a unique world, made up of thousands of tiny figurines suspended as if they were souls waiting for a visa to enter another world or destination. Positioned on the ground, these retrospective objects are installed in such a way as to suggest their interrelation, their secret bond, as if they were suspended souls. The idea behind Errance is to create an emotion, a feeling of anticipation and reflection with the public. The twelve thousand colored figurines are suspended from the ceiling and are reflected in the thousands of mirrors placed on the floor, referring- also thanks to a soundtrack- to the infinity of the universe, the tackling lights and moving elements that are unknown to us but which we admire and dream about even though we do not know where they come from.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Learn more about the artist Dominique Zinkpè (b. 1969, Cotonou, Benin) on Wikipedia.