“The Wines of Dante’s Inferno”

“We, the Ancient Wine Guys (Dr. Dana DePietro, Dr. Jeff Pearson, Ti Ngo, and Ryan Wihera), are thrilled to be collaborating once again with renowned winemaker and chef Pietro Buttitta of Prima Materia Winery to present the latest in our ongoing series of wine lectures and S.H.A.R.E. fundraisers: The Wines of Dante’s Inferno. In a unique retelling of this classic and foundational text, we follow Dante Alighieri and his guide, Publius Vergilius Maro (Vergil), as they journey through the Underworld and meet a litany of unfortunate souls condemned there to atone for their sins. The evening will feature nine unique and delicious wines (one for each level of hell!) inspired by Dante’s text and world, along with three full courses of food pairings created and professionally prepared by Pietro. We hope you can join us for this special summer evening of literary, oenological, and culinary exploration!”   —S.H.A.R.E. Ticketing Page

The sold-out event will be held on July 30, 2021, at the Prima Materia Winery (Oakland, CA). All proceeds benefit the Society for Humanitarian Archaeological Research and Exploration (S.H.A.R.E.), a registered 501(c)(3) non-profit organization that uses archaeology as a tool to promote peace and dialogue in Israel/Palestine.

Contributed by Rachel Duke (Florida State University)

“Dante’s Inferno: Can Pettis Reignite His 49ers Career?”

“For some, failure fuels the fire. 49ers WR Dante Pettis has been accustomed to failure as of late. Dennis Waitley once said, ‘Failure should be our teacher, not our undertaker. Failure is delay, not defeat. It is a temporary detour, not a dead end.’

“49ers WR Dante Pettis has become accustomed to failure as of late. Though Pettis’ team was incredibly successful in 2019, Pettis’ contributions towards that success were mostly unnoticeable. Once a highly touted 2nd-round draft pick, Pettis found himself slotted to be a starting WR for the 49ers heading into the 2019 season.”   –Gilbert Brink, 49ers Webzone, 2020

Read the full article here.

Don Thompson’s “The Wood of Suicides”

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“The Wood of Suicides. Canto XIII, Inferno. These images were taken adjacent to campus, after the Malibu fires.” [. . .]    –Don Thompson,  d.t. pepperdine, October 2007.

Group Exhibition of Dante Portraits (2021)

Riccardo Guasco

A group exhibition organized in Ravenna with the support of the Italian Consulate of Houston (TX) and the Istituto Italiano di Cultura of Los Angeles (CA) showcasing over 40 contemporary artists’ depictions of Dante.  The exhibition is titled “Drawing Dante: Uno, nessuno e centomila volti: Retrospective group exhibition” by Dante Plus.  A virtual tour can be seen on youtube here.  There is also an instagram feed of the portraits.

Contributed by Kate McKee (Bowdoin ’22)

 

UCLA’s Dante in the Americas

“The literary appropriation of Dante over the last century has been enormous. His influence has been front and center in all major modern literary traditions—from T.S. Eliot to William Butler Yeats, from Albert Camus to Jean-Paul Sartre, from Jorge Luis Borges to Derek Walcott, from Giorgio Bassani to Giuseppe Ungaretti. Why such fascination? What are the textual characteristics of Dante’s Commedia that make it an ideal vehicle for literary appropriation, thereby allowing it to enjoy a sustained cultural afterlife? What, moreover, are the more accidental factors (e.g., taste, world view, political agenda, religious, and mystical convictions) which account for the popularity of Dante—after 300 years of neglect during which the Florentine poet was relegated to the shadows of Petrarch and his works—among artists, novelists, poets, playwrights, and cinematographers? This symposium, co-organized by Professor Massimo Ciavolella (Italian, UCLA), Professor Efraín Kristal (Comparative Literature, UCLA), and Heather Sottong (Italian, UCLA), considers these questions, concentrating on Dante’s influence in North America and especially in Latin America.”   —UCLA Center for Medieval & Renaissance Studies, 2011

9 Circles of Hell Hot Sauces and Spice Blends

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“Perhaps a long, hot walk, but a walk none the less. There is such a diverse pepper combination that is difficult to peg a dominate flavor source. I see the listed ingredients are not in order by scoville heat unit scale measure but in a manner that each pepper’s heat compliments each other. Remember the flavor curve? This was excellent.   Well done 9 Circles. The chicken was wonderful as well. I look forward to adding this spice mix to my kitchen inventory.

“The pork loin and the chicken breast that were rubbed with the brown sugar spice mix were obviously not as hot. But for the folks that can’t really handle the heat, but want to be bold enough and try the flavors of these wonderful peppers, this mix works. The brown sugar calmed the intense heat as provided by all these peppers. Ultimately, play around with the spice mix and see with what works for you heat wise.

“I’m happy somebody had the creativity and balls to develop and make this mix. The pepper combination worked well. I have had my fair share of hot pepper mixes, but 9 Circles Of HELL did their homework and produced a product worthy of the 9 dissentions of hell.” [. . .]    –Stephen Bishop, Perfect Meal Today, July 19, 2015.

 

Selva Oscura Album, Lawrence English and William Basinski (2018)

“Tonight, as part of the Fulcrum Arts Annual Benefit fundraiser—which itself sits within Fulcrum Arts’ A×S Festival: City as Wunderkammer—Lawrence English and William Basinski will present the world premiere performance of their collaborative album Selva Oscura.”    –XLR8R Staff, XLR8R, November 7, 2018

Guy Raffa, “There’s a Special Place in Dante’s Inferno for Wafflers and Neutral Souls”

“Dante’s Divine Comedy, an epic poem recounting the Florentine’s journey through Hell, Purgatory, and Paradise, remains the go-to guide to the afterlife, the world’s most famous travelogue for the great beyond. But Dante matters more than that. Dante’s encounters with the dead offer enduring lessons for the living, including one that speaks with vital urgency to us today.

“Consider California Gov. Gavin Newsom’s press conference on June 5, 2020, as a Dantean case study. The governor insisted that ‘we’—institutions and the community at large—must change to combat systemic anti-Black racism. Urging individuals to ‘take a stand,’ he quoted the medieval Italian poet: ‘Dante infamously said that the hottest place in hell is reserved for those in a time of moral crisis that maintain their neutrality.’ The lesson drawn by Gov. Newsom? ‘This is not the time to be neutral.’

“This might be the place for me to stop, tear out my hair (or what’s left of it), and object, ‘Dante never said those words! They imply that neutrality is the worst sin for Dante, but treachery is, and the punishment for that sin isn’t fire but ice!’ But I won’t do that, because the complicated life of this fictitious quotation is so deeply embedded in U.S. history that the correction is pointless.”   –Guy P. Raffa, “There’s a Special Place in Dante’s Inferno for Wafflers and Neutral Souls,” Zócalo Public Square (August 31, 2020)

See also our posts on the use of the famous (mis)quotation by Martin Luther King, Jr., and John F. Kennedy (all filed under the tag “Hottest Places“).

“A White Canon in a World of Color,” by Sierra Lomuto

“I was recently in my hometown of San Francisco, walking through the Mission district on Christmas Eve looking for a place to pop into and get some work done. I had some grading to finish for my Chaucer class. I worked for a bit in a café at Valencia and 24th St. But when it closed early at 4pm, because of the holiday, I made my way toward the local library a couple blocks away.

[. . .]

“Wrapped around the face of the building were etchings of names, six per column, and the first read: Homer, Virgil, Rabelais, Chaucer, Shakespeare, Dante. My eyes followed the carved words around to the side where they ended, each name digging a pit deeper into my stomach. Here I was, in the heart of the Mission, a Latinx neighborhood for as long as most San Franciscans’ memories can reach back to, and a building that is meant to represent knowledge, learning, community, safety. . . is encased with the names of white men. I wanted this old stone building, this old library in the Mission, to offer me some solace amidst a devastating present, to remind me that knowledge, education, and learning are paths out of socio-economic oppression.

“Instead, it reminded me that those paths too often lead us toward our own epistemological oppression—and do too little for the places and people we came from. The façade of the Mission library reminded me that those paths belong to white men; the rest of us merely walk them. [. . .]”   –Sierra Lomuto, “A White Canon in a World of Color,” Medievalists of Color (March 26, 2019)

Inferno at San Francisco’s Gray Area Festival

“I’m in the middle of the dance floor. The strobe lights above me are popping in time with the thundering kick drums and violent synth-bass rolling out of the speakers at 110 beats per minute. I’m shuffling to the rhythms, but I’m only able to control the lower half of my body. All of my movements from the waist up are being dictated by an exoskeleton strapped onto my trunk like a jacket.

“My arms jerk up and down and twist from side to side with the beat, but my own muscles aren’t doing the work; my flesh is being pushed around in space by the 45 pounds of metal, cable, and hydraulic cylinders running across my shoulders and down my arms. A robot is making me dance.” [. . .]

“The dance show, titled Inferno, is meant to be an experiential representation of hell, and I suppose it is, just maybe more fun. Inferno has been touring the world for a couple of years, and it made its US premiere in San Francisco this past weekend at the Gray Area Festival.” [. . .]    –Michael Calore, Wired, July 30, 2019.

Read more about Inferno and the Gray Area Festival on Wired.