Parc Dante, QC, Canada

Parc Dante, or Dante Park in English, is a natural park in Montreal, QC, Canada. The park has an open air cinema that shows a selection of Italian films, with free admission for attendees.

You can learn more about Parc Dante’s film screenings here.

Basil O’Glue – Dante [Slideways]

“Tim Penner’s Slideways Music returns from a five month hiatus with a new single from Basil O’Glue. The Greek artist and Saturate Audio label boss is much loved for his progressive minded creations which have found a home on Armada Music, Coldharbour Recordings and John OO Fleming’s JOOF Recordings. Now the long time Markus Schulz favourite makes his Slideways debut alongside remixes from Dowden and SHFT.

“For an artist who has spent over a decade charming fans with energetic beats and mystical melodies he continues to amaze with each and every outing. His latest entitled ‘Dante’ is a wonderful progressive techno cross pollination. Beginning with tough beats and percussive flurries the piece evolves methodically as icy pads and ethereal motifs engulf the framework. Astral arps add further depth, burrowing deep into your subconscious, playing off the meditative rhythms and eventually initiating the main break. Cinematic spheres and tasteful yet tense modulation dominate the centrepiece, building anticipation before a tepid rush sets up an emotive finale.

“The first interpretation of ‘Dante’ is provided by Dowden who is making his Slideways debut. Previously known as Onez!e, the Canadian artist has found a comfortable home on John 00 Fleming’s JOOF Recordings and ICONYC since conceptualizing the new moniker. Known for his peak time creations, Dowden strips ‘Dante’ down, reshaping the groove with bulbous beats and muscular bass stabs. Devilishly hypnotic, it’s glassy clusters and techno inspired rhythms take you deep into the heart of the groove, before the main arp elevates the mood during a memorable second act.” […]
–Release Promo, Progressive Astronaut, September 17, 2018

Beware of Dante’s (ERP) Inferno

“ERP implementation projects are large, complex endeavors that can quickly spiral out of control. Blown budgets and delayed implementations are not uncommon, and in the worst cases, failed ERP projects can cripple the entire organization.

“Despite risk management frameworks, robust development methodologies, and highly motivated teams, ERP initiatives still fall victim to poor decisions. In his Divine Comedy, Dante chronicles his journey through the nine circles of hell. To avoid a similar story for your ERP project, beware of these deadly ERP sins.” […]    –Shawn Stamp, CIO Dive, June 25, 2018

Wertyo, Tartarus (2019)

“Hailing from Alberta, Canada, Wertyo began as a Vaporwave artist, releasing two EPs in the genre. Together, they were streamed over 1 million times from people all over the world.  Enter Tartarus, Wertyo’s first feature length album. No longer vaporwave, this concept album changes from romantic era classical to avant-garde jazz over the course of its 25 tracks.  Inspired by Dante Alighieri’s Divine Comedy, the album follows the poem through its three canticheInferno, Purgatorio, and Paradiso.”    —Wertyo

 

The Rouge Theater, “Dante’s Purgatorio (2014)

“Dante’s Purgatorio
Written by Patrick Baliani
Directed by Joseph McGrath

See also the performance by The Fountain School at Dalhousie University, 2018

Sam Coffey and the Iron Lungs’s album Gates of Hell (2014)

Gates of Hell” is an album released on July 31, 2014 by Sam Coffey and the Iron Lungs. The band hails from Toronto, Canada, and are a self-described “6 piece rock n’ roll band from hell.” — cited from Bandcamp.com

The album features 10 songs:sam-coffey-iron-lungs-gates-of-hell

  1. Gates of Hell – 3:31
  2. Hold Me Close – 2:32
  3. Birthday! – 1:31
  4. Communication – 4:04
  5. Get Pumped Up – 1:32
  6. Season of the Witch – 2:46
  7. Heavy on Queen St. – 3:16
  8. Calgary Hill – 3:13
  9. Seventeen – 2:58
  10. Brides of Satan – 3:31

Watch the music video for the song “Gates of Hell” below:

Learn more about Sam Coffey and the Iron Lungs on their website, and follow them on Instagram, Twitter, Facebook, and Soundcloud.

Divine Comédie, Simon Côté-Lapointe (2014)

Purgatoire-Divine-Comedie-Simon-Cote-Lapointe-film

Divine Comédie is an experimental film released in 2014, featuring music and video imagery by Simon Côté-Lapointe. The artist himself describes the film as follows: “This adaptation of Dante Divine Comédie is a oniric musical trip without words, a thrilling experimental mix of animation, video art and imagination combining 2D and 3D animation, video art and puppetry as well as electronic, electroacoustic and acoustic music.”

The trailer and two versions of the film (both the full-length film and a shorter version) are available to watch on YouTube.

For more information on the film and its creators, see the website here.

Contributed by Simon Côté-Lapointe, Université de Montréal

As the Poets Affirm

as-the-poets-affirm.jpg “As The Poets Affirm (As The Poets Affirm) was born out of a group of independent musicians in 2001 in Ottawa, Canada. What started as a three-piece acoustic project, eventually turned into an eclectic seven-member lineup experimenting with jazz, classical and electronica. Their name is taken from a line in Dante’s Inferno [Inf. XXIX.63].” [. . .]    —The Sirens Sound

Stephen Atkins, “Dante’s Inferno: Living Hell” (2010)

stephen-atkins-dantes-inferno-living-hell-2010

“Now in a third year of collaborating with Brisbane-based Zen Zen Zo Physical Theatre, Human Theatre director Stephen Atkins delves into another classic with the premiere physical theatre company of Australia. Dante’s Inferno: Living Hell takes the audience on a promenade theatre experience, walking in Dante’s footsteps and lighting up another sold-out ‘In The Raw’ season with the company.
The project was conceived, scripted and rehearsed through the collaborative efforts of nineteen performers, two music composers and three choreographers. Based on Atkins’ adaptation, the performers created scenarios and vignettes illustrating the strata of the Inferno. Dante pulled no punches in the original 13th century poem, writing it entirely in the vernacular Italian language (instead of Latin) and populating hell with the corrupt popes, politicians and merchants of his own time; subjecting them to ironic and satirical punishments. It was meant to be a poem for the people, not the learned few; a dark comedy with a poignant message.
In this adaptation, the audience is lead through hell by two entrepreneurial tour guides who offer a ‘walking tour of the underworld’ while up-selling the audience on merchandise. As the evening progresses, the tables turn and the audience must fend for itself, guided by a heavenly angel through the City of Dis. In the end, evil is contemplated through the lens of the modern, contemporary world, bringing hell closer to home. Dante’s Inferno: Living Hell played for two weeks in Brisbane’s historic Old Museum.”    —Human Theater Collective (retrieved on August 23, 2010)

Contributed by Helena Miscioscia

Inferno Enterprises Architects

inferno-enterprises

Contributed by Ruth Caldwell