Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

Bad Dante Bad English Bad Opera Chamber Opera, Production Company Spreafico Eckly (2022)

By

bad_dante_opera_performance_photo

“Bad Dante Bad English Bad Opera is a new version of Dante’s classic Purgatory from The Divine Comedy. The strict verse form from the original Italian version has been maintained, but the text has been rewritten into anti-academic “street language” English.

“From a stripped-down stage, four singers/actors and three string players present the first nine cantos of Purgatory: Antepurgatorio. Here, in transit between hell and paradise, Dante meets the souls who are waiting to atone for their sins. Human emotions such as imperfection, justice, confusion, and tolerance are explored in a smart, refreshing, and humorous way.

“The chamber opera Bad Dante Bad English Bad Opera is created by Spreafico Eckly, the Bergen-based production company of writer and theatre director Andrea Spreafico, and composer and artist Matteo Fargion.” [. . .]    —Bergen International Festival (retrieved March 26, 2022)

The opera will have its world premiere at the Bergen International Festival on June 7-8, 2022. Learn more about the opera and watch a trailer here.

Smetana, Sibelius, and the Dante Quartet

By

smetana-sibelius-and-the-dante-quartet“Though both Jean Sibelius and Bedrich Smetana are well-known for their contributions to the nationalistic movements in their respective countries, the semi-autobiographical quartets of both composers (two for Smetana, one for Sibelius) instead focus on dark, tragic aspects of their own lives. Smetana’s quartets highlight some of the positive events in his life, but are more a representation of the gradual march toward deafness and the decline of his career. Sibelius, who struggled with depression and isolation, writes an equally revealing depiction of his more private inner turmoil. Performing these three emotionally charged works is the equally emotive, demonstrative Dante Quartet. Conceptually, its playing is ideal for showing listeners the very raw emotions present in these scores.” [. . .]    –Mike D. Brownell, Allmusic

At Midnight with Andrew Kennedy and the Dante Quartet

By

ian-venables-at-midnight-songs-and-chamber-music“British composer Ian Venables, born in 1955, has been described as a songwriter in the tradition of Hubert Parry, Roger Quilter, Peter Warlock, and Gerald Finzi, and the comparison is apt. They were composers of modest talents, active generations before Venables; Parry, the earliest, died in 1918, and Finzi, the latest, in 1956. Venables’ music has much in common with the conservative English pastoralism that tended to characterize their work, and an informed listener unaware of the provenance of the music recorded here might reasonably place it early in the 20th century. It is skillfully written, and Venables has clearly invested it with deep feeling, so it should appeal to fans of post-Romantic English music.” [. . .]    —AllMusic

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

Creative