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James Baldwin, “Stranger in the Village” (1955)

June 3, 2020 By Professor Elizabeth Coggeshall

James Baldwin, photographed by Carl Van Vechten, 1955

“For this village, even were it incomparably more remote and incredibly more primitive, is the West, the West onto which I have been so strangely grafted. These people cannot be, from the point of view of power, strangers anywhere in the world; they have made the modem world, in effect, even if they do not know it. The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it. Out of their hymns and dances come Beethoven and Bach. Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.”   –James Baldwin, “Stranger in the Village,” from Notes of a Native Son (1955)

Read the full essay here.

Categories: Written Word
Tagged with: 1955, Africa, African American, America, Civil Rights, Race, The Canon

Martin Luther King, Jr., on Nonviolence (March 31, 1968)

June 2, 2020 By Professor Elizabeth Coggeshall

“It is no longer a choice, my friends, between violence and nonviolence. It is either nonviolence or nonexistence. And the alternative to disarmament, the alternative to a greater suspension of nuclear tests, the alternative to strengthening the United Nations and thereby disarming the whole world, may well be a civilization plunged into the abyss of annihilation, and our earthly habitat would be transformed into an inferno that even the mind of Dante could not imagine.   —Martin Luther King, Jr., “Remaining Awake Through a Great Revolution,” Address delivered at the National Cathedral in Washington, D.C. (March 31, 1968)

Read the full transcript at the website of the King Institute, Stanford University.

The image above comes from here, courtesy of the DC Public Library.

Categories: Written Word
Tagged with: 1968, African American, America, American Politics, Civil Rights, Inferno, Nuclear War, Political Leaders, Race, Speeches, Washington D.C.

How a Museum Reckons With Black Pain (2016)

September 25, 2016 By Professor Arielle Saiber

A woman passes a display depicting the Mexico Olympic protest during a media preview at the National Museum of African American History and Culture on the National Mall in Washington, U.S., September 14, 2016. The museum will open to the public on September 24. REUTERS/Kevin Lamarque FOR EDITORIAL USE ONLY. NO RESALES. NO ARCHIVES. - RTSNR10
A woman passes a display depicting the Mexico Olympic protest during a media preview at the National Museum of African American History and Culture on the National Mall in Washington, U.S., September 14, 2016.

“The Smithsonian’s new memorial of African American history and culture is at once triumphant and crushing.” […]

“The descent and ascent achieve an effect similar to Dante’s harrowing journey in Inferno, and the walk upwards through Reconstruction, Redemption, the civil-rights movement, and into the present day is a reminder of the constant push and pull of horror and protest.”    –Vann R. Newkirk II, The Atlantic, September 23, 2016

Contributed by Pamela Montanaro

Categories: Visual Art & Architecture, Written Word
Tagged with: 2016, African American, Civil Rights, History, Inferno, Journalism, Museum, Protests, Race, Washington D.C.

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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