“On page 39, the Inferno is directly mentioned: ‘It’s the meter,’ said Francis, ‘Iambic trimeter. Those really hideous parts of Inferno, for instance, Pier de Medicina with his nose hacked off and talking though a bloody slit in his windpipe–‘ ‘ I can think of worse than that,’ Charles said. ‘So can I. But that passage is lovely and it’s because of the terza rima. The music of it. The trimeter tolls through that speech of Klytemnestra’s like a bell.’
“This was in reference to a quoted piece of the Oresteia in a classics class. The reference to the meter was to connect death and beauty, and ultimately make a statement pertinent to the subject of desire, specifically the desire to live forever. Earlier in the book, the professor teaching the classics class mentioned both Dante and Virgil by name when explaining subjects other than Greek that the students would be studying in his program.” –Contributor Alex Lee
Contributed by Robert Alex Lee (Florida State University, ’21)
