Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

Seinfeld Season 3, Episode 10 – “The Stranded” (1991)

By

seinfeld-dante-reference-screenshot

“Seinfeld is an American sitcom television series created by Larry David and Jerry Seinfeld. It aired on NBC from July 5, 1989, to May 14, 1998, over nine seasons and 180 episodes. It stars Seinfeld as a fictionalized version of himself and focuses on his personal life with three of his friends: George Costanza (Jason Alexander), former girlfriend Elaine Benes (Julia Louis-Dreyfus), and his neighbor from across the hall, Cosmo Kramer (Michael Richards). It is set mostly in an apartment building in Manhattan’s Upper West Side in New York City. It has been described as ‘a show about nothing’, often focusing on the minutiae of daily life.”     —Wikipedia

In Season 3, Episode 10, entitled “The Stranded”, George remarks that his current office relationship makes it feel as though every day is a date to which Jerry replies, “That’s one of Dante’s nine stages of Hell, isn’t it?”

See our other post involving comedian Jerry Seinfeld here.

Larry David, Curb Your Enthusiasm (2021)

By


“In the opening scene of Episode 5 of Season 11 of the television show Curb Your Enthusiasm, titled “IRASSHAIMASE!”, Larry David and his friend Freddy Funkhouser argue about whether Freddy talked through Larry’s putt in their game of golf earlier in the day. Larry asks his friend Jeff Greene to weigh in, but he refuses to take a side. In response, Larry says, ‘Jeff, you know what Dante said: The hottest places in hell are reserved for those who in time of crisis retain their neutrality.’ He then jokes with Jeff, saying, ‘You’re goin’ straight to hell’ in reference to Jeff’s neutrality in Larry and Freddy’s argument about golf.

“Larry is referring to Canto III of Dante’s Inferno, in which Dante encounters cowardly and neutral souls who ‘lived without infamy and / without praise. / They are mixed with that cowardly chorus of / angels who were not rebels yet were not faithful to / God, but were for themselves. / The heavens reject them so as not to be less / beautiful, nor does deep Hell receive them, for the / wicked would have some glory from them’ (Canto III, lines 35–42, Englishtranslation by Robert Durling, 1996).
“Larry’s citing of Dante is actually a common misattribution of his placement in Hell of neutral souls. Dante does indeed encounter souls who retained their neutrality in times of crisis in Canto III of Inferno, but places them not actually in Hell, but rather outside of its gates, doomed to never enter Hell nor Heaven. The contrapasso of these neutral souls’ punishment is that they are neutral in the afterlife, being neither damned nor saved, as they were neutral in their Earthly life; they are forced to nakedly follow a blank banner, representative of their neutrality, while being stung by insects. Dante asserts that they were never even really alive because of their neutrality, and thus are not worthy of being named. His misattribution of Dante’s placement of those who remain neutral in the ‘hottest places in hell’ further alludes to a speech given by Martin Luther King, Jr. on April 15, 1967, in which he stated ‘I am here because I agree with Dante, that: The hottest places in hell are reserved for those who, in a period of moral crisis, maintain their neutrality.’    –Cesca Craig

Contributed by Cesca Craig (University of Arkansas, ’23)

Maurizio Lastrico, “Nel mezzo del casin di nostra vita” (2019)

By

“Nel suo nuovo spettacolo ‘Nel mezzo del casin di nostra vita,’ Maurizio Lastrico recita i suoi celebri endecasillabi ‘danteschi,’ che mescolano il tono alto e quello basso, che raccontano con ironia di incidenti quotidiani, di una sfortuna che incombe, di un caos che gode nel distruggere i rari momenti di tranquillità della vita. Propone inoltre le sue storie condensate, in cui la sintesi e l’omissione generano un gioco comico di grande impatto.”   —Teatro.it

The show first ran in 2019 and has run continuously through 2020 and the first half of 2021. See teatro.it for more information.

“The Divine Comedy of The House That Jack Built“

By

“After being banned from the Cannes Film Festival and finishing his Depression Trilogy, Lars von Trier returned from a five-year hiatus with The House That Jack Built. The film follows a sadistic, failed architect named Jack (Matt Dillon) who recalls his murders to the ancient Roman poet Virgil (Bruno Ganz), as the pair make their way through Hell. To Virgil’s disgust, Jack sees these incidents as misunderstood works of art.

When the film premiered at Cannes, it prompted a one-hundred-person walkout and a ten-minute standing ovation. While the festival is known for its dramatic receptions, The House That Jack Built is, indeed, a polarizing film. It’s is either the nail in the coffin for von Trier’s career or the darkest comedy of 2018. Depends on who you ask.
As Ryan Hollinger puts it in the video essay below: The House That Jack Built is what you get when you give a serial killer two and a half hours to gush about how great they are. On paper that sounds like a recipe for disaster. But on the screen, the iffy conceit materializes as a mocking character study of the kind of ego-trip that thinks it’s so charming and clever that it can get away anything.
Ultimately, The House that Jack Built is a film that turns a monster into a punchline. And if you let go of seriousness and pretension, the film reveals itself as an absurd, self-effacing, and divinely funny comedy.”    –Meg Shields, Film School Rejects, July 25, 2020
Check out our original post on The House that Jack Built (2018) here.

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

Creative