Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

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The Divine Comedy NFTs

November 3, 2021 By Harrison Betz, FSU '25

divine-comedy-nft-screenshot“THΞ DIVINΞ COMΞDY project consists of 700 NFTs with randomly combined Canti of Inferno, Purgatorio, and Paradiso as a celebration of the 700th anniversary of Dante Alighieri’s death.

“The Divine Comedy represents a 14th-century vision of the afterlife, describing Dante’s journey through the three realms of the dead: Inferno, Purgatorio, and Paradiso. Today Dante’s masterpiece is widely considered to be the pre-eminent work in Italian literature and one of the greatest works of world literature.

“ti_series is a collective of friends, crypto art lovers, having the aim of creating some of the most fascinating series stored on chain.”[. . .]    –ti_series, OpenSea (retrieved November 3, 2021)

For more information about ti_series and their work, view their Twitter page here.

Categories: Digital Media, Written Word
Tagged with: 700th anniversary, Crypto Art, Digital Art, Inferno, NFTs, Paradiso, Purgatorio

Dante 700th London

September 10, 2021 By Professor Arielle Saiber


Visit the 3D exhibition here
“ma per trattar del ben ch’i vi trovai” Divina Commedia, Inferno Canto I
​

DANTE 700TH London
3rd – 30th September 2021
Dante Society London 22, Bryanston Mews West London W1H 2DD

Visits to the exhibition by appointment only. Contact us by mail.

The exhibition with the participation of a collective of artists from Italy, the United Kingdom, China and the United States of America will take place in London at the Dante Society London premises, during the month of September 2021. The artists accepted the invitation to explore and interpret Dante’s writing and its relevance in the 21st century, each with their own unique artistic brilliance. The original interpretations represent an exceptional panorama that celebrates Dante’s anniversary in a special manner and offers a contemporary perspective in the various artistic and multimedia representations.

The selected artists of Dante 700th London:
Bianca Froese-Acquaye, Despina Symeou, Emilio Guazzone, Francesco Filippini, Giuseppe Pipino, Iluà Hauck da Silva, Jackie Carter, Kat Mustatea, Laura Parker, Louise Marchal, Maurizio Coglia, Michela Papavassiliou, Paolo Rambelli, Rocco Epifanio, Shadi Almualem, Teresa Cecchi and la classe di chimica ITT ‘G.E.Montani, Ying Zheng.
Dante 700th London Prize Jury: Alexandra Lawrence, Dario Pisano, Patrizia Poggi.
Our most heartfelt thanks for supporting this initiative.

The winner of the exclusive interview granted by London One Radio, the first Italian radio in the United Kingdom is: Kat Mustatea
Awarded for Voidopolis – a digital performance about loss and memory currently unfolding on her Instagram feed @kmustatea

Categories: Music, Performing Arts, Visual Art & Architecture, Written Word
Tagged with: 2021, 700th anniversary, Digital Art, England, London, Painting, Performance Art, Poetry, Radio, Sculpture, Theater

“The Divine Parody of Dante Alighieri: Inferno Canto 3”

April 2, 2021 By Jasmine George, FSU '24

 

DeviantArt user randomnessrox92 recreates Canto 3 of Inferno with comic art. View more pieces by this user here.

Categories: Digital Media
Tagged with: 2009, Canto 3, Comics, Digital Art, Inferno, Parody

“Une illustration de La Divine Comédie longue de 97 mètres”

March 6, 2021 By Laura Chatellier, FSU '23

une-illustration-de-la-divine-comédie-longue-de-97-mètres-2021

“L’artiste turinois Enrico Mazzone a réalisé une œuvre, Rubedo, en hommage à Dante Alighieri. Il ne s’agit pas d’une œuvre au format traditionnel, mais de l’illustration de l’intégralité de La Divine Comédie, simulant la technique de la gravure lithographique, sur une feuille de papier de 97 mètres de long et de quatre mètres de haut. Une œuvre colossale, qui a débuté en 2015 en Finlande et s’est achevée à Ravenne, cinq années après, sur la mezzanine du Mercato Coperto (le marché couvert).

“Mais bientôt il sera possible de voir cet ouvrage depuis son propre ordinateur, des quatre coins du monde. Le Département du tourisme de la municipalité de Ravenne et le Laboratorio Aperto en ont en effet commandé la numérisation, qui a commencé le 6 février et se poursuivra jusqu’au 22 février 2021.” [. . .]    –Federica Malinverno, ActuaLitte, February 15, 2021.

Categories: Visual Art & Architecture
Tagged with: 2021, 700th anniversary, Artists, Digital Art, Finland, Illustration, Italian, Ravenna, Visual Art

Kat Mustatea, Voidopolis (2020)

January 31, 2021 By Professor Elizabeth Coggeshall

@kmustatea on Instagram (January 30, 2021)

“Voidopolis is a digital performance about loss and memory that is currently unfolding over 45 posts on my Instagram feed (@kmustatea). Started July 1, 2020, it is a loose retelling of Dante’s Inferno, informed by the grim experience of wandering through NYC during a pandemic. Instead of the poet Virgil, my guide is a caustic hobo named Nikita.”   –Kat Mustatea

Featuring a Dantesque cast of characters ranging from the Virgilian Nikita to a mohawked Minos, a gruff ferryman named Kim and a withdrawn George Perec, Mustatea’s Voidopolis weaves through the pandemic-deserted streets of Manhattan, a posthuman landscape of absence and loss, bearing witness to its vanishings. Voidopolis won the 2020 Arts & Letters “Unclassifiable” Prize for Literature, and received a Literature grant from the Cafe Royal Cultural Foundation.

To read more about both the process of the piece and its influences, including Dante, see the interview with Mustatea featured in Dovetail Magazine (2020).

 

Mustatea’s project at Ars Electronica 2021
The project’s website

Categories: Digital Media, Performing Arts, Visual Art & Architecture, Written Word
Tagged with: 2020, Austria, Charon, Cities, Coronavirus, Covid-19, Digital Art, Inferno, Instagram, Linz, Literature, Minos, New York City, Performance Art, Poetry, Social Media, Technology, Virgil

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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