“Recently, Paula Vogel’s Civil War Christmas (New York Theater Workshop); now, Bill Irwin and David Shiner’s Old Hats (Signature).
BEGINNINGS ‘I was like that kid in Annie Hall who says, ‘I’m into leather,’ except I’d walk around as a 6-year-old and say, ‘I’m into directing.’ I was raised on, and fell in love with, Broadway musicals and later fell in love with more experimental forms.’
AESTHETIC ‘I don’t gravitate toward new plays set in middle- or upper-class living rooms or kitchens. I prefer giving voice to the outsider, the minority, the renegade, and I love texts with stage directions like, ‘And then they fly to the moon and have a picnic with food that keeps changing color.”
CHANGING TIMES ‘I’ve always experienced Off Broadway and Off Off Broadway as being hospitable to me and other women I know. That said, I didn’t realize there were so many doing so much great work in New York right now.’
DREAM PROJECT ‘My own adaptation (with many collaborators) of Dante’s Divine Comedy, with characters and stories transposed to contemporary culture, with music by folks like John Zorn, Ratatat, Janelle Monáe.'”     —Eric Grode, The New York Times, January 31, 2013