“You said yourself, ‘Abandon hope all ye who enter here.’ But I’m not Dante, and you’re not Vergilius.”
Learn more about Capcom’s 2012 video game Resident Evil: Revelations here.
Citings & Sightings of Dante's Works in Contemporary Culture
“You said yourself, ‘Abandon hope all ye who enter here.’ But I’m not Dante, and you’re not Vergilius.”
Learn more about Capcom’s 2012 video game Resident Evil: Revelations here.
From Volume 2, Chapter 10, in Fuyumi Soryo’s 2005 manga series Cesare, which makes extensive reference to the Divine Comedy.
“Eagle-eyed viewers of Code Geass R2‘s first episode may have spotted that Lelouch is reading Dante’s Divina Commedia while Rollo gives him a lift. (As a child, I never loved anyone enough to give them my last Rolo.)
Slightly more obsessive viewers will have discovered that he is in fact reading the Purgatorio Canto XXII.” –Thaliarchus, Animanachronism, April 9, 2008
Learn more about Sunrise’s 2006 anime Code Geass here.
“It’s also a book about walking. Macfarlane is nothing if not boots on ground, following one path or another as he hoofs it from orchard to cottage to inn to pub, talking to the people who know the land best, the ones who live and work on it. Of course, he is not the first person to connect walking with writing. The first writers didn’t have any choice. Before cars and trains and airplanes, they could choose economy travel (by foot) or business class (via mule or horse); only the well-off could travel in first class (coach). Not that walking is a bad thing for a writer: ‘My wit will not budge if my legs are not moving,’ writes Montaigne.
Keats often walked as many as 12 miles a day, even when his consumption was raging. Dickens trod the streets of London all night ‘to still my beating mind,’ as he said. And before the Dante of the Divine Comedy legged it through the Inferno on his way to Purgatory and Paradise, the real-life Dante Alighieri wandered for years after his exile from Florence, crossing swamps where one might sicken and die in hours and following roads that gave way to paths dense with briars and thick with trees hiding thieves.” –David Kirby, The Smart Set, August 10, 2020
Check out Landmarks by Robert Macfarlane on Amazon here.
“The competition challenged BAJ students to design jewellery inspired by the opening lines of Dante Alighieri’s epic poem, the Divine Comedy.
‘Ultimately,’ wrote the BAJ in a statement, ‘the quality of submissions was so high that it was impossible to choose just one design, Alighieri said. Four students have therefore been selected as the competition’s winners.’
The winners of the BAJ X Alghieri competition are Dorottya Feher, Petra Otenšlégrová, Linnea Thuning and Emma Withington.” –Sam Lewis, Professional Jeweller, August 4, 2020
“The Salvador Dalí‘s Stairway to Heaven exhibit is comprised of illustrations originally made for two very different literary works: a 1934 edition of Les Chants de Maldoror, a prose-poem by Comte de Lautréamont, and a 1960 edition of Dante Alighieri’s the Divine Comedy. When Dalí created the first portfolio in the 1930s, he embraced Surrealism with its wildly imaginative dreamscapes. The lascivious lifestyle he and his wife led at this time is also evident in his work of the ’30s. By the time he illustrated Dante’s the Divine Comedy in the 1960s, Dalí had renounced Surrealism and become a born again Catholic. His personal life had shifted dramatically to embrace what he termed a divine or ‘mystical ecstasy’ which is evident in this second, celebrated portfolio.” —Fort Wayne Museum of Art, June 13, 2020
“All exhibitions that were on display when the museum closed have been extended, and the special exhibition For a Dreamer of Houses, which was to have opened on March 15, will be available for view with the purchase of an additional ticket. It will now remain on view until July 4, 2021. Also opening on August 14 will be Dalí’s Divine Comedy, which showcases selections from Salvador Dalí’s most ambitious illustrated series: his colored wood engravings of the Divine Comedy.” –Alex Bentley, CultureMap, August 10, 2020
“Marilyn Manson, the man and his eponymous band, brought darkness back into the spotlight in the early ‘90s. Achieving popularity without a scalp scraped by butterfly clips or an official Pog line, Manson became the new face of fear. Fear of violence, sex, vulgarity, drugs, and most crucially Satanism. He was hailed by fans of alternative music, and reviled by the mainstream, as the self-styled Antichrist Superstar. Just like mythical depictions of the Anti-Christ, Manson has a silver (forked) tongue and an intelligence that few can comprehend. He is a cause for parents to fear their teenager’s headphones, coiled around their babies like the snake in Eden.
[. . .]
In Manson, no creative force has brought such a vivid and lyrical depiction of Hell since Dante’s Inferno, the first part of the fourteenth-century epic poem Divine Comedy. The band’s back catalogue gives as nuanced and sprawling a Hell as Dante, taking listeners through all nine circles. Whereas Dante’s guide was Roman Poet Virgil, ours is the icon formally known as Brian Warner.” –Daniel Wylie, What Culture, August 10, 2020
“Dante Alighieri’s depiction of the afterlife has inspired generations of readers since the Divine Comedy was first published in 1472. In the 14,233 verses of this poem, Dante envisions a trip to the afterlife, guided first by the Roman poet Virgil, who leads him through Hell and Purgatory, and then by his beloved Beatrice, who leads him through Paradise. His detail-rich descriptions of Hell, envisioned as nine concentric circles containing souls of those “who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen,” have inspired artists for the last five centuries. Here are some of the most poignant visualizations of Dante’s Inferno.
[. . .]
Stradanus, Canto VIII (1587-1588)
Flemish painter Jan van der Straet, known by his Italian name ‘Stradanus,’ completed a series of illustrations of the Divine Comedy between 1587 and 1588, currently preserved at the Laurentian Library in Florence. This illustration refers to Canto VIII, where the wrathful and slothful are punished. Stradanus combines elements of Italian Mannerism, such as painstaking attention to detail, with distinctive Flemish traits like the physiognomy of the demonic figure steering Dante’s boat, who shows a deeply harrowing expression.” –V. M. Traverso, Aleteia, July 17, 2020
“After being banned from the Cannes Film Festival and finishing his Depression Trilogy, Lars von Trier returned from a five-year hiatus with The House That Jack Built. The film follows a sadistic, failed architect named Jack (Matt Dillon) who recalls his murders to the ancient Roman poet Virgil (Bruno Ganz), as the pair make their way through Hell. To Virgil’s disgust, Jack sees these incidents as misunderstood works of art.