“Trump 2020: The Divine Comedy” 3d interactive videogame

Trump 2020 is an online 3D video game built by Together We Can Defeat Capitalism (TWCDC), a project of Andi Cox.  Players descend through the 9 Circles of Hell, to learn of the nature of wrong-doing and its consequences.

“America in the Eighth Circle”

crisis-magazine-america-in-the-eighth-circle-2020“Such a world, naturally, produced every manner of sin imaginable, and all these sins are carefully chronicled in Dante’s descent into the Inferno. The nine circles of the infernal city are, as Dorothy Sayers reminds us, Dante’s picture of human society in decay; the further Dante and Virgil descend, the more radically corrupt and degraded the society becomes. The pilgrims pass relatively quickly through first seven circles of hell. All the sins of appetite and violence are contained in the first half of the cantica. Then the travelers reach the Great Barrier, and here the poem slows down. Dante and Virgil plunge into the abyss of the eighth circle, which houses the fraudulent. Alas, the various sins punished here read like a cross-section of our ruling classes in Washington, New York, and Hollywood: we meet pimps and seducers, flatterers, hypocrites, and thieves, bribe-taking officials, false counsellors, and sowers of discord. They come at long last to the tenth and final ditch of the eighth circle. Here we find the liars—those who perpetrate the purest form of fraud, the one that unites all the others. Their stench is overwhelming.” [. . .]    –Ben Reinhard, Crisis Magazine, September 21, 2020.

An anonymous artist/s’ work inspired byInferno (2016)

This series of 14 paintings–each painting paired with a quotation from the poem–begins as such:

“In 2016[1], a previously unknown manuscript of Dante Alighieri’s Divine Comedy was discovered in Florence, Italy:  BNE[2] Ms. II I 928.   The discovery of this manuscript has reignited debate about the possible survival of the original version of Dante’s poem, written in his own hand.  Until now, the study of Dante’s poem has been based upon copies of the poem made after his death in 1321[3].  Scholars have found that the text of this newly discovered manuscript does not significantly differ from the other known copies of the Divine Comedy.  BNE Ms. II I 928 nonetheless has unique features.  Perhaps most remarkably, scholars have found that the text of the poem is written in a mirror script, i.e., from right to left.  This blog[4] is dedicated to dissemination[5] of news about the restoration and interpretation of the manuscript, undertaken in the historic Sala Manoscritti (Manuscript Room)[6] of the BNE in Florence.  –Beata Viatrix[7] “

This incipit is followed by explanatory footnotes (1-7).  The artist/s do not name themselves on the website where this is posted: Explicit Liber Erratus.

In an email we wrote to the contributor of this citing asking for clarification, “Beata Viatrix” responded as such: “Those of us who have studied the manuscript do not yet know who made its illustrations or when.   The ongoing restoration might in the future help to illuminate questions regarding authorship and historical interpretation.  We have already found some intriguing evidence of multiple hands in the manuscript.  Those hands are in various states of decomposition, so their usefulness for ultimately identifying the manuscript’s creators remains in question.”

Jim Shaw, Donald and Melania Trump descending the escalator into the 9th circle of hell reserved for traitors frozen in a sea of ice (2020)

Jim Shaw’s silkscreen print Donald and Melania Trump descending the escalator into the 9th circle of hell reserved for traitors frozen in a sea of ice (2020) depicts the former US President and First Lady passing into the ninth circle, populated by members of the Trump inner circle: John Bolton, Michael Cohen, Omarosa Manigault, Anthony Scaramucci, Jeff Sessions, and others. The lake of Cocytus appears to have been displaced to the ground floor of a dilapidated American shopping mall.

Simon Lee Gallery describes Shaw’s collected works thus: “The practice of American artist Jim Shaw (b. 1952, Midland, Michigan) spans a wide range of artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings – his ever-growing collection of found artworks has been the subject of its own exhibition on several occasions – and advertisements. At the same time, Shaw has consistently turned to his own life and, in particular, his unconscious, as a source of artistic creativity. Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends and family members with world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.”   –“Biography,” Simon Lee Gallery

See a discussion of Shaw’s exhibit Hope Against Hope, hosted by the Simon Lee Gallery (London) from October 20, 2020, to January 16, 2021, in The Art Newspaper.

Contributed by Deborah Parker (University of Virginia)

“Dante Alighieri racconta la politica”

See the whole “Dante Alighieri racconta la politica” Facebook page here (last accessed January 13, 2021).

Charles Sykes, “The Agony of the Anti-Anti-Trumpers” (2020)

vision-of-hell-charles-sykes-agony-anti-anti-trumpers-2020“They are destined to be forgotten. ‘The world will let no fame of theirs endure,’ Virgil explains. ‘Let us not talk of them, but look and pass.’ Dante describes the vast horde who chase after the elusive banner that “raced on so quick that any respite seemed unsuited to it.” Behind the banner, he writes, ‘trailed so long a file/ of people—I should never have believed/ that death could have unmade so many souls.’

“This, of course, got me thinking about the anti-anti-Trumpers and their season of agita.

“A cry went up this week from the precinct of the anti-anti-Trumpers suggesting that the selection of Kamala Harris was the moment for their decisive break into formal indecisiveness. As much as they loathed Donald Trump, they insisted, there was no way that they could support a Biden-Harris ticket.

“But the choice of Harris wasn’t really a tipping point, because the anti-antis were never going to support a viable opponent to Trump. The essence of anti-anti-Trumpism is the full recognition of the awfulness of Trump and all of his works, but a firm resolve not to actually do anything to confront them.” [. . .]    —Charles Sykes, The Bulwark, August 14, 2020

“Sending Trump to Hell,” by Ariel Dorfman

“My name, sir, is Dante Alighieri. Among the innumerable dead that inhabit these shores, I have been chosen to speak to you because an expert on the afterlife was needed to describe what awaits your soul when it passes, as all souls must, into this land of shadows. I was chosen, whether as an honor or not, to imagine your fate once you wind your way toward us.

“Having accepted this task, I was tempted, sir, as I watched your every act in that life before death, to make this easier for myself and simply conjure up the circles of Hell I had already described in my terza rima. I would then have guided you down my cascade of verses, step by step, into the depths of darkness I had designed for others.

“Were you not the selfish embodiment of so many sins I dealt with in my Commedia? Lust and adultery, yes! Gluttony, yes; greed and avarice, oh yes; wrath and fury, certainly; violence, fraud, and usury, yes again! Divisiveness and treachery, even heresy — you who did not believe in God and yet used the Bible as a prop — yes, one more time!”   –Ariel Dorfman, “Sending Trump to Hell,” Nation of Change (October 22, 2020)

Contributed by Justin Meckes

“I Wish to Thank Donald Trump for His Inspirational Presidency”

“Thank you Donald for the wake-up call and for providing an unwanted preview of Tim Burton’s adaptation of Alice In Wonderland staged in your nine circles of hell: Limbo, Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and Treachery.”    –J. P. Curtis, Sparta Independent, July 28, 2020

Justin Meckes, Inferno (2020)

Inferno is a novella, a portion of Dante Alighieri’s Divine Comedy, in prose rather than the original verse. Inferno finds our protagonist enduring the very same tormenting journey through the rings of hell but in an expanded format.

“The work is retold in its original period, but it has been infused with somewhat less overt references to today’s politics. Thus, this Inferno will maintain a universal appeal and be made available in a Russian Flag edition.

“[. . .] Within this version, multiple Trump associates (e.g., Paul Manafort, Stephen Miller, Jared Kushner, etc.) make appearances in the place of their Florentine counterparts.”

Read a short excerpt here.

Frank Bruni, “From Trump, No Respect for Ruth Bader Ginsburg, or the Rules”

Photo by Gage Skidmore (Wikimedia Commons)

“‘The only way we’re going to lose this election is if the election is rigged,’ Trump told supporters at a rally in Wisconsin last month. He has repeatedly made versions of that claim, at one point exhorting North Carolinians to monitor polling sites and ‘watch all the thieving and stealing and robbing’ by Democrats, who will work to lift Biden to victory by ‘doing very bad things.’

“And it’s a perfect example of Trump’s tendency to assign his own motives and methods to others. He worries that they’ll cheat because he has always cheated — on his taxes, on his wives, in his business dealings, in his philanthropy. He imagines them cheating because he actually is cheating.

[. . .]

“But Trump’s cheating is its own virus, infecting everyone around him. Trump’s cheating is its own ecosystem. Abandon all scruple, ye who enter here.”   — Frank Bruni, “From Trump, No Respect for Ruth Bader Ginsburg, or the Rules,” New York Times (September 19, 2020)

Contributed by Dan Christian