Emma Safe’s “Between Three Worlds”

emma-safe-betwee-three-worlds-paradiso-1-2014-trasumanar-head-first

“Taking influence from personal experience, classical mythology and Dante’s Commedia, concentrating particularly on existential and ontological themes, the works collected as Between Three Worlds explore human potential and human transience. Space and time is radically questioned. Figures are pulled between states of being; through sublime ascent, catastrophic destruction and the uneasy predicaments in-between. Avoiding idealism and with no certain answers, these works attempt to question different types of love, different states of being, examining the edges of existence and beyond.” [. . .]    –Emma Safe, Between Three Worlds.

Tom Stoppard’s Bookshelf

“Stoppard is a maniacal reader who collects first editions of writers he admires. Asked on the BBC radio show ‘Desert Island Discs’ in 1984 to choose the one book he’d bring to a desert island, he replied: Dante’s Inferno in a dual Italian/English version, so he could learn a language while reading a favorite. His idea of a good death, he’s said, would be to have a bookshelf fall on him, killing him instantly, while reading.”   –Dwight Garner, “‘Tom Stoppard’ Tells of an Enormous Life Spent in Constant Motion,” New York Times review of Hermione Lee, Tom Stoppard: A Life (February 15, 2021)

Contributed by Guy Raffa (University of Texas, Austin)

Malcolm Lowry, Under the Volcano (1947)

the-malcolm-lowry-project-under-the-volcano-1947Chapter 3. 65.6: “In Canto XIII of the Inferno, Dante and Virgil enter a pathless wood full of withered trees. Hearing a mournful wailing but seeing no one, the poet stops and is advised by Virgil to break off a twig from one of the trees. Dante does so; the tree becomes dark with blood and begins to cry: ‘Perché mi scerpi? / non hai tu spirto di pietade alcuno?’ (‘Why do you tear me? / Have you no spirit of pity?’). The trees are the suicides, those who have wantonly destroyed their lives and poisoned their souls and are therefore fixed for eternity in barren sterility. [. . .]”

Chapter 3. 65.7: “In Mexico, figures of Christ or the Virgin Mary are common features of house or garden walls as reminders of the suffering Christ assumed on behalf of all. The words also evoke the suffering figure of Faustus: the earlier ‘Regard’ recalls his hellish fall, but the emphasis here, as with the echoes of Eliot and Dante above, is on blood and sorrow and compassion. Faustus, in distress and anguish, cannot look up to heaven for the mercy that is there; one drop of Christ’s blood would save his soul, but he cannot avoid despair. Like Faustus, the Consul is unable to ask for relief, even though it is so immediately at hand. In an early draft [UBC 29-8, 1] Lowry was more explicit: ‘You have always secretly longed, like Christ, even like your own brother, to die.'” [. . .]    — The Malcolm Lowry Project: Under The Volcano, June 2012.

See these and many more Dante-related annotations to Under the Volcano at the hypertext resource the Malcolm Lowry Project, sponsored by University of Otago (NZ).

 

Cities and Memory’s Inferno Soundscapes (2020)

“To mark the 700th anniversary of Dante’s masterpiece The Divine Comedy, more than 80 artists from all over the world have created his vision of Hell through sound – this is the Cities and Memory Inferno.”   —Cities & Memory website (posted November 23, 2020)


Listen also to Cities and Memory‘s soundtrack to Giuseppe de Liguoro’s 1911 film L’Inferno, available on YouTube:

John Took, Why Dante Matters: An Intelligent Person’s Guide (2020)

“The year 2021 marks the 700th anniversary of the death of Dante Alighieri, a poet who, as T. S. Eliot put it, ‘divides the world with Shakespeare, there being no third.’ His, like ours, was a world of moral uncertainty and political violence, all of which made not only for the agony of exile but for an ever deeper meditation on the nature of human happiness.

“In Why Dante Matters, John Took offers by way of three in particular of Dante’s works – the Vita Nova as the great work of his youth, the Convivio as the great work of his middle years and the Commedia as the great work of his maturity – an account, not merely of Dante’s development as a poet and philosopher, but of his continuing presence to us as a guide to man’s wellbeing as man.

“Committed as he was to the welfare not only of his contemporaries but of those ‘who will deem this time ancient,’ Dante’s is in this sense a discourse overarching the centuries, a discourse confirming him in his status, not merely as a cultural icon, but as a fellow traveller.”   —Bloomsbury

See also the Virtual book launch event held at UCL’s Institute for Advanced Study, November 24, 2020.

“Dante’s Inferno” at Kirkstall Forge

“This was the large shed to the south of the water and my position is a best guess, especially as this area is now flat. This shed contained several hammers but these two were hard at work and quite spectacular. I think they were of eastern European construction (possibly Polish). Although working on compressed air these were essentially the same as steam hammers.”    –Chris Allen, Geograph, February 17, 2010

The Leeds Dante Podcast

The [Leeds] Centre for Dante Studies runs a podcast, which can be subscribed to freely from anywhere in the world. The podcast is designed both to enrich undergraduates’ study of Dante, and to be of interest to a broader audience.

“The Leeds Dante podcast offers regular short items on three major areas:

  • Key Moments in the Commedia: a series of brief commentaries on short passages selected from the Commedia;
  • Interviews with scholars about their recent work on Dante;
  • Reviews of recent publications of interest in Dante studies.

“Individual talks and lectures held in Leeds are also made available for download.

“The podcast is available in MP3 format, and is freely available to listen to on your PC or portable device. You can also subscribe using iTunes.”   — Leeds Dante Podcast Homepage

Episodes can also be downloaded directly from the homepage here.

Dante Today readers will be especially interested in the “Conversations on Dante” series, which features discussions with scholars doing original research on Dante’s reception beyond the Middle Ages, and especially in contemporary culture. Kudos to our colleague Matthew Treherne (Univ. of Leeds) for his wonderful interviews and insightful discussions!

Mark Vernon’s Podcast Dante’s Divine Comedy (2020)

“This year, 2020, marks the 700th anniversary of the completion of the great Divine Comedy. I invite you to experience the odyssey, too, by accompanying me as I discuss each canto.

“Dante begins his journey by waking up in a dark wood. The air tastes bitter. He becomes fearful. Truth is out of reach. But his crisis is a turning point.

“Many today, too, are waking up to something that’s gone wrong. We’re in a spiritual crisis. We must see the world afresh and understand. I believe Dante can help us discover how.

“I’ll post reflections on two or more cantos each week as we reach for the highest heavens. Follow every step of the way on YouTube [. . .] or via the podcast, Dante’s Divine Comedy.”  — Mark Vernon

Classic Serial: Dante Alighieri – The Divine Comedy

BBC Radio 4’s Classic Serial program offers a reading of the Divine Comedy by professional actors, as well as a few behind-the-scenes clips on the making of the radio program.

“Blake Ritson, David Warner and John Hurt star in Stephen Wyatt’s dramatization of Dante’s epic poem – the story of one man’s incredible journey through Hell, Purgatory and Paradise.”     –BBC Radio 4, Classic Serial, 2019.

You can see more of the Classic Serial episodes and behind-the-scenes extras on the BBC Radio 4 site.

“Circles of Hell… A Dysfunctional Family Tree of British Cinematic Misery”

Film Comment 47.6 (November/December 2011), pp. 40-41

Film Society of Lincoln Center