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Austin Osman Spare, Earth Inferno (1905)

January 3, 2022 By Professor Arielle Saiber


Created and published when Spare was 18 years old.  “Influenced heavily by Dante’s Inferno the book is decorated with poems and aphorisms in an aesthetic style and clearly shows the design influence of Spare’s early supporter Charles Ricketts. Each pair of pages contains a painting and a commentary toward that painting. In addition to excerpts from Dante, the book also contains excerpts from Edward FitzGerald‘s translation of Rubaiyat of Omar Khayyam.”   –wikipedia

“London: Privately Published. 1905. First Edition. Hardcover. Folio (18″ x 13.75”). 30pp. … Eleven large black and white illustrations (mostly full page) and numerous decorations by Spare throughout. The scarce first edition of Spare’s first published book, SIGNED and numbered by the author. The book was printed for Spare at the Co-operative Printing Society in Tudor Street, London, in February 1905, in an edition of 265 signed and numbered copies… Earth Inferno was a truly remarkable first book. In it the young artist juxtaposed huge, sometimes sinister images with teasing lyrics to create a vivid image of the darkly magical philosophy which informed his world-view.”   —Weiser Antiquarian Books

Categories: Visual Art & Architecture
Tagged with: 1905, England, Esotericism, Illustration, Inferno, London, Occultism

Jennifer D. Upton, The Ordeal of Mercy (2015)

November 12, 2020 By Laura Chatellier, FSU '23

jennifer-d-upton-the-ordeal-of-mercy-2020“The Ordeal of Mercy is a book of wide erudition and simple style; its goal is to present the Purgatorio, according to the science of spiritual psychology, as a practical guide to travelers on the Spiritual Path. The author draws upon many sources: the Greek Fathers, notably Maximos the Confessor; St. John Climacus; Fathers and Doctors of the Latin Church, including St. Augustine and St. Thomas Aquinas; John Donne, William Blake and other metaphysical poets; the doctrines of Dante’s own initiatory lineage, the Fedeli d’Amore; the modern Eastern Orthodox writers Pavel Florensky and Jean-Claude Larchet; and the writings of the Traditionalist/Perennialist School, including René Guénon, Frithjof Schuon, Martin Lings, Leo Schaya, and Titus Burckhardt. Other exegetes of Dante have dealt with the overall architecture of the Divine Comedy, its astronomical and numerical symbolisms, its philosophical underpinnings, and its historical context. Jennifer Doane Upton, however—while preserving the narrative flow of the Purgatorio and making many cogent observations about its metaphysics—directs our attention instead to many of its ‘minute particulars,’ unveiling their depth and symbolic resonance. She presents the ascent of the Mountain of Purgatory as a series of timeless steps, each of which must be plumbed to its depths before the next step arrives; in so doing she demonstrates how the center of this journey of purgation is everywhere, and its circumference nowhere. In the words of the author, ‘The soul in its journey must divest itself of extraneous tendencies and desires in order to become the ‘simple’ soul of theology — the soul of one essence, of one will, of one mind. If it can do this it will reach Paradise, its true homeland.'” [. . .]    –Jennifer D. Upton, Angelico Press

Check out the Angelico Press website to read praise for The Ordeal of Mercy.

Categories: Written Word
Tagged with: 2015, Christianity, Esotericism, Literary Criticism, Metaphysics, Purgatorio, Purgatory, Spirituality

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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