Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

  • Submit a Citing
  • Map
  • Links
  • Bibliography
  • User’s Guide
  • Teaching Resources
  • About

“Umberto Eco: ‘It’s culture, not war, that cements European identity'”

January 28, 2012 By Professor Arielle Saiber

umberto-eco-its-culture-not-war-that-cements-european-identity

“‘When it comes to the debt crisis,’ says Eco, ‘and I’m speaking as someone who doesn’t understand anything about the economy, we must remember that it is culture, not war, that cements our [European] identity. The French, the Italians, the Germans, the Spanish and the English have spent centuries killing each other. Today, we’ve been at peace for 70 years and no one realises how amazing that is any more. Indeed, the very idea of a war between Spain and France, or Italy and Germany, provokes hilarity. The United States needed a civil war to unite properly. I hope that culture and the [European] market will do the same for us.’ . . .
So whose faces should we print on our banknotes, to remind the world that we are not merely ‘shallow’ Europeans, but profound? ‘Perhaps not politicians or the leaders who have divided us – not Cavour or Radetzky, but men of culture who have united us, from Dante to Shakespeare, from Balzac to Rossellini.’ ” [. . .]    –Gianni Riotta, The Guardian, January 26, 2012

Categories: Written Word
Tagged with: 2012, Europe, Journalism

“Jean-Claude Trichet: Like the Single Currency, Our European Culture Binds Us Together”

July 22, 2009 By Professor Arielle Saiber

jean-claude-trichet-like-the-single-currency-our-european-culture-binds-us
“I am convinced that economic and cultural affairs, that money and literature and poetry, are much more closely linked than many people believe. We should recall that writing came into being in Sumer, the cradle of civilisation between the Tigris and Euphrates rivers, 6,000 years ago. Sumer’s administrators made a record of everyday items, of quantities, of transactions, on clay tablets. By recording these economic activities, these ‘proto-accountants’ created the first documents in human history and paved the way for all of the world’s written literature.
There is a relationship between poetry and money which has always struck me. Poems, like gold coins, are meant to last, to keep their integrity, sustained by their rhythm, rhymes and metaphors. In that sense, they are like money – they are a ‘store of value’ over the long term. They are both aspiring to inalterability, whilst they are both destined to circulate from hand to hand and from mind to mind.
Both culture and money, poems and coins belong to the people. Our currency belongs to the people of Europe in a very deep sense: it is their own confidence in their currency which makes it a successful medium of exchange, unit of account and store of value. Our culture is the wealth of literature and art that the confidence of the people has decided to preserve over time.
European-ness means being unable to understand my national literature and poetry without understanding Dante, Cervantes, Shakespeare. And as the Spanish philosopher Jose’ Ortega y Gasset wrote in his The Revolt of the Masses in 1930: ‘If we were to take an inventory of our mental stock today – opinions, standards, desires, assumptions – we should discover that the greater part of it does not come to the Frenchman from France, nor to the Spaniard from Spain, but from the common European stock.’
It is no coincidence that the European Central Bank chose European architectural styles to illustrate our banknotes. These architectural styles were born in very different areas of Europe. They provide another powerful illustration of this unique concept of unity within diversity, which is the central trait of our continent.
European Central Bank president Jean-Claude Trichet was speaking at the Centre for Financial Studies in Frankfurt earlier this week.”    —The Independent, March 19, 2009

Categories: Written Word
Tagged with: 2009, Economics, Europe, History, Journalism, Poetry

Jean-Luc Godard, “Notre Musique” (2004)

January 1, 2007 By Professor Arielle Saiber

jeanluc-godard-notre-musique-2004“The 73-year-old director’s serene meditation on Europe’s landscape after battle has an unusually obvious triptych structure, with each panel (or act) named for one of Dante’s three ‘kingdoms.’ The central, hour-long ‘Purgatory’ of a writers’ conference in Sarajevo bridges the opening 10-minute ‘Hell’ and a concluding 10-minute ‘Heaven.'” [. . .]    –J. Hoberman, The Village Voice, November 24-30, 2004


Categories: Performing Arts
Tagged with: 2004, Europe, Films, France, Nature, War

  • « Previous Page
  • 1
  • 2

Categories

  • Consumer Goods (194)
  • Digital Media (126)
  • Dining & Leisure (107)
  • Music (190)
  • Odds & Ends (91)
  • Performing Arts (361)
  • Places (132)
  • Visual Art & Architecture (416)
  • Written Word (845)

Random Post

  • Leonardo Achilli’s #Dante2018 Illustrations

Frequent Tags

2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 700th anniversary Abandon All Hope America American Politics Art Artists Beatrice Blogs Books California Circles of Hell Comics Dark Wood Divine Comedy England Fiction Films Florence France Games Gates of Hell Hell History Humor Illustrations Inferno Internet Italian Italy Journalism Journeys Literary Criticism Literature Love Music New York City Non-Fiction Novels Paintings Paolo and Francesca Paradise Paradiso Performance Art Poetry Politics Purgatorio Purgatory Religion Restaurants Reviews Rock Science Fiction Sculptures Social Media Technology Television Tenth Circle Theater Translations United Kingdom United States Universities Video Games Virgil

ALL TAGS »

Image Mosaic

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

Creative

 





© 2006-2023 Dante Today
research.bowdoin.edu