“After the qualification of the digitally restored Štiglic’s film The Valley of Peace (1956) for the 2016 Cannes Classics competition, the celebration of the 60th anniversary of its making, and its Cannes premiere, the same director’s film The Ninth Circle (1960) was the third work of his that was screened in Cannes (the first one had been the 1949 film On Our Own Land).” [. . .] —The Film New Europe Association, July 28, 2020
Maurizio Guarini, live soundtrack for 1911 Inferno film (2017)
“I started this live project in 2017. The director of the Italian Institute of Culture had the idea, and asked me if I wanted to do a live soundtrack with the occasion of the International Seminar on Critical Approaches to Dante organized by the University of Toronto. I saw this incredible movie from 1911—the first Italian feature film ever. and I took up the challenge.
“This first performance, that took place at the Innis Town Hall (University of Toronto), received a great audience response, so I decided to go ahead and do more shows.” —Maurizio Guarini
A Divina Comedia (1991)
A Divina Comedia, O Filme (Brazilian Movie 2020)
“Based on the work of Dante Alighieri. The Titan Studio company in partnership with the theatre team Trupe Alcateia will give life to this incredible play that for centuries is investigating the curiosity of people all around the globe. The project consists of filming with chroma keys so CGI scenarios can be built and applied onto the background allowing more freedom with the creation and keeping the originality of the play. The performances will all be theatrical and with scripts adapted to the cinematic customs and updated language, besides having a slight ‘Shakespearian’ touch in order to maintain the romanticism of the work.” [. . .] —ARTSTATION
The movie poster above features the film’s interpretation of Ciacco in Inferno 6. To learn more visit the Facebook page here.
Robert Schwentke, dir. R.I.P.D. (2013)
“There are many descriptions of the afterlife in fiction that can be traced back to Dante’s imaginative journeys. The wacky afterlife universe depicted in the 2013 movie R.I.P.D (Rest in Peace Department) can’t shake off the legacy.
“When a Boston police officer is killed by his renegade partner, he is immediately whizzed up to a questionable Heaven where he discovers that everyone has to answer for past crimes in the thereafter – or join R.I.P.D, Inferno’s police force. The task of the R.I.P.D is to catch ‘Deadoes’, the souls of the deceased who refuse to accept their fate and instead return to the world of the living in order to spoil it.
“The ascent to where R.I.P.D resides is a helical ride for the recently departed, a cocktail of two shots of Inferno, half a Purgatorio and one of Paradiso. Sitting under the department of ‘Eternal Affairs’, R.I.P.D is run by a chief, half Virgil, half Minos, whose role is to give the new recruit a tour of the establishment. The movie seems to suggest that if you’re not simply visiting Hell (like Dante the pilgrim), then you’re either a convict or an (infernal) law-enforcement officer, whose job is to keep the damned away from the living.
“Dante’s circles of Hell are alluded to in the prison cells of the R.I.P.D precincts and in its staff’s crammed offices. Hell is other people working in the next R.I.P.D cubicle.” –Cristian Ispir
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