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Citings & Sightings of Dante's Works in Contemporary Culture

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Call Me By Your Name (2017)

December 11, 2020 By Professor Elizabeth Coggeshall

“In [Luca Guadagnino’s] movie Call Me By Your Name (2017), during the scene where Elio’s parents are sunbathing in Italy, Elio’s father is reading a book with a marking on the spine that says La Divina Commedia di Dante Alighieri.”   –Contributor Alex Lee

Contributed by Robert Alex Lee (Florida State University ’21)

Categories: Performing Arts
Tagged with: 2017, Films, Italy, Reading

Leah Yananton’s Surviving Me: The Nine Circles of Sophie (2015)

November 24, 2020 By Laura Chatellier, FSU '23

“I made Surviving Me because I found from my own experience as an undergrad, that the pressure on our college campuses for women to be hypersexual is damaging to everyone. During my college years in post 9-11 NYC, the world around me stopped making sense and the social scene was full of chaos and escapism, yet in my Medieval poetry class I was reading themes that related to present day. My peers were testing the limits of defying convention regarding sexuality and traditional relationship values, asserting that being liberated meant you were superior to consequences. However, I had the feeling that I had fallen into the River Styx and was swiftly sinking to the bottom. In order to find solid ground, I had to fight for boundaries and integrity and I brought my battle into writing the script. Dante’s Inferno was a constant companion with its focus on behavior and consequences, and Surviving Me became a reflective creative journey.”  –Director’s Statement from Press Notes, Leah Yananton

The 2015 film was directed and written by Leah Yananton and released by Longtale Films. Contributor Alan R. Perry notes that the film is laced throughout with indirect references to Inferno, and the story line is accompanied by Blake’s watercolors, as is also visible in the movie poster at left.

Contributed by Alan R. Perry (Gettysburg College)

Categories: Performing Arts
Tagged with: 2015, Circles of Hell, Films, Gender, Hell, Inferno, Movies, New York, New York City, River Styx, Sexuality, United States

“Dante’s Inferno Films World Premieres Take Over Italy”

November 2, 2020 By Jasmine George, FSU '24

“Dante’s Hell and Inferno Dantesco Animato, both films produced and directed by Boris Acosta, will premiere at MIA (Rome film festival market) on October 17, 2020, and later on will have its world festival premiere at the Ravenna Nightmare Film Festival on October 31, Halloween Day and will continue on to November 8, 2020.

Both films are based on Inferno, Dante Alighieri’s first part of the literary masterpiece, The Divine Comedy. Not until now, has this story been told so descriptively by visual art from artists of the highest caliber and an array of celebrities and known scholars.”[. . .]   –Global Film Sales, WFMZ-TV News, 2020

See also related discussion here.

Categories: Digital Media, Performing Arts
Tagged with: 2020, Dante, Film, Films, Inferno, Italy, Ravenna, Rome

“I Wish to Thank Donald Trump for His Inspirational Presidency”

October 24, 2020 By lsanchez

“Thank you Donald for the wake-up call and for providing an unwanted preview of Tim Burton’s adaptation of Alice In Wonderland staged in your nine circles of hell: Limbo, Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and Treachery.”    –J. P. Curtis, Sparta Independent, July 28, 2020

Categories: Written Word
Tagged with: 2020, Circles of Hell, Donald Trump, Films, Movies, Sins

“The Divine Comedy of The House That Jack Built“

September 25, 2020 By lsanchez

“After being banned from the Cannes Film Festival and finishing his Depression Trilogy, Lars von Trier returned from a five-year hiatus with The House That Jack Built. The film follows a sadistic, failed architect named Jack (Matt Dillon) who recalls his murders to the ancient Roman poet Virgil (Bruno Ganz), as the pair make their way through Hell. To Virgil’s disgust, Jack sees these incidents as misunderstood works of art.

When the film premiered at Cannes, it prompted a one-hundred-person walkout and a ten-minute standing ovation. While the festival is known for its dramatic receptions, The House That Jack Built is, indeed, a polarizing film. It’s is either the nail in the coffin for von Trier’s career or the darkest comedy of 2018. Depends on who you ask.
As Ryan Hollinger puts it in the video essay below: The House That Jack Built is what you get when you give a serial killer two and a half hours to gush about how great they are. On paper that sounds like a recipe for disaster. But on the screen, the iffy conceit materializes as a mocking character study of the kind of ego-trip that thinks it’s so charming and clever that it can get away anything.
Ultimately, The House that Jack Built is a film that turns a monster into a punchline. And if you let go of seriousness and pretension, the film reveals itself as an absurd, self-effacing, and divinely funny comedy.”    –Meg Shields, Film School Rejects, July 25, 2020
Check out our original post on The House that Jack Built (2018) here.

Categories: Performing Arts, Written Word
Tagged with: 2020, Comedy, Divine Comedy, Films, Inferno, Movies, River Styx, Virgil

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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