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Aïda Muluneh, The 99 Series (2014)

April 22, 2022 By Sephora Affa, FSU '24

photo-of-selam-painted-white-face-painted-red-hands-around-neck

“…I painted her body white because for me, living in this city we call Addis Ababa, we don’t need to fantasize about going to the Inferno—I have seen and experienced enough things to really make me question humanity. I have realized that in order to get ahead here, many people wear masks in order to protect their future. But while doing this, the reality is that I have seen the various atrocities and the great lengths that many will go to in order to maintain their success. So with that in mind, for me the red hands symbolize the guilt associated with the thirst for upward mobility. The cloth wrapped around Salem’s body is specifically from the southern region of Ethiopia, which has endured several centuries of oppression, slavery, and so forth. For the background color, I chose the off-grey because it reminds me of dirty snow; this reminds me of my childhood growing up in Canada, in the midst of the bitter cold, and also the challenges that I faced being an African immigrant in an all-white community.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more information on The 99 Series, visit Muluneh’s website here.

Categories: Visual Art & Architecture
Tagged with: Addis Ababa, Africa, Art Books, Canada, Ethiopia, Guilt, Immigration, Inferno, Models, Oppression, Photography, Slavery

Dinty W. Moore, To Hell With It: Of Sin and Sex, Chicken Wings, and Dante’s Entirely Ridiculous, Needlessly Guilt-Inducing Inferno (2021)

May 10, 2021 By Professor Elizabeth Coggeshall

“Dante published his ambitious and unusual poem, Divine Comedy, more than seven hundred years ago. In the ensuing centuries countless retellings, innumerable adaptations, tens of thousands of fiery sermons from Catholic bishops and Baptist preachers, all those New Yorker cartoons, and masterpieces of European art have afforded Dante’s fictional apparition of hell unending attention and credibility. Dinty W. Moore did not buy in.

“Moore started questioning religion at a young age, quizzing the nuns in his Catholic school, and has been questioning it ever since. Yet after years of Catholic school, religious guilt, and persistent cultural conditioning, Moore still can’t shake the feelings of inadequacy, and asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing a myth that merely makes us miserable? In To Hell with It, Moore reflects on and pokes fun at the over-seriousness of religion in various texts, combining narratives of his everyday life, reflections on his childhood, and religion’s influence on contemporary culture and society.”   —University of Nebraska Press

Categories: Written Word
Tagged with: 2021, American Religion, Catholicism, Christianity, Damnation, Guilt, Hell, Humor, Non-Fiction, Nonfiction, Popular Culture, Punishment, Religion, Sin, United States

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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