“Hell, Heaven and Hope: A Journey through life and the afterlife with Dante is now open to the public in the Palace Green Galleries at Durham. The exhibition features a fabulous range of copies of Dante’s works, as well as contemporary artwork. Alexandra Carr’s Empyrean features as part of the section of Paradise. Completed as part of Alexandra’s Leverhulme Trust Artist in Residence programme, the sculpture represents the spheres of the medieval universe, drawing on Grosseteste and Dante: sculpting with light on the grandest scale in the creation of the universe.” —Ordered Universe, December 4, 2017
“Franz Liszt’s Dante Sonata, also known as the Fantasia Quasi Sonata, is a sonata written for piano solo (different than Liszt’s Dante Symphony). Written as program music during the Romantic period, there are nine different motifs used throughout the piece, representing the nine different levels of Hell. In addition, within the nine motifs, Liszt created two major themes or ideas, one in major and one in minor. The minor is said to represent the dark nature of Hell, and the major is said to represent Beatrice and Heaven.” –Contributor Ian Peiris
Contributed by Ian Peiris (The Bolles School ’22)
“The Trinity Of Realities is a term to describe the nature of the universe of the Bayonetta series. As its name suggests, the Trinity is composed of 3 realms that house the traits of light, darkness, and chaos respectively. Bayonetta travels through each of these realms numerous times throughout the games.
[. . .]
The highest layer of the Trinity, Paradiso is home to the Laguna, or angels, and is closest to the human interpretation of heaven.
The Human World
The plane of reality in which humans live, also known as a realm of chaos before Aesir brought order to it with his rule.
The realm of darkness ruled over by the demonic Queen Sheba, Inferno is closest to the human interpretation of hell.
Acting as a parallel reality to the Human World and not necessarily a member of the Trinity. Purgatorio is a realm that is most similar to the human interpretation of purgatory, as the name suggests.” –“Trinity of Realities,” Bayonetta Wiki, December 19, 2019
“You may feel, at times, as if you’ve been handed a map, and then told that the map may or may not be accurate, may or may not relate to anything in the real world, may or may not be entirely a fiction, or a random design concocted by some clever trickster to mislead you. That is how the title of a new show at the Smithsonian National Museum of African Art — ‘The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists’ — relates to the work on view, by more than 40 artists from 18 African countries.
“The exhibition is shoehorned into spaces not quite big enough for anything to breathe comfortably, filling temporary galleries, stairwells and passage spaces on four floors of the mostly subterranean museum. The current exhibition, curated by Simon Njami, is slightly smaller than the original Dante exhibition he presented in Frankfurt last spring, but it still sprawls, both in its physical layout (the route through its various rooms requires careful navigation) and intellectually.
“Consider one of the best works in the show, a large-scale drawing by Julie Mehretu, in which a finely etched suggestion of architectural facades is overlaid with a storm of delicate lines, smudges and erasures. In the catalogue, published in conjunction with the Frankfurt display, her work is listed as belonging to the ‘Purgatory’ part of the presentation; in Washington, it is in the ‘Inferno’ room. It isn’t the only work to migrate from one celestial realm to another, and those migrations suggest that the basic template borrowed from Dante is not to be taken too seriously.” […] –Phillip Kennicott, The Washington Post, April 17, 2015
“Hell has a gate with an inscription on it and everything, it’s famous” […] –Arthur Chu, Twitter, October 25, 2018