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Citings & Sightings of Dante's Works in Contemporary Culture
“I first read Dante’s Inferno in high school and many times since. I was fascinated by the Catholic concept of punishment and by the magnificent structures Dante built to accommodate those souls Dante felt should be there. My attempts at capturing the suffering souls, the colorful monsters and the hellish landscape are feeble compared to the illustrations of Dore’ and others but they are my honest attempts drawn and painted only to bring Hell into focus for me.” –Mike Donovan
“Software development is a special kind of a nightmare. The kind that you wish you could wake up from, but can’t, because code is money and money is life. We asked our Toggl developers to describe their personal hell. After much screaming and hyperventilating, we ended up with this 7 circles of developer hell.” — Mart Virkus, Toggl, February 23, 2017
Look for more Toggl comics like this on their Facebook and Twitter.
Robert Brinkerhoff, Professor of Illustration and Dean of Fine Arts at the Rhode Island School of Design (RISD), has embarked on what he calls “an ambitious undertaking, to say the least“: he proposes to illustrate the Comedy in 100 canto-by-canto drawings. The Inferno illustrations will be completed in December 2017, with Purgatorio and Paradiso projected for a future date. In January 2017, he began blogging the Inferno illustrations on his personal blog Brinkerhoff Brimmeth Over.
Of the project, he writes, “Most of us read L’Inferno in high school or freshman lit classes in college, and its pulpy, phantasmal imagery appeals universally to youthful sensibilities. I last encountered L’Inferno (sans the rest of the poem) at age 19, my mind mired in newfound pleasures of freely available sex and beer and (finally, after 12 years of public school in which art class was shoved to the periphery) full-time dedication to art making. But in middle age I suspect the poem resonates more profoundly as it mirrors the preoccupations of people (like myself) whose paths in life are pondered with affection, regret, lost love, resentment and a desire to clarify, once and for all, the rest of the journey. Pick up Dante at age 50 and it will be a different literary experience. Spend many hours translating and drawing its tercets of terza rima and you’ll realize how much you have in common with a 14th century poet, despite the hundreds of years and linguistic traditions that separate you.” — Robert Brinkerhoff, “Introduction to Inferno: Una Selva Oscura,” Brinkerhoff Brimmeth Over, January 18, 2017
See his Divine Comedy images and follow the updates on his blog.
“Dante is a new one-shot from writer Matt Hawkins (SYMMETRY, THINK TANK) and Jason Ning and artist Darick Robertson (HAPPY!, Transmetropolitan, TheBoys). It’s a tie-in with came packager Cryptozoic and IP company Strange turn. The story involved an assassin whose trying to go straight but stuff happens.” –Heidi Macdonald, The Beat: The Blog of Comics Culture, October 18, 2016
“Dante was a family man with a wife and a young daughter—and also a top assassin working for an international crime syndicate. For two decades, he worked hard to keep those two lives separate. Manipulated into thinking he could retire with the syndicate’s blessing, Dante is betrayed. While fighting to save himself, he accidentally kills a young Asian boy—an act which changes him forever. Cursed, and covered with otherworldly tattoos, Dante embarks on a journey to uncover the source of this supernatural affliction, and to save his family.” [. . .]
Contributed by David Israel