“The author of the critically acclaimed novels Dangerous Attachments and Acquired Motives is back with another spellbindingly original thriller featuring forensic psychiatrist Sylvia Strange. Now, in Dantes’ Inferno, Sylvia is called to Los Angeles from her New Mexico home when a massive explosion blasts through the J. Paul Getty Museum, endangering children on a field trip and claiming two lives. The police peg notorious bomber John Dantes as the mastermind, even though he’s in a maximum-security prison, serving a life sentence for another bombing he claims he didn’t commit.” [. . .] —Amazon
Larry Niven and Jerry Pournelle, Inferno (1976)
“After being thrown out the window of his luxury apartment, science fiction writer Allen Carpentier wakes to find himself at the gates of hell. Feeling he’s landed in a great opportunity for a book, he attempts to follow Dante’s road map. Determined to meet Satan himself, Carpentier treks through the Nine Layers of Hell led by Benito Mussolini, and encounters countless mental and physical tortures. As he struggles to escape, he’s taken through new, puzzling, and outlandish versions of sin–recast for the present day.” —Amazon
Edward Hirsch, “The Desire Manuscripts” (2002)
“IV. The Inferno, Canto V”
In The Best American Poetry 2003, eds. Yusef Komunyakaa and David Lehman (see on Amazon)
Contributed by Jean O’Friel (Bowdoin, ’05)
Gary Panter, Jimbo’s Inferno (2006)
“Panter is a legend of independent comics; considered the father of punk comics, he has influenced many, including Matt Groening, and warped the look of children’s television with his sets for Pee Wee’s Playhouse. Jimbo’s Inferno is the prequel to his critically acclaimed Jimbo in Purgatory, which came out in 2004. Inferno originally appeared as part of a short-lived line of art comics published by Groening, but here it’s been reformatted to the terrifyingly deluxe oversized standards of Purgatory. Like that volume, this follows the outlines of Dante’s Divine Comedy, but combines and conflates specific events, looking at them all with a satiric rock and roll flair. The erstwhile hero, Jimbo, guided by the boxlike Valise, travels into Focky Bocky, a subterranean mall that spirals downwards, containing a modern vision of hell. The art is a Boschian mishmash of grotesque and comic, all in Panter’s signature proto-punk style. The dialogue borrows as much from Dante as from Lewis Carroll and Frank Zappa. Together, it is a dizzying re-envisioning of Dante. Perhaps because of its earlier format, it lacks the intricate polish that made Jimbo in Purgatory a groundbreaking comic, but as a rough sketch of twisted genius, it still amazes. (Apr.)” –Publishers Weekly, Amazon
“Tenth Circle Added to Rapidly Growing Hell”
“CITY OF DIS, NETHER HELL. After nearly four years of construction at an estimated cost of 750 million souls, Corpadverticus, the new 10th circle of Hell, finally opened its doors Monday. The Blockbuster Video-sponsored circle, located in Nether Hell between the former eighth and ninth levels of Malebolge and Cocytus, is expected to greatly alleviate the overcrowding problems that have plagued the infernal underworld in recent years.” —The Onion, September 23, 1998
Contributed by Ted Reinert (Bowdoin, ’05)
