Beth Coggeshall and Deborah Parker on Purg. 16 for “Canto per Canto”

Deborah-Parker-Beth-Coggeshall-Purgatorio-16-Canto-per-Canto“’When I teach this canto I always like to get my students to think with me by analogy of other determining factors or determining forces that are external to ourselves, that we think of as placing some kind of condition or constraint on our free moral agency.’ To think about Purgatorio 16 ‘in light of the conversations about systemic racism and systemic injustices that we are confronting as a culture right now’ means to ask the right questions. Just like those that Dante asks Marco Lombardo. But it also means to entrust someone or something (Virgil? Reason?) in the dark, with our eyes bound to the fog, and with the intimate conviction of reaching the light, sooner or later, through questioning. Join Deborah Parker and Elizabeth Coggeshall in conversation about the compelling richness of this canto: the moral architecture of the poem, the visual aspects and its visual reception, the encounter with Marco Lombardo, the dichotomy ira bona (good anger)/iracondia (irascibility), the singing of penitents, the vacuum of leadership. All aspects that will lead to a concrete questioning of our modern society.”  –Maria Zilla

Watch or listen to the video of “Purgatorio 16: The Poem’s Moral Center” here.

Canto per Canto: Conversations with Dante in Our Time is a collaborative initiative between New York University’s Department of Italian Studies and Casa Italiana Zerilli-Marimò, and the Dante Society of America. The aim is to produce podcast conversations about all 100 cantos of the Divine Comedy, to be completed within the seventh centenary of Dante’s death in 2021.

Elizabeth Coggeshall, “Bad Apples and Sour Trees”

“Among the Times photographs, there is an image of a Black protester in Atlanta, cutting through the smoke, his open palms raised. He cries out, a vox clamantis in deserto, in righteous rage against the injustice that killed George Floyd, Rayshard Brooks, Tony McDade, Breonna Taylor, and countless other Black Americans. His defiant approach is a picture of the words Virgil uses to describe his charge at the entrance to Purgatory: ‘He goes seeking freedom, which is so precious, as one knows who gives up his life for its sake.’