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Nuruddin Farah, Links (2004)

March 17, 2022 By Sephora Affa, FSU '24

links-by-nuruddin-farah-book-cover

“Nuruddin Farah’s ninth novel in English, Links, makes a mainly para-textual use of Dante’s Commedia, implicitly validating its canonical status both within Italian literary tradition and world literature as a whole. The epigraphs chosen for each part of the book come from Dante’s Inferno, except the first three exergues…

“Through the references to Dante’s Commedia, Jeebleh’s journey is configured from the beginning as a descent to hell, represented by the city of Mogadishu during the civil war.” [. . .]    –Simone Brioni, Lorenzo Mari, Postcolonial Dante: Reading the Commedia in Mogadishu, 2019

Access Links by Nuruddin Farah here.

Contributed by Simone Brioni (Ph.D., Stony Brook University)

Categories: Written Word
Tagged with: 2004, 2019, Books, Canto 24, Canto 3, Cities, Civil War, Colonialism, Epigraphs, Guides, Homes, Intertextuality, Journeys, Mogadishu, Novels, Somalia, The Canon

Khan’s Bookshelf in Star Trek II: The Wrath of Khan (1982)

August 7, 2019 By Professor Elizabeth Coggeshall

star-trek-wrath-khan-bookshelf-inferno“Star Trek: The Wrath of Khan involves a complex weaving of many borrowed elements, the most important of which is the Star Trek television series, as well as Moby-Dick, and A Tale of Two Cities. The intertextual mix is suggested in a shot early in the film when we are first introduced to Khan by scanning his bookshelf. In addition to a sign from his ship, the Botany Bay (named after a historic port in Australia through which many convicts entered the country), there are Dante’s Inferno, King Lear, The King James Bible, Moby-Dick, and two copies of Paradise Lost. Each book suggests aspects of Khan’s character. Though other references remain implicit, the Moby-Dick references are explicitly explored throughout the movie.” — Posted by ebreilly on Critical Commons

Categories: Performing Arts
Tagged with: 1982, Films, Inferno, Intertextuality, Science Fiction

Joseph Pearce, Catholic Literary Giants (2005)

March 2, 2019 By Professor Elizabeth Coggeshall

Pearce-Catholic-Literary-Giants-Dante“Taken as a whole, one can see Eliot’s major work as paralleling that of his master, Dante. The Waste Land and ‘The Hollow Man,” were his Inferno, ‘Ash Wednesday’ and The Rock were his Purgatorio, and Four Quartets were his vision of Paradise. What a legacy he has bequeathed to posterity!” (176) — Joseph Pearce, Catholic Literary Giants: A Field Guide to the Catholic Literary Landscape

Contributed by Ellie Augustine (University of Kansas, 2020)

Categories: Written Word
Tagged with: 2005, Intertextuality, Literary Criticism, Literature, Religion

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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