La Divina Commedia Opera Musical a Torino nel 2020

“Prodotta da Music International Company, ‘La Divina Commedia Opera Musical’ può vantare un team creativo d’eccezione con 24 cantanti-attori e ballerini-acrobati, più di 50 professionisti eoltre 200 costumi utilizzati dal cast. Ad arricchire questa grande squadra ci sono poi gli oltre 50 scenari che si susseguono sul palco a ritmo serrato e tengono alta l’attenzione del pubblico di ogni età. Uno spettacolo assolutamente da non perdere che andrà in scena a Torino dal 24 al 29 marzo 2020.” [. . .]    —Guida Torino, 2019.

Contributed by Silvia Byer (Park University)

Dante’s Florence on the Apple App Store

 

 

 

“Did you know that you can still find a famous rock, called Dante’s Stone, where nineteenth-century travelers, including Mark Twain and Wordsworth, once paid homage to the great poet? Have you seen the oldest fresco of Dante? It’s in a restaurant, but they’ll let you in to see it even if you don’t eat there.

 

[. . .]

 

“The user interface has been streamlined to be intuitive and responsive. You can select any of its approximately one hundred points of interest either from the menus or the two interactive maps. Each document was written by professional medievalists who put what you’re seeing into historical context. The fruit of our archival research and years of study is presented in a witty and fun style that teaches while it entertains.”    –Quod Manet, LLC, Apple App Store, 2018

 

Real Places on Earth That Lead to the Gates of Hell

“Hell on Earth: A concept that has fascinated many for millennia, an attempt to place divine punishment on the same plane of existence humans live in. [. . .] Religions across the world speak of portals that connect the living with the dead and the terrible creatures that guard this fiery pit. Where are these gates to Hell?

[. . .]

“Along the road of Lake Averno in Italy, we find one of the oldest roads that lead to the underworld. Over two thousand years ago, Grotto della Sibilla was once a Roman military tunnel connecting Lake Averno to Lake Lucrino. Here, Aeneas with Sibyl at his side embarked on a journey into Hades.    —Eduardo Limón, Cultura Colectiva, August 2, 2016

“La Divina Commedia trova nuova vita nei cinguettii di Twitter”

“La copertina sfondata, le pagine squarciate. Du-rante la Seconda Guer-ra Mondiale una copia della Divina Commedia frenò un proiettile vagante, evitando lamorte al proprietario che la custodiva in tasca. «È la provache Dante può salvarti la vi-ta», scherza Pablo Maurette,raccontando l’episodio. Questo 38enne argentino, professore di letteratura comparataa Chicago, è il protagonista di una rivoluzione culturale checorre su Twitter: la lettura, partecipata, del capolavoro di Dante ai tempi dei social.

“La formula è semplice: un canto al giorno, per centogiorni. Si legge, ognuno per conto proprio, poi si inizia a twittare per commentare leterzine e cercare spunti di analisi: i cinguettii si trasformano in note a piè di pagina. Il risultato? Un successo planetario. Dal Messico al Cile, dalla Francia all’Australia, migliaia di utenti di lingua spagnola (una bolgia, verrebbe da dire) hanno lasciato ogni speranza per unirsi al viaggio 3.0 guidato da Virgilio.” [. . .]    –Filippo Femia, La Stampa, February 2, 2018.

You can read the full article on La Stampa.

See other posts related to #Dante2018 here.

Contributed by Pablo Maurette (Florida State University)

“After 700 years, Dante could finally be on his way home to Florence”

“Seven centuries after the poet Dante was exiled from Florence, the Tuscan city wants him back – or at least what remains of him.

“The author of The Divine Comedy was banished from Florence for political reasons and eventually died in Ravenna on the Adriatic coast, where his remains are kept in a huge white tomb.

“Now Florence is probing the possibility of bringing him back ‘home’ for the 700th anniversary of his death, to be commemorated in 2021.

“Reclaiming the remains of the poet is potentially big business – around 400,000 people visit his tomb in Ravenna each year. [. . .]

“His remains are held in a tomb next to the Basilica of St Francis and Florence supplies the oil for the lamp that illuminates his resting place, in a perpetual act of penance for having banished him.

“Florence would like to have Dante back, for a limited period rather than permanently, in time for the 2021 commemorations of his death.

“But keenly aware of the intense regional rivalries and jealousy that still exist between Italy’s former city states, it is proceeding diplomatically.” [. . .]  — Nick Squires, The Telegraph, July 31, 2019.

Contributed by Cathy Robison, Clemson University

Dante’s Last Laugh

“Dante Alighieri will forever be associated with Florence, city of his birth and the dialect he helped elevate such that it would one day become the basis of Italy’s national language. Yet when Dante died nearly 700 years ago this week, Florence isn’t where he ended up.

“The story of how Dante’s remains came to be in Ravenna isn’t that complicated. It’s how they came to stay there that gets strange.

“When the poet died, sometime between September 13-14th, 1321, he hadn’t seen Florence for some 20 years. Exiled for life after finding himself on the losing side of a war for control of the city, Dante spent the next several years roaming, defiantly refusing conditional offers to return home on terms he saw as unjust.” [. . .]   — Jessica Phelan, The Local, September 14, 2018

Descendants of Lu Xun, Dante boost Sino-Italy cultural exchange

“The descendants of Chinese writer Lu Xun and Italian poet Dante Alighieri held a dialogue in Shanghai on Thursday in a bid to boost cultural exchanges between China and Europe.

“The trans-time-and-space dialogue between Lu (1881-1936), the “father of modern Chinese literature,” and Dante (1265-1321) was held at the Shanghai International Studies University in Hongkou District, where Lu spent the last decade of his life.

“Zhou Lingfei, the grandson of Lu, whose real name was Zhou Shuren, and Sperello Di Serego Alighieri, the 19th generation grandson of Dante, discussed the contributions and common features of their ancestors’ works.” […]    –Yang Jian, Shine, April 27, 2018

President Obama Compares Election to Dante’s Inferno

“At his final state dinner Tuesday, President Barack Obama compared the current presidential election to a trip through hell.

“Obama, who was hosting Italian Prime Minister Matteo Renzi, used a classic work of Italian literature to draw the comparison. ‘Some days our presidential campaign can seem like Dante’s Inferno,’ President Obama said in reference to the contest between Donald Trump and Hillary Clinton, according to the Washington Post. The rest of the speech celebrated the relationship between the U.S. and Italy.” […]    –Daniel White, TIME, October 19, 2016

Francesca da Rimini at La Scala, Milan

Francesca-da-Rimini-La-Scala-Milano“15 April-13 May [2018]. This is the first time Francesca da Rimini, inspired by D’ Annunzio’s novel of the same name written in 1901, returns to La Scala in six decades.

“Zandonai’s opera, his most successful, was performed in Turin for the first time in 1914. This new La Scala production is conducted by Fabio Luisi and directed by David Pountney with Maria José Siri in the lead role. Pountney is a British theatre and opera director known for his productions of rarely performed or new works. Teatro alla Scala, Via Filodrammatici 2, www.teatroallascala.org.” — Posted on wantedinmilan.com

L’Inferno delle Albe, Ravenna (2017)

Inferno-delle-Albe-Ravenna-2017“Ecco, presa con le dovute pinze la schematizzazione, una situazione analoga si presenta con il nuovo progetto del Teatro delle Albe. Va vissuto come spettacolo o come chiamata cittadina al teatro? Perché Inferno è entrambe le cose. Quale dunque la sintesi? Andiamo con ordine.

[…]

“Quello delle Albe non è un inferno filologico alla maniera dantesca, è una contaminazione di immaginari: passati e presenti. L’Inferno si fa veramente il luogo della perversione dell’io, quello in cui ciascuno si accanisce sul suo prossimo, bercia la propria ossessione, si strugge nella pena,  ma non sa dialogare, non riesce in alcun modo a stabilire una relazione. Ed ecco allora che la presenza purissima di Montanari e Martinelli più che una guida viene a rappresentare una fulgida luce nel buio eterno. Ecco che quell’unità pervicace, serena, limpida, nonostante le masnade di anime perse, marca la traccia di un ritrovarsi che è l’unica possibilità di vita, di vita vera, a questo mondo.” — Giulio Sonno, “Ma io, perché venirvi? Arte e partecipazione nell’Inferno delle Albe,” paperstreet.it (June 23, 2017)

Ravenna16 giugno 2017

INFERNO
Chiamata pubblica per la “Divina Commedia” di Dante Alighieri

ideazione, direzione artistica e regia: Marco Martinelli e Ermanna Montanari
in scena: Ermanna Montanari, Marco Martinelli, Alessandro Argnani, Luigi Dadina, Roberto Magnani, Gianni Plazzi, Massimiliano Rassu, Laura Redaelli, Alessandro Renda e i cittadini della Chiamata Pubblica

Of the plans for the project, artistic directors Marco Martinelli and Ermanna Montanari explain, “The key with which we have translated the Dantesque ‘transcendence of human nature’ is to think of the work in terms of sacred mediaeval representations and the revolutionary mass theatre of Majakovskij: the whole city is a stage, all the citizens are called upon to ‘becoming a place’, to make a community.” For more information, including press releases and awards, see the Teatro delle Albe website.

See also the review by Massimo Merino on doppiozero.it.