Il Terzo Girone: Italian Food and Drink Database

Il Terzo Girone

Terzo Girone Ristorante, Siena, Italy



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Contributed by Donatella Stocchi-Perucchio (University of Rochester)

Hotel Aleph, Rome

hotel-aleph-rome“A few steps from Via Veneto, this sleek hotel was transformed from an old bank by New York architect Adam Tihany. Inspired by Dante’s Divine Comedy, the themes of saints and sinners make it the perfect place for being naughty or nice this Valentine’s Day.”    —Newsweek, February 2, 2008

See Hotel Aleph website.

Contributed by Patrick Molloy

Dante at a Student Apartment in Bologna


“Inexpressibly happy that even in the utter chaos, Dante was able to say a few words at the party. Not what the quote wall is for, but it will do.”    –Darren Fishell (Bowdoin, ’09)

Found at Fumettotex (retrieved on February 10, 2008)

“Mafia boss reads Dante Alighieri in prison”

mafia-boss-reads-dante-alighieri-in-prison“Bernardo Provenzano, the former Godfather of the Sicilian Mafia who is serving life in prison, is spending his time reading Dante and writing to a pen pal. . . ‘I have read the Inferno,’ he wrote. ‘And especially where it says that on life’s journey, I found myself in dark woods, the right road lost.’ The former boss of all the bosses–who ordered the assassination of Giovanni Falcone and Paolo Borsellino, a pair of anti-Mafia investigators–told Bonavota that ‘when reason and force collide, force wins and reason is lacking.'” [. . .]    –Malcolm Moore, The Telegraph, January 28, 2008

Contributed by Aisha Woodward (Bowdoin, ’08)

“Going to Hell with Benigni”

going-to-hell-with-benigni“Actor brings Dante to TV screens but attacks Italian politicians before presenting Divine Comedy.
MILAN — Unlike Adriano Celentano, Roberto Benigni did not let Romano Prodi off the hook. Yesterday evening, the Tuscan comic spared no one, although most of his barbs, including the funniest ones, were directed at Silvio Berlusconi and the Centre-right. But there were also jibes at [foreign minister — Trans.] Massimo D’Alema and [justice minister — Trans.] Clemente Mastella.”    –Maria Volpe, Corriere della sera, November 30, 2007

Contributed by Patrick Molloy

“The Divine Therapy”

divine-therapy-new-york-times“‘It’s an inferno in here,’ yelled a middle-aged woman as she plunged into a foul-smelling hot spring in central Italy. She wasn’t the first to compare these scorching sulfur baths to Hell. In Canto XIV of Inferno, Dante wanders past a pool oozing with boiling red water and is reminded of these thermal spas about an hour north of Rome ‘whose waters are shared with prostitutes.’ . . .
That may explain why spas like Bulicame seem to hold more appeal for the locals. In addition to being free, its commercial-free atmosphere and ancient Roman ruins infuse the bath with history. Besides, Dante’s journey through Inferno and Bulicame eventually led him to Paradiso.” []    –David Farley, The New York Times, August 26, 2007

Dante Bar, Via del Corso, Rome


Photo contributed by Maxime Billick (Bowdoin, ’10)

Roberto Benigni’s “Tutto Dante”

See Roberto Benigni’s website Tutto Dante for more information and photos.

Contributed by Dorothea Herreiner

John Curran, “The Painted Veil” (2006)

john-curran-the-painted-veilThe 2006 movie, The Painted Veil, based on a novel by Somerset Maugham ultimately derives from the author’s fascination with Pia, a character in Dante’s Purgatorio. This discussion of the movie quotes from Maugham’s preface to the novel:

“The idea for the novel began when Maugham was studying Italian under the tuition of the daughter of his landlady in Tuscany before World War I (he had by then decided to abandon a career in medicine for the life of a writer). While working through Dante’s Purgatorio, he came upon this line, spoken by the adulterous wife Pia: Siena mi fe’; disfecemi Maremma. (Siena made me, Maremma unmade me.) Ersilia (for so the tutor was named) explained that Pia was a noblewoman of Siena whose husband, suspecting her of adultery and afraid on account of her family to put her death, took her down to his castle in the Maremma valley, the noxious vapors of which he was confident would kill her off. But she took so long to die that he grew impatient and had her tossed out a window. As Maugham explains in his preface to the novel: ‘I do not know where Ersilia learnt all this. The note in my own Dante was less circumstantial, but the story for some reason caught my imagination. I turned it over in my mind and for many years from time to time would brood over it for two or three days. I used to repeat to myself the line: Siena mi fe’; disfecemi Maremma. But it was one among many subjects that occupied my fancy and for long periods, I forgot it. Of course I saw it as a modern story, but I could not think of a setting in the world of today in which such events might plausibly happen. It was not till I made a long journey in China that I found this.'”    –Edward T. Oakes, First Things, January 10, 2007

Contributed by Patrick Molloy