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Pascale Marthine Tayou, Sisiphe remontant le tarmac (2013)

April 29, 2022 By Sephora Affa, FSU '24

sculpture-of-person-on-wheel-next-to-tarmac

“Miserere—In vulgar Latin, it is the first word of Psalm 50: ‘Miserere mei, Deus, secundum magnam misericordiam tuam,’ used in the Catholic liturgy in funeral services, in the rites of Lent and the Holy Week, and generally in the orations of penitence. The penitential psalm is sung in the Comedy by the rows of the dead, in the second terrace of Ante-Purgatory, and the chant, is recited in alternate verses (‘singing the “Miserere” verse by verse’ [Purgatorio, Canto V, 24]), is interrupted by an exclamation of astonishment when the souls realize from his shadow that Dante is alive. In a rather different context, however, the expression ‘Miserere mei’ is cried out by Dante at the appearance of Virgil’s shadow in the forest (Inferno, Canto I, 65).”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more on the Cameroonian artist Pascale Marthine Tayou, see Wikipedia.

Categories: Visual Art & Architecture
Tagged with: 2013, Africa, Aircrafts, Art Books, Burkina Faso, Cameroon, Canto 1, Catholicism, Lent, Purgatory, Sculptures, Time, Travel

“Into the Dark Woods”

April 17, 2021 By Laura Chatellier, FSU '23

into-the-dark-wood-sojourners-2012

“This year I was drawn to Mark’s ‘certain young man’—the one who flees naked from the violence in the Garden of Gethsemane on the Mount of Olives (14:51-52), leaving behind his linen cloth. Scholars vehemently disagree about who this young man was. Many deduce that it’s the writer of Mark’s gospel inserting himself into the story. Others say he is reminiscent of King David fleeing from Absalom on the the Mount of Olives. Or that he foreshadows the ‘young man’ in a white robe who will meet the women at Jesus’ tomb. Whoever he was, in the midst of an encounter with violence, this “certain young man” lost what thin protection he had and fled into the night, into the selva oscura, as Dante calls it, those ‘dark woods.’ Toward what, we do not know. As the human soul matures, we are confronted with moments that force us to let go of yet another thin veil of self-delusion. The “right road,” the moral high ground, sinks into a thicket of gray.” [. . .]    –Rose Marie Berger, SOJOURNERS, May, 2012.

Categories: Written Word
Tagged with: 2012, Catholicism, Dark Wood, Lent, United States

Daily Dante Blog

July 19, 2016 By Professor Elizabeth Coggeshall

“Welcome to Daily Dante, a blogging adventure that follows the pilgrim Dante through his journey to hell and back, as we savor the poet Dante’s masterpiece The Divine Comedy.

Daily-Dante-Lenten-Spiritual-Discipline-Blog“Daily Dante is a collaborative blog, written by a motley band of Dantophiles living in the Princeton, NJ area. We began during Lent of 2010, when we adopted blogging as a Lenten discipline: a canto a day (excepting Sundays, which technically do not count as Lent), which conveniently allowed us to finish more or less just before Easter. We have completed Inferno, and Purgatorio, and finished blogging through Paradiso during Lent 2012.” — homepage of Daily Dante: Dante as Lenten Spiritual Discipline

 

Categories: Digital Media, Written Word
Tagged with: 2010, 2011, 2012, Blogs, Journeys, Lent, New Jersey, Princeton, Spirituality

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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