“The song ‘Canto IV (Limbo)’ from Progressive music group Discipline’s album Unfolded Like Staircase describes the sorrow of those souls whose (sic) never knew a deity.” —Wikipedia
Limbo (Playdead, 2010)
Limbo is a 2010 puzzle-platform video game developed by independent game developer Playdead.
In a presentation at the 2021 Middle Ages in Modern Games Twitter conference scholar Claudia Rossignoli presented a thread on the relationship between Limbo and the “intense emotional landscape” of Dante’s Inferno. Rossignoli commented, “The boy’s journey originally revisits classical katabatic narratives (also inspiring Dante), including in its final unsettling encounter (his sister?), which brings no closure and instead intensifies the initial loss, eliminating any remaining hope of finding a way out.”
Read the full thread here.
Learn more about the game here.
Watch the trailer for the game here.
See more from #MAMG21 here.
“Alasdair Gray’s Translation of Dante’s Purgatory“
“Following on from his translation of Hell (published last year), Alasdair Gray has turned his attention to the second part of Dante Alighieri’s Divine Comedy. Unlike Lanark, Gray’s epic debut novel from 1981, Purgatory is a short read at around 130 pages. It is divided into 33 cantos – essentially chapters – each of which are divided in turn into three-line stanzas. The plot is linear: guided by the poet Virgil, Dante must ascend Mount Purgatory in order to be reunited with his love Beatrice. Along the way, he encounters the poor souls forced to linger in heaven’s waiting room until they are cleansed of their earthly sins. As in Hell, the narrative is littered with historical figures, for instance ‘Cato, Caesar’s foe, who stabbed himself / rather than see the Roman Empire kill / the glorious Republic that he loved.’ Reading Purgatory, written in the early 14th century, it is easy to see the crucial role Dante played in the Renaissance, when Italian artists rediscovered the glories of antiquity.” –Chris Dobson, The Herald, November 17, 2019
Check out our original post on Alasdair Gray’s Hell here.
“9 Times Marilyn Manson Was the Greatest Rockstar in Any Circle of Hell”
“Marilyn Manson, the man and his eponymous band, brought darkness back into the spotlight in the early ‘90s. Achieving popularity without a scalp scraped by butterfly clips or an official Pog line, Manson became the new face of fear. Fear of violence, sex, vulgarity, drugs, and most crucially Satanism. He was hailed by fans of alternative music, and reviled by the mainstream, as the self-styled Antichrist Superstar. Just like mythical depictions of the Anti-Christ, Manson has a silver (forked) tongue and an intelligence that few can comprehend. He is a cause for parents to fear their teenager’s headphones, coiled around their babies like the snake in Eden.
[. . .]
In Manson, no creative force has brought such a vivid and lyrical depiction of Hell since Dante’s Inferno, the first part of the fourteenth-century epic poem Divine Comedy. The band’s back catalogue gives as nuanced and sprawling a Hell as Dante, taking listeners through all nine circles. Whereas Dante’s guide was Roman Poet Virgil, ours is the icon formally known as Brian Warner.” –Daniel Wylie, What Culture, August 10, 2020
“American Horror Story: Dante’s Inferno Theory Explained”
“Ryan Murphy’s long-running horror anthology series, American Horror Story, has no shortage of fan theories surrounding it; one suggests that the first nine seasons correspond with the nine circles of hell in Dante’s Inferno.
[. . .]
Inferno is part of a 14th century epic poem by Dante Alighieri, the first part of the Divine Comedy. The concept of nine circles – or layers – of hell has been utilized many times throughout horror’s cinematic history, as it addresses sin, purgatory, and serves as a journey into the dark underworld. This theory surfaced long before all nine seasons of American Horror Story aired, and clever fans have been able to make each circle work to correspond with a different season of the show. While there are theories as to which season best suits a specific circle, they are all represented by Inferno in some way; everything is neatly accounted for.
In 2014, the theory surfaced, and in 2017, Murphy posted a list on Instagram that brought the theory back to life; he assigned seven of the nine seasons to specific circles, which has become the accepted ‘norm’. Since then, seasons 8 (Apocalypse) and 9 (1984) have aired; they also fit the remaining two circles, interestingly enough. The nine circles of hell discussed in Dante’s Inferno are: limbo, lust, gluttony, greed, anger, heresy, violence, fraud, and treachery. While these are listed in order, the seasons do not correspond with each circle sequentially. The commonly-accepted connections are: Murder House (limbo), Asylum (fraud), Coven (treachery), Freak Show (greed), Hotel (gluttony), Roanoke (anger), Cult (heresy), Apocalypse (violence), and 1984 (lust).” –Jack Wilhelmi, Screen Rant, June 2, 2020
