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WaPo Review of Murakami, Killing Commendatore

October 3, 2020 By Professor Elizabeth Coggeshall

“The middle of life is a second adolescence, with no one left to admire our suffering. All of Dante’s work is a beautiful, unconvincing riposte to the sense of anguish this age can bring: ‘Midway along the journey of our life, I woke to find myself in a dark wood, for I had wandered from the straight path,’ he writes. Eventually he makes it to Paradise; but nobody reads that part.

“The great Japanese author Haruki Murakami grew famous writing about the tender melancholy of youth. (Norwegian Wood made him so recognizable in Japan that he left.) Reading books from that period, you feel sad without knowing why — and yet, within that sadness glows a small ember of happiness, because to feel sad is at least to feel honestly.

“Now, in his 60s, he has begun to consider middle age more carefully, as if he sees himself most clearly across a 20-year lag. It’s the subject of his underrated Colorless Tsukuru Tazaki and His Years of Pilgrimage and also of his immersive, repetitive, big-hearted new novel, Killing Commendatore.”   –Charles Finch, “Haruki Murakami turns his gaze toward middle age,” Washington Post, October 8, 2018

Another review, posted on the blog Happy Antipodean on December 1, 2018, also likens Murakami’s novel to Dante’s poem.

Categories: Written Word
Tagged with: Dark Wood, Japan, Middle age, Novels, Reviews

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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