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Dominique Zinkpè, multimedia drawings (2013)

April 28, 2022 By Sephora Affa, FSU '24

ink-watercolor-body-falling-out-of-open-body

“The ideas behind the Divine Comedy have brought the artist to reflect upon a millenary question: what is the soul? This question entails an inquiry about uncertainty and wandering. The artist uses the medium of installation to create a unique world, made up of thousands of tiny figurines suspended as if they were souls waiting for a visa to enter another world or destination. Positioned on the ground, these retrospective objects are installed in such a way as to suggest their interrelation, their secret bond, as if they were suspended souls. The idea behind Errance is to create an emotion, a feeling of anticipation and reflection with the public. The twelve thousand colored figurines are suspended from the ceiling and are reflected in the thousands of mirrors placed on the floor, referring- also thanks to a soundtrack- to the infinity of the universe, the tackling lights and moving elements that are unknown to us but which we admire and dream about even though we do not know where they come from.”

Retrieved from The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Learn more about the artist Dominique Zinkpè (b. 1969, Cotonou, Benin) on Wikipedia.

Categories: Visual Art & Architecture
Tagged with: Africa, Benin, Contemporary Poetry, Cotonou, Drawings, Mirrors, Multimedia, Reflections, Series, Visual Arts, Watercolors

The Mathematics of The Divine Comedy

November 19, 2021 By Sephora Affa, FSU '24

painting-of-dante-looking-at-scores-of-angels

“As God’s Creation, we experience a physical realm of differentiated entities and perceive multiplicity in our material reality. The character of Beatrice utilizes this fact in Paradiso 2 when she proposes the mirror experiment. The experiment combines mathematical, geometrical, and optical/physical principles to demonstrate spiritual truths. This experiment, especially its utilization of reflection, plants a seed in Dante, prodding him on his journey to the Divine: ‘Nature offers to the symbolic poet clearly denotable objects in-depth and in the round, which yield the analogies to the higher senses.’ [19] In the Primo Mobile, Dante the poet utilizes these same principles as he approaches the dimensionless punto of the Divine, the source and ground of all being.”[. . .]    –Matthew Canonico, University of Notre Dame: Church Life Journal, April 28, 2021

Read the full analysis here.

Categories: Odds & Ends, Written Word
Tagged with: 2021, America, Astronomy, Beatrice, Cosmos, God, Journeys, Light, Mathematics, Metaphysics, Mirrors, Optics, Paradiso, Physics, Vita Nuova

St. Michel’s Dante Mirror Cabinet

October 3, 2021 By Hannah Raisner, FSU '25

 

screenshot-of-dante-mirror

“New Zealand’s favourite mirror cabinet is ready to reflect your image and store grooming items, so that your days start and end beautifully. There’s a model for every bathroom, including a recently-added 1500mm size.”    –St. Michel

Categories: Consumer Goods
Tagged with: Cabinets, Furniture, Mirrors, New Zealand, St. Michel

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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