Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

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Dante in poster for HBO’s series, “Succession” (2019)

August 16, 2019 By Professor Arielle Saiber

Image on wall is a painting entitled “Dante and Virgil” (1850) by William-Adolphe Bouguereau.  It appears to be the falsifiers of Inf. 30, Capocchio and Gianni Schicchi, in combat.

Contributed by Kristina Olson 

The original painting, currently held in the Musée d’Orsay in Paris, France, below.

Categories: Performing Arts, Visual Art & Architecture
Tagged with: 2019, Capocchio, Drama, Falsifiers, France, Gianni Schicchi, Hell, Inferno, inheritance, Money, Paris, Television

The SEC vs. Cryptocurrency: From Dante to Facebook

August 6, 2019 By Gabriel Siwady '19

“The Securities and Exchange Commission, the multibillion dollar agency that safeguards investors, presently stands on the precipice of the layer Dante reserved for the indecisive. For, nearly a decade after Bitcoin burst onto the scene in 2010, there has been no concrete attempt at delineating purchaser from investor in the cryptocurrency market—indeed, it appears the agency is content to provide guidance regarding fraud and custody rather than defining products and attendant responsibilities for those soliciting funds for digital conversion.

“In the 14th century, Dante Alighieri forever shaped our vision of a retributive afterlife with his Divine Comedy. Tellingly, the first “level of hell” introduced therein was populated by those who could not decide (‘those who lived without occasion for infamy or praise’); to the celebrated Renaissance poet, those habiting the sidelines of history could hope for limbo, at best, in the final judgment.” […]    –J. Scott Colesanti, New York Law Journal, July 31, 2019

Categories: Consumer Goods, Written Word
Tagged with: 2019, Bitcoin, Divine Comedy, Facebook, Finance, Money, New York, Social Media, Technology, United States

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Image Mosaic

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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