Netflix Archives - Dante Today

The Crown S01E03, “Windsor” (2016)

August 5, 2022 By Professor Elizabeth Coggeshall

In Season 1, Episode 3 of Netflix’s The Crown, Edward, the Duke of Windsor, refers to his family members in Dantesque terms, aligning them with the traitors in the ninth circle. Writing to his wife, he explains [as actor Alex Jennings narrates in a voiceover], “My dear darling Peaches… They say hell is an inferno. What a sunless, frozen hell we both escaped in England. And what a bunch of ice-veined monsters my family are. How cold and thin-lipped, how dumpy and plain. How joyless and loveless.”

Read a recap of the episode (with spoilers) here.

Single’s Inferno Netflix Series (2021)

January 17, 2022 By Harrison Betz, FSU '25

Single’s Inferno (Korean: 솔로지옥, sollojiog) is a 2021 Korean reality TV series that follows 12 singles as they attempt to find love on a deserted island. The singles begin on an island named “Inferno” and vie for each other’s affection in order to go on dates at a resort called “Paradise”. The first season of the show is currently streaming on Netflix.

Watch a trailer for Single’s Inferno here.

Zone Blanche Netflix Series (2017)

October 31, 2021 By Harrison Betz, FSU '25

Zone Blanche (“Black Spot” in English) is a French-Belgian series directed by Matthieu Missoffe. Two seasons are currently available on Netflix, with future seasons expected.

“The entire first season of Black Spot contains so many Dante references that any aficionado of Inferno can spot them: the deathlike forest impenetrable by sunlight; the suicide victims suspended from the trees, horribly disfigured by attacking birds; a teenage girl who cuts off her own fingers to escape a hellish coming-of-age ritual; a descent into a treacherous network of caverns to locate a missing person, assumed dead; encounters with beings who may be either alive or dead; a legendary monster called the Wendigo; a reservoir of waste guaranteed to kill what little life remains in the dying village. The careful viewer will spot yet more parallels to Dante, some of which are very subtle.

“With a vision as true as it is dark, Missoffe’s Black Spot not only recasts the evils of Dante’s Florence, but of our entire Western world.” –Contributor Jane Wineland

Contributed by Jane Wineland (University of Arkansas Ph.D. ’26)

“Dante’s Inferno: Navigating the Complexities of Hell in As Above, So Below“

May 5, 2020 By lsanchez

“These words scrawled across the walls beneath the Paris Catacombs mark the entrance to Hell for the characters in As Above, So Below. They herald in a nightmarish final act. The very same words that mark the gates to Hell in writer Dante Alighieri’s Inferno, the first part of his epic poem of Divine Comedy. Inferno tells of Dante’s journey through the nine circles of Hell, guided by the Roman poet Virgil. Their journey begins on Good Friday, and the pair emerges from Hell early on Easter morning under a starry sky. Though As Above, So Below draws from various mythologies, it’s Dante’s Inferno and its complex rendering of Hell that most closely mirrors protagonist Scarlett Marlowe’s quest, making for an atypical found footage film that offers impressively layered world-building.

[. . .]

“The only way out is down. That they descend through a well is significant. Scarlett explains the phrase ‘as above, so below’ is the key to all magic. What happens in one reality occurs in another, presenting a bizarre mirror-like symmetry to their voyage. The group begins by climbing down a well, and they end it by going down another well. In Inferno, wells play a part in getting Dante and his guide to the eighth and ninth circles. Later, Dante and Virgil finally reach the center of Hell and begin their escape by continuing downward. Dante is convinced they’re returning to Hell, only to realize gravity has changed, and they’re climbing up to the surface. Dante, half-way through his life, begins his journey spiritually lost. More than just a guide to Hell, Virgil becomes his guide to virtue and mortal. That’s mirrored in Scarlett, reckless and reeling from the loss of her father, and George, the strict rule-abiding ethical anchor. Much of George’s fear for breaking the law stems from spending time in a Turkish prison before the events of the film, which also parallel’s Virgil in that he detailed his personal trip through Hell in his poem Aeneid.” –Meagan Navarro, Bloody Disgusting, April 10, 2020

See our original post on As Above, So Below here.

The Chilling Adventures of Sabrina, S03E01

February 19, 2020 By Professor Elizabeth Coggeshall

“It sounds insane to say but Sabrina’s journey through hell merged both The Wizard of OZ and Dante’s Inferno and it worked perfectly. Sabrina’s journey ends with a dash of Milton’s Paradise Lost and it’s all rendered is horrifying, beautiful images that would make any Renaissance poet swoon.

“It stands to reason that Dante, who took the most famous journey through hell in literature would get a shout out in Sabrina. She’s assigned to read it by her poor, formerly possessed teacher Miss Wardwell and from that gets the idea of finding a backdoor into hell, so she can save her boyfriend. Just doing Dante would be fine here, but we get the first hints of Oz as Sabrina gathers three friends to join her. And to get through hell, they need special shoes. Not ruby slippers though, but shoes of the dead. I guess the Ruby Slippers technically belonged to a dead person too, so well-played.

“After a spell that directly quotes Dante’s version of the inscription on the gates of hell – ‘Abandon all hope, ye who enter here’ – Sabrina, Harvey, Roz and Theo arrive in hell on the ‘Shore of Sorrow’ which sounds a lot like the way Dante arrives in hell himself, on the shores of the river Acheron (yes, Acheron is a term we hear in Sabrina for a trap for a demon). [. . .]” — Jessica Mason, “Chilling Adventures of Sabrina Journeys to a Hellish Oz by Way of Dante’s Inferno,” Review (with spoilers!) of Season Premiere of Part Three of The Chilling Adventures of Sabrina (Netflix, 2020) on The Mary Sue

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