Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

“The Divine Comedy Like You’ve Never Seen Before”

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“Take a peek inside! In a bustling studio in Brooklyn, New York, contemporary artist George Cochrane is immersed in a monumental challenge: to exquisitely letter and illustrate every page of Dante’s Divine Comedy, completely by hand – INCREDIBLE!

“George’s obsession with Dante is apparent through his achievement of painting hundreds of portraits of the poet over the years. But his dream has always been a simple one: to  and more attractive to younger generations.

“George recognized that the best medium to achieve his dream was a combination of the ancient illuminated manuscript and the modern graphic novel.

“This combination will equally delight Dante enthusiasts and first-time readers of the Divine Comedy.”   —Facsimile Finder, 2021

 

Kat Mustatea, Voidopolis (2020)

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@kmustatea on Instagram (January 30, 2021)

“Voidopolis is a digital performance about loss and memory that is currently unfolding over 45 posts on my Instagram feed (@kmustatea). Started July 1, 2020, it is a loose retelling of Dante’s Inferno, informed by the grim experience of wandering through NYC during a pandemic. Instead of the poet Virgil, my guide is a caustic hobo named Nikita.”   –Kat Mustatea

Featuring a Dantesque cast of characters ranging from the Virgilian Nikita to a mohawked Minos, a gruff ferryman named Kim and a withdrawn George Perec, Mustatea’s Voidopolis weaves through the pandemic-deserted streets of Manhattan, a posthuman landscape of absence and loss, bearing witness to its vanishings. Voidopolis won the 2020 Arts & Letters “Unclassifiable” Prize for Literature, and received a Literature grant from the Cafe Royal Cultural Foundation.

To read more about both the process of the piece and its influences, including Dante, see the interview with Mustatea featured in Dovetail Magazine (2020).

 

Mustatea’s project at Ars Electronica 2021
The project’s website

Leah Yananton’s Surviving Me: The Nine Circles of Sophie (2015)

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“I made Surviving Me because I found from my own experience as an undergrad, that the pressure on our college campuses for women to be hypersexual is damaging to everyone. During my college years in post 9-11 NYC, the world around me stopped making sense and the social scene was full of chaos and escapism, yet in my Medieval poetry class I was reading themes that related to present day. My peers were testing the limits of defying convention regarding sexuality and traditional relationship values, asserting that being liberated meant you were superior to consequences. However, I had the feeling that I had fallen into the River Styx and was swiftly sinking to the bottom. In order to find solid ground, I had to fight for boundaries and integrity and I brought my battle into writing the script. Dante’s Inferno was a constant companion with its focus on behavior and consequences, and Surviving Me became a reflective creative journey.”  –Director’s Statement from Press Notes, Leah Yananton

The 2015 film was directed and written by Leah Yananton and released by Longtale Films. Contributor Alan R. Perry notes that the film is laced throughout with indirect references to Inferno, and the story line is accompanied by Blake’s watercolors, as is also visible in the movie poster at left.

Contributed by Alan R. Perry (Gettysburg College)

Sherman Irby’s Inferno

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“Hell’s never sounded as suave and soulful as it does on Sherman Irby’s Inferno by the Jazz at Lincoln Center Orchestra (JLCO) with Wynton Marsalis. Irby, the lead alto saxophonist for the JLCO, cleverly interprets Dante Alighieri’s epic poem from The Divine Comedy to create a sweeping work that takes listeners on a lyrically swinging tour of the underworld’s nine circles.

“The epic composition, recorded live in 2012, lets the JLCO’s all-star improvisers give life to the colorful denizens of hell and casts the late, legendary baritone saxophonist Joe Temperley as the voice of Dante. Irby’s Inferno both stands alone as an irresistible musical narrative and sheds new light on Dante’s classic; this unique exploration of the epic poem captures its timeless quality and ingeniously places it in conversation with the jazz canon.”   —wyntonmarsalis.org

You can download the album or access it through various streaming services here.

Recorded May 19, 2012.

Released January 17, 2020.

Sherman Irby discussed his work on Inferno, his circuitous path to Dante (starting with a Divine Comedy anime!), and his plans to set all three canticles to music at the webinar “African American Interpretations of Dante’s Divine Comedy” (Oct 4, 2020).

See our previous posts on Irby’s Inferno here and here.

The Pineapple Gin Smash by Naren Young of Dante

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“Smashes are super refreshing, and thus perfect for summer drinkin’; the key is to use ingredients that are in-season for maximum fresh flavor. When Naren Young of Dante recently came by the MUNCHIES garden, he had the bright idea to combine juicy hunks of just-cut pineapple with pineapple sage leaves plucked from the plant. Add a dash of pineapple vinegar, too, to go all Inception on it. Factor in the spirits of choice—gin and green Chartreuse—and the result is a drink that’s sweet, tart, fruity, potent, and certainly pineapple-y.”    –Munchies Staff, Vice, August 25, 2016

Learn more about the New York City bar Dante here.

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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