New York

St. Agrestis Liqueurs: Inferno and Paradiso

January 9, 2022 By Professor Elizabeth Coggeshall

“There’s a Brooklyn-based distillery called St. Agrestis that’s been around since 2014. They made their name with an amaro, but have since delved into other spirits. Notably for our purposes, they have a Campari-like bitter called ‘Inferno’ that’s pretty good and an aperitivo called ‘Paradiso.’ They also make bottled Negronis and Spritz using Inferno and Paradiso, respectively.

“Interestingly, the label design hints at a Dantean topography. Inferno and the Negroni both have labels that evoke layers or concentric circles. Paradiso and the Spritz both have a geometric pattern that uses triangles (Trinity?). The batched Negroni also comes in a 1.75L Franzia-style box with a spout (’20 Negronis in every box!’) and the canned spritz comes in a triangular 10-pack case.” –Contributor Alex Cuadrado

Learn more about St. Agrestis’s products here.

Contributed by Alex Cuadrado (Ph.D., Columbia University)

Hell, Inc. Webcomic: “Abandon All Hope”

November 21, 2021 By Sephora Affa, FSU '24

“I’m imagining that Hell has turned ‘abandon all hope, ye who enter here’ into a ‘New York, New York’ kind of jingle, which is why I knew immediately that I needed to draw Doug making ‘your name up in lights’ arm gestures.” [. . .] –Jeff Martin, Hell, Inc., 2019

The Hell, Inc. webcomic updates Mondays on Patreon here.

Visions of Dante Exhibit Highlighting Cornell University’s Fiske Dante Collection

October 23, 2021 By Harrison Betz, FSU '25

“Marking the 700th anniversary of Dante’s death, the exhibition of approximately 100 works in various media explores the visual nature of the Divine Comedy, which has inspired scholars and artists alike, from medieval times through today.

“Visions of Dante not only puts on display a large portion of the Fiske Collection for the first time. It also brings together works lent by notable institutions like the Morgan Library & Museum and 20th century and contemporary artists from William Blake to Salvador Dalí, Robert Rauschenberg, and Kara Walker.

“‘This exhibition reasserts the continued vibrancy of the Divine Comedy as a work of art, a work of literature, and shows the many ways in which visual artists have made their own personal interpretations and translations of that original text,’ says co-curator Andrew C. Weislogel, the Johnson’s Seymour R. Askin, Jr. ’47 Curator of Earlier European and American Art.” [. . .] –Susan Kelley, Cornell Chronicle, September 29, 2021

The exhibit is held at the Herbert F. Johnson Museum of Art at Cornell University and runs from September 14 – December 19, 2021.

See more information and view an online version of the exhibit here.

NY Times Review: Dante’s Inferno Play, adapted/directed by Robert Scalan (1998)

October 16, 2021 By Harrison Betz, FSU '25

“Dante’s Inferno, a highly condensed and remarkably theatrical staged version of the 14th-century epic that takes Dante, played here by Bill Camp and guided by the poet Virgil (Reg E. Cathey), on a fantastic voyage into Hades. Mr. Willis and Leslie Beatty complete the cast, portraying an assortment of damned souls in this economical, two-hour production. And these two — how shall we put it? — have all the fun.

“Like more tormented versions of the sad sacks Dorothy collects on the yellow brick road, they confide their tales of woe to the visitor from another world. Mr. Willis and Ms. Beatty cringe and shudder, shrink and quake, affixing faces worthy of compassion to the teeming multitudes of the Underworld. As the acting opportunities pile up, the surprise of this Inferno becomes clear: even if it is not quite a fully realized verse play, it is much more than a staged reading.

“Mr. Scanlan and his designers, John Michael Deegan and Sarah G. Conly, transfer Dante’s hell to the late 20th century. Dressed in business clothes, the actors traverse a mirrored multilevel set that vaguely resembles one of those nondescript office buildings along the interstate (which are some esthetes’ idea of hell, anyway). As the story unfolds, so does the scenery, which is divided into compartments reached by ladders and stairs that denote the descending circles of hell.

“Dante’s Inferno reflects the poem’s episodic nature. It’s how skillfully Mr. Scanlan and his collaborators operate within the episodes that makes this an intriguing evening. Mr. Willis is especially rewarding in his myriad character roles, and on both the technical and interpretive level, all four actors speak with a grasp of the work’s power and lyricism. This is a piece that gets better the lower it goes.” [. . .] –Peter Marks, New York Times, September 28, 1998 (retrieved November 26, 2021)

Donna Distefano’s “The Love That Moves the Sun and the Other Stars” Ring

July 19, 2021 By Professor Elizabeth Coggeshall

“I created a one-of-a-kind ring inspired by Dante’s The Divine Comedy, Paradiso, Canto 33, The Final Vision. I’ve studied The Divine Comedy in both English and Italian and have always loved the way the poem combines so many seemingly disparate elements: mythology, realism, love, judgment, geometry, and astronomy to name a few. In Canto 33, Dante faces God and sees ‘the Love that moves the sun and the other stars.’ It is the moment when his life on earth intersects with his life outside of this earth.” –Donna Distefano

The ring, which features pieces of actual meteorite, was featured in the exhibit “Out of this World: Jewelry in the Space Age” at the Tellus Science Museum in Cartersville, Georgia (November 7, 2020 – October 24, 2021). In Style magazine did a piece on it, too (see image below).

See also our previous post on Distefano’s “Elixir of Love” ring.

Contributed by Donna Distefano

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