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Sante Matteo, “Escape from Paradise,” Twelve Writers

January 9, 2022 By Professor Elizabeth Coggeshall

“Before Beatrice fled from Florence to Venice and beyond in my story, she migrated from the classroom to the written page, then set sail and found a welcome dock at Twelve Winters Journal.

“A course I taught on the Divine Comedy drew students with a wide spectrum of academic interests. I encouraged them to undertake a term project related to their field of studies, as long as it included an account of their research and how their secondary sources contributed to the creation of their final product (a bit like this commentary). Art students handed in paintings and sculptures; music students composed, performed, and recorded musical pieces; writing majors wrote poetry and stories; theater majors wrote and staged plays; film students scripted, shot, and showed movies; philosophy majors wrote Platonic dialogues. My office became a museum of intriguing works of art.

“Beatrice often figured in the students’ projects, which gave me the idea for a piece that showed how things might have looked through her eyes. After I retired and began to dabble in ‘creative writing,’ I emulated my students and took on the project of drafting a story presented from her perspective. [. . .]” –Sante Matteo, “Commentary on ‘Escape from Paradise’,” Twelve Winters

Read Sante Matteo’s story “Escape from Paradise” at Twelve Winters‘ website here.

See also Sante Matteo’s poem “Assignation” (here) and his essay on Dante and baseball (here).

Contributed by Sante Matteo

Categories: Written Word
Tagged with: 2021, Academia, Beatrice, Creative Writing, Fiction, Ohio, Oxford (Ohio), Paradise, Pedagogy, Short Stories, Student Projects, United States, Universities

Sante Matteo, “The Journey Home in Baseball: The Bible and the Divine Comedy” (2020)

May 30, 2020 By Professor Elizabeth Coggeshall

“In the middle of of our industrialized cities, surrounded by concrete, metal, and plastic structures, baseball parks enclose a green field, a vestigial ‘paradise’ in the original Persian sense of the word.  Within that symbolic space a ritual is routinely performed.  Throngs of worshippers (spectators, fans) participate vicariously while members of a revered priestly class (players, coaches, and umpires) re-enact the story of humanity’s exile from Eden and the perennial longing to return there: to make it all the way around back to home base.

“Circling the bases—itself an expression redolent of another perennial quixotic human quest: that of squaring the circle; or inversely in this case, circling the square: the bases forming a square, or diamond, that the base runner circles–and reaching home constitutes a journey analogous to the one that Dante undertakes in his Divine Comedy.  Finding himself lost in a dark wood, Dante sets off–with Virgil and then Beatrice as his first- and third-base ‘coaches’–on a voyage that will take him first through the circles of Hell (first base),  then the slopes of Purgatory (second base), and then the planetary and starry spheres of Paradise (third base), all the way to the Empyrean (home plate), where the souls that have achieved salvation dwell in the presence of God.” [. . .]  — Sante Matteo, “The Journey Home in Baseball: The Bible and the Divine Comedy,” KAIROS Literary Magazine, May 1, 2020

Contributed by Sante Matteo (Miami University, OH)

Categories: Written Word
Tagged with: 2020, Baseball, Essays, Home, Journeys, Ohio, Oxford (Ohio), Sports

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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