“The story of Paolo and Francesca, two lovers entwined in an eternal whirlwind, was first told in Dante’s Divine Comedy, and has been the inspiration for countless classical artworks ever since.” —NET-A-PORTER
“oh mujer -carne y sueño-, ven a encantarme un poco,
ven a vaciar tus copas de sol en mi camino:
que en mi barco amarillo tiemblen tus senos locos
y ebrios de juventud, que es el más bello vino.
“Es bello porque nosotros lo bebemos
en estos temblorosos vasos de nuestro ser
que nos niegan el goce para que lo gocemos.
Bebamos. Nunca dejemos de beber.
“Nunca, mujer, rayo de luz, pulpa blanca de poma,
suavices la pisada que no te hará sufrir.
Sembremos la llanura antes de arar la loma.
Vivir será primero, después será morir.
“Y después que en la ruta se apaguen nuestras huellas
y en el azul paremos nuestras blancas escalas
-flechas de oro que atajan en vano las estrellas-,
¡oh Francesca, hacia dónde te llevarán mis alas!”
–Pablo Neruda, “Ivresse”, 1904-1973.
Pablo Neruda was a 20th-century Chilean poet. The poem “Ivresse” is a part of The Essential Neruda: Selected Poems, which you can purchase on Amazon.
Among German sculptor Fritz Koenig’s oeuvre one finds a number of works that take inspiration from Dante, particularly mediated through Rodin’s sculpture groups in his Gates of Hell. Below, “Paolo und Francesca” from 1958.
Koenig’s work was celebrated with a retrospective at the Gallerie degli Uffizi in 2018.
Contributed by Jessica Beasley (Florida State University, 2018)
“Zandonai’s opera, his most successful, was performed in Turin for the first time in 1914. This new La Scala production is conducted by Fabio Luisi and directed by David Pountney with Maria José Siri in the lead role. Pountney is a British theatre and opera director known for his productions of rarely performed or new works. Teatro alla Scala, Via Filodrammatici 2, www.teatroallascala.org.” — Posted on wantedinmilan.com
“Francesca da Rimini is an experiment in using a robotically controlled camera to capture ballet. Starring dancers Maria Kochetkova and Joan Boada, Francesca is based on a story from Dante’s Inferno and set to Tchaikovsky’s Francesca Da Rimini. The entire performance was filmed with motion control camera movements designed to synchronize with the dancer’s every step. The camera moves as if operated by a third performer, fluidly orbiting around the two dancers from the intimate perspective of another artist on stage. Using a combination of motion capture, 3D animation, and industrial robotics, Francesca demonstrates how the synthesis of art and technology can bring a new perspective to a classic art form.” — Director of Photography Joe Picard
Director: Tarik Abdel-Gawad
Dancers: Maria Kochetkova & Joan Boada
Choreographer: Yuri Possokhov
To learn more about the project, see the Making-Of film here: Ballet Meets Robotics: The Making of Francesca Da Rimini.