Contributed by Dien Ho
Contributed by Dien Ho
Jay Parini describes Marie-Claude de Brunhoff, a main character in Edmund White’s memoir Inside a Pearl: My Years in Paris, as “a kind of fragile Virgil to White’s dewy-eyed Dante, leading him with gusto into the labyrinth of Parisian life.” –Jay Parini, The New York Times, February 7, 2014
“Something is gnawing at the nape of your skull: on the one hand, your favorite fall shows are coming back…”
“You want to watch Boardwalk Empire—what will happen to Nucky Thompson, or Richard Harrow? You want to catch up on The Walking Dead, but then you remember that synaptic pruning, and a frightening question about the difference between you and an actual zombie floats through your head.
“The convenience of hour-long shows is that they often air on Sunday night, when you have nothing to do. We have a compromise. Don’t spend an hour on the latest would-be cable sensation; instead, tune in for the first season of The Divine Comedy, the hot, new (relatively speaking) series by Dante. Every week, ideally on Sunday at 9 P.M., read one canto—often less than 140 lines!—of what may be the best poem ever written. Season 1 is called the Inferno—think of it as your new Home Box Office.” [. . .] –Alexander Aciman, The Paris Review, September 30th, 2013
“Imagine that van Gogh, after slicing off his ear, finds himself sucked down a passage into his own brain, which turns out to be the concentric onion of Dante’s Divine Comedy. Then capture that journey with three-dimensional digital imaging software and turn it, frame by computerized frame, into a five-minute animated movie. [. . .]
“She had her first breakthrough when she was taken on by the Jerome de Noirmont gallery in Paris in 2002. Since then, she has had a major sculpture and video projection work, ‘Paradise,’ installed in the Piazza della Signoria and the Palazzo Vecchio in Florence, in 2006 [. . .].
“Ms. Zhou’s solo show of video art, ink brush drawings and sculpture at Shanghai Contrasts, running to Dec. 9, is built around her most recent film, The Greatness, a variation on the theme of Dante’s Divine Comedy.
“The film is a sequel to The Ear: both star Pharrell Williams, one in the flesh and the other as a sculpted vase, and both explore transience and death. In The Greatness, Mr. Williams’s look-alike vase, shattered by a bullet, disintegrates into a fractured universe while the bullet, like Dante guided by Virgil, travels through visions of hell and redemption accompanied by an other-worldly soundtrack composed by Mr. Morricone.” [. . .] –Claudia Barbieri, The New York Times, December 1, 2010
Read more about The Greatness, on Vice.
“The Thinker is one of the most recognizable sculptures in the world. It even has a role in the film Night at the Museum: Battle of the Smithsonian. Last week one of the Thinker sculptures by French master Auguste Rodin was sold at auction for more than 3 million euros ($4.2 million) in Paris at auctioneers Drouot. This Thinker, which is just 28.5 inches high, set a record for any of the Thinkers. This statue is part of a series of 21 sculptures made by Rodin. It was originally meant to be part of Rodin’s Gates of Hell inspired by Dante’s Divine Comedy. Rodin made a first small plaster version around 1880 and the first large scale bronze was presented to the public in 1904. This particular Thinker was purchased by Emile Chouanard in 1917, the same year it was cast. Another Rodin statue owned by Chouanard, ‘Little Eve’ also sold for a record price of over 2.4 million euros at the auction.” –Deidre Woollard, Luxist, June 22, 2009
Contributed by Patrick Molloy