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Citings & Sightings of Dante's Works in Contemporary Culture

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Riccardo Muti’s “Concert for Dante” in Rome (2020)

October 29, 2020 By Laura Chatellier, FSU '23

“As part of ongoing programs that commemorate the 700th anniversary of the death of celebrated Italian poet Dante Alighieri this year, Riccardo Muti leads a special “Concert for Dante” in Rome on Oct. 3…

“muti-leads-concert-for-dante-in-rome-october-2-2020The program features several works and composers inspired by Dante’s masterwork The Divine Comedy, which portrays the poet’s journey through the afterlife traveling through the Inferno, Purgatory and ultimately arriving in Paradise. The Te Deum, which is recognized as one of the earliest surviving Christian hymns, is heard by the poet as he enters Purgatory. Verdi’s Laudi alla Vergine Maria, an a cappella choral work for female voices, incorporates text from a short prayer in Canto XXXIII of Paradise, the third part of The Divine Comedy. Composer Franz Liszt, who is represented on this program with his symphonic poem Les préludes, was a great admirer of Dante’s work and was also inspired to write the Dante Symphony, which Muti, Zell Music Director of the CSO, led in performance in 2017, and offers a glimpse into the theological and emotional world portrayed in The Divine Comedy. 

The celebrations to honor Dante, whom many recognize as the “Father of the Italian Language,” started several weeks ago on Sept. 5 when President Mattarella participated in a special ceremony at the poet’s tomb in Ravenna, Italy, where the Dante died in 1321.” […]    —CSO Sounds & Stories, October 2, 2020

See more information on special Dante anniversary programs at Dante2021.

Categories: Music, Performing Arts
Tagged with: 2020, Classical, Italian, Music, Performance Art, Rome

“It’s Art: Resuscitated CPR Dolls & Dante’s Divine Comedy“

January 18, 2020 By lsanchez

“Today, we present German artist Thomas Zipp’s September 5, 2014 performance / exhibition, Effects of Stimulus-Range and Anchor Value on Psychophysical Judgement (The Laerdal Rehearsals). In it, Resusci Anne CPR dolls were brought “back to life” to the recorded sounds of a performance of Dante’s Divine Comedy.”    –Emerson Rosenthal, Vice, October 17, 2014

Categories: Performing Arts
Tagged with: 2014, Art, Divine Comedy, Performance Art

Giovani Artisti per Dante 2018

January 9, 2020 By lsanchez

“Dante: everybody’s or nobody’s, untouchable heritage or living culture? The Festival answers with Young Artists for Dante, the daily events in the Ancient Franciscan Cloisters by the poet’s Tomb, from June the 1st to July the 5th at 11 in the morning. There are students, actors, musicians, dancers; they are local artists and groups, or they answered to the international call for proposals, and stood out among the dozens applications. Week after week, they will reveal five points of view on Dante’s universe, at the crossroads between history and imagination, poetry and music, body and soul. In collaboration with the Municipality of Ravenna, Società Dante Alighieri, and Società Dantesca Italiana, and with the support of the Fondazione Cassa di Risparmio di Ravenna, hosting the events in the Cloisters it owns, the Festival offers Young Artists for Dante to the audience of citizens and visitors at the symbolic admission fee of 1 euro.

Dante: so superior to be out of reach, father of the Italian language, a pillar of literature of all times, all places; the author of a work that mirrors and contains the whole world, human and divine. But also Dante: in the language the Italians speak everyday, in the ideas, in the opinions; his profile is unmistakable, symbol of a culture that still conquers the heart and the imagination of people from any tradition, any country. The Festival that has made of the city’s history the keystone of its own identity – looks forward to the year 2021, the 7th centenary of Dante’s death, while it thinks and rethinks Dante – not far, but very close – with the third edition of Young Artists for Dante.”    —Ravenna Festival, May 25, 2018

Categories: Performing Arts
Tagged with: 2018, Dance, Italy, Music, Performance Art, Ravenna

Dante the Magician

January 8, 2020 By lsanchez

“With Dante’s death, what historically has been known as the ‘Golden Age of Magic’ came to an end. Gone were the variety theaters of the world, and with it were the large traveling magic productions that had thrilled and mystified millions for generations.”    –“Harry August Jansen,” Wikipedia, 21 September 2019. Retrieved 8 January 2020.

Learn more about Dante, the “King of Magicians,” here.

Categories: Performing Arts, Visual Art & Architecture
Tagged with: Demons, Hell, Magic, Performance Art, The Devil

Inferno at San Francisco’s Gray Area Festival

December 8, 2019 By Alexa Kellenberger FSU '22

“I’m in the middle of the dance floor. The strobe lights above me are popping in time with the thundering kick drums and violent synth-bass rolling out of the speakers at 110 beats per minute. I’m shuffling to the rhythms, but I’m only able to control the lower half of my body. All of my movements from the waist up are being dictated by an exoskeleton strapped onto my trunk like a jacket.

“My arms jerk up and down and twist from side to side with the beat, but my own muscles aren’t doing the work; my flesh is being pushed around in space by the 45 pounds of metal, cable, and hydraulic cylinders running across my shoulders and down my arms. A robot is making me dance.” [. . .]

“The dance show, titled Inferno, is meant to be an experiential representation of hell, and I suppose it is, just maybe more fun. Inferno has been touring the world for a couple of years, and it made its US premiere in San Francisco this past weekend at the Gray Area Festival.” [. . .]    –Michael Calore, Wired, July 30, 2019.

Read more about Inferno and the Gray Area Festival on Wired.

 

Categories: Performing Arts
Tagged with: 2019, Arts Festivals, California, Dance, Festivals, Inferno, Performance Art, San Francisco, Technology, Theater

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante's Works in Contemporary Culture. Website. Access date.

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